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4. Macbeth’s colleague Banquo asks Macbeth why he is startled by the prophesies, which “sound so fair.” He then asks the…
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Before Macbeth gives his famous “Is this a dagger which I see before me” soliloquy, he has decided that he was not going to kill the king. Lady Macbeth wants to become queen, so she has an argument with Macbeth. During the argument Lady Macbeth says, “When you durst do it, then you were a man”, saying that Macbeth is not a man unless he kills king Duncan. Lady Macbeth’s words make Macbeth perplexed and he goes into his soliloquy where he debates whether or not to assassinate the king.…
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In William Shakespeare's story Macbeth, the hero, faces a conflict that impacts how the play will go and delivers a message within the story. The conflict starts with the prophecies of the Weird Sisters and later on gets worse from the trickery of Lady Macbeth. The result concludes a series of repeating thoughts running through Macbeth's mind, whether to kill or not to kill Duncan.…
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Detail 1: To begin with, Prince Hamlet in “Hamlet” is considered to be a scholar, a thinker, and the kind of person who would not act without thoroughly analysing the circumstances. Hamlet’s flaws as a central character become evident when the intrigue begins to take shape. The intrigue in “Hamlet” shows Hamlet’s father coming to him, as a ghost, and pleads revenge for his death. Hamlet becomes aware that his uncle, Claudius,…
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Situate the passage into the greater text: mention the act and scene numbers, as well as what happens at this point in the play/ Significance (1-2 sentences)…
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During the course of the play, there are many ways in which Macbeth changes: his attitude to supernatural, his relationship with Lady Macbeth and his attitude to killing people. Near the start of the play, in Act 1 scene 3, Macbeth is quite disrespectful to the witches: ‘Speak if you can’, ‘what are you’ line 45, ‘so foul and fair a day I have not seen’ line 36. This also shows that Macbeth was a proud character and liked to show his power. When the witches tell him and Banquo the prophecies, Macbeth is very eager to know about it: ‘Stay, you imperfect speakers. Tell me more’ line 68, ‘Speak I charge you’ line 76. The prophecies claims that Macbeth will be the Thane of Glamis, then Cawdor and then king. Macbeth is still unsure if he believes the prophecy or not. He is confused. Later on, in Act 2 scene 1, Macbeth sees a dagger floating in midair just before he murders King Duncan: ‘Is this a dagger which I see before me’ line 33. The sudden appearance of the dagger spikes Macbeth’s curiosity: ‘Are thou not, fatal vision, sensible to feeling as to sight?’ lines 36-37. He is asking the question addressing the dagger. Perhaps by this point, Macbeth is starting to get used to the supernatural-he isn’t too surprised when he sees the dagger. In Act 3 scene 4, after Duncan’s murder and Banquo’s, Macbeth hosts a feast at Forres. In the feast, Banquo’s ghost makes an…
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Review: Macbeth a visually striking period piece for the modern viewer We all wrote an essay about it in high school; Shakespeare’s “Macbeth” is so widely read that it’s surprising Justin Kurzel’s newest film is the first notable cinematic adaptation since Roman Polanski’s in 1971. Kurzel’s take on the Scottish play is a spectacle of haunting violence; he takes advantage of the cinematic medium and crafts a stunning aesthetic. As an adaptation, the film offers an imaginative reading of the familiar narrative of the eponymous Scottish general (Michael Fassbender, sure to draw a crowd at the box office) and his infamously manipulative wife (Marion Cotillard, art-house ace). However, in its attempts to be visually striking, much will seem to have…
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King James VI, king of Scotland, ascended to the throne of England after the death of Queen Elizabeth I. This act united Scotland and England under one rule. While King James was alive, He was interested in the world of witchcraft and wrote a book about the subject called Daemonologie. In Macbeth Shakespeare uses Macbeth and his misunderstanding of the fates as a representation of King James and his misconception of witches and their true nature.…
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Macbeth's soliloquy at the start of Act 1, Scene 7, introduces us to a side of Macbeth that has not yet been portrayed earlier in the play. Here, instead of being the courageous and valiant soldier, Macbeth reveals himself to be a man who is being slowly tempted by ambition and power, though not determined enough to take the risks in order to achieve his goal, thus resulting in the repetition of "ifs" throughout the beginning of Macbeth's soliloquy. Macbeth is also very much aware of the lack of reason for the murder of Duncan. The soliloquy effectively adds to our understanding of the internal conflict that plagues Macbeth as he struggles to determine whether or not he should kill Duncan, who is a virtuous man as well as his kinsman and king. He believes that it is against the nature of man to kill someone who is of such