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Regardless of Emilia being the voice of reason in Othello, even she succumbs to Iago’s deceptions. In Act 3: Scene 3 Emilia finds Desdemona’s handkerchief, “I am glad I have found this napkin/This was her first remembrance from the Moor” yet despite knowing its importance, she gives it to her husband (Iago). Emilia doesn’t know what Iago will do with Desdemona’s precious handkerchief nonetheless she yields, “I nothing but to please his fantasy”. Upon receiving it from his wife he dismisses her and her questions with, “Be not acknown on’t; I have use for it. Go, leave me,” he uses high…
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| Iago ‘only loves’ Desdemona out of revenge and jealously of Othello as he believes he has slept with his wife. The ‘infidelity’ that is occurring behind is back is eating him alive and so he plans to manipulate Othello in beliving Desdemona is having an affair with Cassio. ‘Deception’ aids him to accomplish this task…
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Othello is a story of tragedy; a failed marriage between a Moor and the white daughter of a political figure. Through jealousy and deception, Othello and Desdemona’s, his wife, marriage goes from a love story to two tragic and preventable deaths. Othello is a highly respected general in the defense forces of Venice; his charismatic and intelligent demeanor allows him to gain power and status in a majority white atmosphere. Desdemona is the daughter of a high ranking chauvinistic political figure. Desdemona is nothing like her father, she believes in true love which is why she falls in love with Othello even though during the 16th century, interracial relations are frowned upon. The Great…
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Would you kill the love of your life if someone told you she was cheating on you? In the play, “Othello” that is exactly what happens when a husband is deceived into thinking his wife is cheating on him. The play, “Othello” is set in Cyprus and Venice. In the play, Iago attempts to destroy the marriage of Othello and Desdemona. Iago is a villain, who will not stop until he sees Othello utterly ruined and him in his place. Honesty is one of the major themes of, “Othello”. Although there are a lot of characters in the play that aren’t honest, Iago is by far the most dishonest character in, “Othello”. Due partly to fact that the other characters are so trusting of Iago, he is able to use that to be dishonest and manipulate of other characters to exact revenge upon Othello.…
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In Shakespeare’s Othello, A play about a group of military men and their families including their wife’s and their friends and family who are all connected to each other and the jealousy one has (Iago) of the Most important character (Othello) to tear Othello and his wife Desdemona apart in the hope to gain power with it .Shakespeare in this play uses trust/honesty to show the fault in humanity to believe in what they are told without proof that it is true. Shakespeare shows this trust and honesty through the interaction and relationships between Othello and Iago, Iago and Cassio, and the interaction between Brabantio and Iago/ Rodriego. This is not only shown as a hidden trust between two characters but also with the use of the word trust and honesty within the text.…
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Through extensive critical study of William Shakespeare’s play Othello, taking into account the countless productions of the play over the years, which reaffirms its status as an enduring valued text, it becomes distinctly evident that part of its ability to continually engage readers is drawn from its treatment of themes universal to the human experience , such as verisimilitude and jealousy. Society’s constant struggle with what is real and what is not in our modern world, coupled with our everlasting battle with human emotions such as jealousy, give the play textual integrity, ensuring that the play is reputable of critical study. This can be specifically realised through the close analysis of Act 3 Scene 3, Act 1 Scene 1, and Scene 3 in which Shakespeare utilises his art to replicate life and verisimilitude to confront the audience’s perception of reality and jealousy. Close examination of these pivotal scenes in regards to the key thematic concerns not only accentuates the interpretation of the play as an Aristotelian tragedy, but also draws attention to why Othello continues to engage and enthral contemporary audiences.…
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In the play, Othello, by William Shakespeare, a character named Iago, manipulates people to get what he wants. One character that is manipulated the most by Iago is Othello. The reason why is because Othello made Cassio his lieutenant and there were rumors that Othello has been sleeping around with his wife, Emilia. Iago involves Desdemona, Othello’s wife, in his plan by making it seem that Desdemona and Cassio are having a relationship. Iago convinces Othello about this relationship when Othello gets the ocular proof that he wanted. This evidence was that Cassio had the handkerchief that he had given to Desdemona as a first gift. Othello and Iago made a promise to each other that Othello will kill Desdemona and Iago will kill Cassio. Up to this point in the story Othello thought that Cassio is dead; now he will have to kill Desdemona. In Othello’s opening speech in Act 5 Scene 2, Othello feels the need to kill Desdemona but still feels doubt on whether he should do it as it is presented in his speech by literary meanings and devices.…
