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The elements include images and factual notations that explain the livelihood and actions of George Melies life and how he began as a magician and then turned to movies and film making. Referential meaning includes the era of the 1930’s and the setting of a train station from which most of the film is focused on.…
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The use of distinctively visual images allows an audience to perceive and distinguish the composer’s specific representation. From these distinctive visuals, the audience’s perceptions force them to respond in a particular way. In ‘Crouching Tiger, Hidden Dragon’, Ang Lee utilises a range of film techniques to position his audience through a combination of quiet, dramatic scenes and choreographed action sequences. In his painting, ‘Third of May, 1808’ Fransisco Goya conveys meaning exclusively with distinctively visual techniques. Both the composers are able to effectively convey their message and immerse the responder in the different aspects of the texts.…
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The Manchurian Candidate was noted for its breakthrough in cinematography, as the scenes were shot in a creative manner that was new and different in that era. It also made use of different editing techniques to seamlessly piece the story together, along with the use of certain recurring Motifs to effectively deliver the story to the audience. This paper would examine how the groundbreaking use of cinematography, editing help to bring across the theme of surrealism, and delivers a thrilling effect while the motifs help bridge the Theme of The Manchurian Candidate with the use of visual elements.…
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He was a set designer; he used the Rococo art style in his set designs and he also implemented Industrial Art into his work. “Melies bought Robert Houdin’s theater in 1888; he learned and used many things from Houdin’s theater such as stop motion photography, double and multiple exposures, fadeout scenes, dissolving, trapdoors, and smoke bombs.” (Soren, Np). Melies was also a director, producer, and actor. Melies was famous for his work, but became immensely known for his film Trip To The Moon that was produced in 1902. His set included significant features; aliens, clouds, a spaceship, and a shooting star. The shooting star is very significant through the appropriation of all the films and video clips. The film is about astronauts making a plan to go to the moon, they build a spaceship, then they take “a trip to the moon”, where they have an occurrence with some creatures and then they have to fight them off while they get back to the spaceship and it ends with them getting back safely within the 80 days and everyone applauds them and throws a parade. Trip to the Moon was a silent film, but was later appropriated into a music…
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Established narrative film as the dominant cinematic mode (not very often do documentaries etc. get shown in main stream cinemas)…
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Bibliography: Eisenstein, Sergei, and Jay Leyda. Film Form; Essays in Film Theory,. New York: Harcourt, Brace, 1949. Print.…
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While researching on the different techniques applied on previous notable films created by distinguished filmmakers, I learned that they all similarly applied their understanding of human perception into the creation of their craft. To give a better point of comparison among the films cited in this section, all of the movies presented below share a similar technique: the uninterrupted shot. This method was preferred by this researcher in order to identify the differences in styles that were incorporated by each director in presenting his version of the uninterrupted shot. In the 1980 film ¬of Stanley Kubrick entitled The Shining, a long uninterrupted shot of the young boy Danny was shown as he explored the endless hallways of the…
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Italian Neorealism was a brief era of new realism; birthed from the film makers whom believed the world should see the real plight of the average Italian at that time. Influenced by its predecessors; French poet realism, Japanese cinema and American film noir, Neorealism was shot on gritty location using unprofessional actors, retelling the story of ‘their’ lives at the time. This genre is best displayed by the iconic film, “Ladri di biciclette” The bicycle thieves directed Vittorio De Sica.…
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Formalistic filmmaking involves the director's unique aesthetic view of how the film should be presented to the audience. While realistic films are presented with a style of "how it appears onscreen is how it would be seen if present during the events of the film", formalistic expression allows the style of the director to shine through and impress upon the audience somewhat of a "distorted" reality. The various techniques of filmmaking are used to present a stylization of reality by manipulating certain aspects, such as camera angles and movements or the use of editing to warp time and space. These manipulations are often made to be obvious choices by the director in order to call attention to his own style.…
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So in this view, there was a number of the new enterprising film firms in which just sprang up at the turn of the century featuring non-fiction titles, most specifically the travelogues. In the period prior to world travel has been actually widespread and every tourist had a camera. Therefore, the scenes of distant lands as well as the life were then having considerable foreign appeal for film patrons. As in most of whom until time were working class and definitely could not afford travel for such a reason. Citing some instances, for these two filmmakers Edwin S. Porter (1870–1941) and D. W. Griffith (1875–1948) had done perfecting the editing techniques for such a reason of advancing a story. That so happened, non-fiction films had been quickly obscured in attractiveness by narrative films in which had been exploited in editing as well as other cinematic techniques. Among those were framing and the movement of the camera in order to engage audiences expressively. In effect to that, non-fiction film had an assumption to a contributory position. (Kawin 2011)…
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Movies have long been known to create a portal through which its viewers can transcend through their own realities and experience the unimaginable. The visual, sounds, and narrative of great movies immediately attract the focus of its audience as they move into a trance for those 1-2 hours of screen time. While many great movies introduce their audiences to varying experiences that heighten their senses and grasp their focus, some measure of relatability is necessary to connect with audiences. Such concepts of implementing elements of realism into the various facets of a film help establish a relevant connection, through which audiences can relate. However during the Hollywood Classical era, introducing such techniques of intensifying realism in movies was often unconventional and not an achievable goal for directors and cinematographers. The techniques required to implement such elements were either not well known or plausible. There were some movies during this era that did defy such tendencies and broke barriers in terms of delivering a movie that differentiated through such concepts like realism. Two famous films that have utilized certain techniques in creating an intensified form of realism in their own ways are Citizen Kane, by Orson Welles, and Double Indemnity, by Billy Wilder.…
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"Nearly a century before Michel Gondry time, another French filmmaker Marie-‐Georges-‐Jean-‐Melies used the same method in filmmaking and story teling . George Melies, “inherent wonderment at the seemingly magical demonstrations of the cinematic medium itself, and Méliès often located his enterprise within a long tradition of deceptive spectacle, which was inaugurated with the magic lantern shows of the preceding centuries.” (Bear. 2008. p.18). Often called “The Cinematic Magician”, George Melies single handedly created the basic of camera tricks technique and film editing. "…
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In conclusion, Fritz Lang’s M was a huge step forward in the development of synchronized sound technology after the decline of German Expressionism. Lang’s use of sonic motifs, off-screen sound, sound bridging, and precision silence alongside expressionistic-inspired dark visuals were way ahead of their time. The way Lang edited sound in comparison to the way he edited his visuals was a successful attempt at embracing the new technology and inspired filmmakers for years to…
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In the early 1900’s silent films amazed audiences with images, later talkies impressed with sound, today we have 3D. As technology continues to evolve so too will film genres. Genres, while having some shared characteristics, also differ in terms of stylistic devices used. For instance, the dramatic film “The Notebook” effectively uses color to reinforce theme and has plausible performers as the two main protagonists.…
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What determines if a film is effective or not? Is it the setting, characters or plot? A film could have the best plot and most skilled actors but it is worth nothing unless it has proper film techniques. Things like sound and music, camera angles and camera movement are all key parts in developing an effective film. To have the capability to represent an atmosphere, mood and setting; everything must come together to represent the main purpose of the film. In the film, “The Crucible”, the scene being analyzed; the main purpose is to represent the hysteria. In this essay, things like sound and music, camera angles and camera movement can all be used to achieve an overall effectiveness of the film and it’s purpose.…
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