a status and relation to him and that it is immoral to do so, "he's here in double trust: first, as I am his kinsman and his subject, strong both against the deed" and that it would be a breech of Duncan's trust in him if he decides to go through with the murder. We see Macbeth's reluctance to murder Duncan himself as he is a guest in his own home. "…as his host, who should against his murderer shut the door, not bear the knife myself." Macbeth knows that his weakness is the desire he has to seize the crown. He knows that although he does not wish to murder Duncan but for the fulfillment of his own ambition, "I have no spur to prick the sides of my intent, but only vaulting ambition…" it is something that must happen in order for Macbeth to achieve what he wants. The audience sees the conflict within Macbeth and the horrible imaginings he has for his own downfall and his fate. He knows that he is drinking from a "poisoned chalice" which symbolizes Macbeth's yearning for moral desecration. Another aspect of Macbeth that the audience witness is the reluctance to mention the murder of Duncan. Instead, he uses euphemisms such as " it, assassination,…
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For the setting, our group didn’t change much from Act 2 Scene 2 to Scene 3, but we placed a bed for Scene 2 in order to show the fact that it was in the Macbeths’ bedroom. Scene 3 was bare, as it had to be a large enough place for the thanes and Lady Macbeth to confer – we imagined that forming a half circle would suffice. Too much props would have ruined the solemn mood of Scene 3, right after Duncan’s murder. We also controlled the lighting to make it sufficiently dark, in order to add to the dark atmosphere in Scenes 2 and 3.…
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Shirley Jackson deals with an important human issue in her short story, the lottery. She shows how people will conform to the norm even if they think it is wrong and conforming to the norm means they will hurt and even kill their family and friends. The lottery is about a little town somewhere in America where every year the town stones one member of its community to death. The person who is stoned is selected through a ballot but all the way through the story you think that the lottery will result in something good like a prize, but the reality is much different.…
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In Shakespeare’s Hamlet, dramatic irony is used to garner sympathy and antipathy from the audience, which further develops the characters, conflict, and theme of the story. This is seen when the ghost of Hamlet Sr. tells Hamlet Jr. that “the serpent that did sting [his] father’s life/Now wears his [father’s] crown.” (I.v.39-40). This creates dramatic irony because the audience knows that Claudius killed Hamlet Sr. while the majority of the characters still believe that Hamlet Sr. was bitten by a snake. This fosters sympathy for Hamlet Jr. as he loses his father to the malicious deeds of others. Additionally, this creates circumstances in which Hamlet Jr. is setup to become the hero of the story. Since Hamlet Jr. truly loves his father, he is…
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William Shakespeare's play, Hamlet, documents one character's continual development. From a hesitant youth to a ruthless revenge-seeker, there are three major turning points that propose the start of Hamlet's wicked evolution. In dealing with his father's passing, Hamlet's grief burdens him to be overwrought with emotion and causes him to contemplate the irrational, even murder. The Players' scene, Prayer scene and Closet scene all present possible key turning points for this change. Although Hamlet's sanity remains questionable throughout the play, these three scenes suggest possible points in which Hamlet becomes particularly vicious. Beginning with the vision of his father's ghost relaying the notion of his own murder by Hamlet's uncle, Claudius, Hamlet's mind becomes increasingly flooded with impulsions.…
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When the ghost of Hamlet’s deceased father informs Hamlet of the actual events of his father’s death, Hamlet is enraged. He faces an internal conflict of man versus conscience. His newfound knowledge makes a need for revenge stir within him, and it starts to eat away at Hamlet’s mind, soul and actions. Throughout the novel Hamlet struggles with finding the courage to kill his uncle Claudius once and for all. “What's Hecuba to him, or he to Hecuba, that he should weep for her? What would he do, Had he the motive and the cue for passion that I have? … O, vengeance! Why, what an ass am I!” Hamlet scolds himself for not possessing the will power that the actor has, who is able to shed tears for a fictional character, yet Hamlet is unable to take action for a real person that influenced him so greatly; his father. Hamlet wants to take the role as a hero like the actors do, but he cannot find the emotional strength to do it.…
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Through this event, the reader quickly learns the betraying act by the ghost’s brother. Because the king was betrayed, Hamlet is sure to take revenge. Hamlet’s future action of avenging his father’s death is crucial in introducing and developing the theme and driving the rest of the play. Later in the play, Hamlet is enraged, and with…
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