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Depending on cultural differences and upbringing a text will have different impacts on the audience. Like any great piece of literature, William Shakespeare’s plays deal with timeless concerns that have the ability to be adapted and presented to remain relevant for modern audiences. Shakespeare’s Othello is a Jacobean play written in a time of racist attitudes towards foreigners and sexist attitudes to women. This revenge tragedy follows the protagonist Othello, a black army general who is manipulated by his ensign Iago. For me the way that race and colour is presented in contrast to the stereotypical portrayal highlights the prejudice apparent in not only the Jacobean society but our own as well. This is portrayed through Iago’s racist depiction of Othello and the opposing imagery of black and white. The play can also be viewed as having a strong feminist theme. The two heroines are portrayed as capable and steadfast individuals. Both women are the only characters that remain justified throughout in their loyalty to their husbands.…
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“O, beware, my lord, of jealousy! / It is the green-eyed monster, which doth mock/ The meat it feeds on” (Shakespeare III. iii. 195-197). Everyone has the capacity for jealousy. It can change how people think as well as how they act. In the play Othello by William Shakespeare, jealousy is nurtured within the minds of multiple characters, and this jealousy is what ignites the want to make multiple misconceptions arise in order to create havoc and inflict suffering upon others and in some cases, upon themselves. To start off, Iago illustrates how jealousy can cause one to want to inflict pain upon others. Secondly, Roderigo shows how jealousy can make one become easily persuaded into doing wrong things. Lastly, Othello is a fine example of how jealousy can cloud somebody’s mind and cause them to see things as something else and inflict suffering on themselves and on others.…
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Enter Iago and Othello with Iago almost forcing the Moor to imagine his wife and Cassio together intimately. Iago then begins to ask about the loss of the handkerchief, as if to add fuel to the fire, saying that if Desdemona could in fact give away the handkerchief so freely what else could she give away just as easily. Othello had completely forgotten all about the matter with the handkerchief until Iago had so graciously reminded him. Then to make matters worse, Iago flat out lies to Othello claiming that Cassio and Desdemona have in fact slept together. That he heard this from Cassio himself. After listening to this Othello immediately…
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Shakespeare's "Othello" exhibits the demise of man via jealousy and rumor. The work showcases perhaps the gravest villain in literary times, Iago, whose evil cunning and masterful manipulation steamrolls the demise of honorable reputations; the destruction of intimate relationships, both brotherly and romantic; and finally, breaks down the sanity and conviction of stable men due to excessive need to protect ego and preserve personal pride.…
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Emilia and Desdemona are both confined within a patriarchal power structure, and although their responses to this dynamic are different, they both ultimately die because of it. Emilia and Desdemona reside within a patriarchal society. Emilia and Desdemona both react differently toward their husbands’ actions. Both Desdemona and Emilia die as a direct result of their husbands’ authority over them.…
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ADMIRABLE is the preparation, so truly and peculiarly Shakspearian, in the introduction of Roderigo, as the dupe on whom Iago shall first exercise his art, and in so doing display his own character. Roderigo, without any fixed principle, but not without the moral notions and sympathies with honour, which his rank and connections had hung upon him, is already well fitted and predisposed for the purpose; for very want of character and strength of passion, like wind loudest in an empty house, constitute his character. The first three lines happily state the nature and foundation of the friendship between him and Iago, the purse,as also the contrast of Roderigo's intemperance of mind with Iago's coolness,the coolness of a preconceiving experimenter. The mere language of protestation…
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“In the transformation process Othello and O deal with the same issues and ideas, but do so in different ways.”…
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Naivety and ignorance is shown constantly by Othello when he foolishly accepts Iago’s ‘proofs’ of Desdemona’s infidelity without question. He is so enraged and jealous at the notion of his wife sleeping with someone else that he looses his sense of judgement and rationality. This could be considered a relatively natural reaction to such a situation, but it ultimately shows a weakness in the human psyche. Again Othello shows poor judgement by not confronting Desdemona about these claims and instead contents himself with Iago’s word. He convinces himself that he is acting in Desdemona’s best interests and wrongfully assumes her to be the “cunning whore of Venice”.…
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