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Cultural Diversity In Ballet

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Cultural Diversity In Ballet
Ballet was established in the royal courts of Italy in the 15th century and later was standardized by the courts of Louis the XIV in France. Over the centuries it has evolved to be more structured and taken on new styles and forms. Although originally an exclusive dance form, more cultures and types of people now have the opportunity to succeed in the ballet world than they did in the past two centuries. From the courts to the theater, from Europe to America, ballet has undergone various transitions visible in its styles and costumes. Ballet has evolved into diverse styles and gives audiences an opportunity to have a variety of experiences. Even though ballet is still predominantly white, in recent years, incorporating diversity has emerged as a top priority for many companies and ballet patrons in America.
When many people think of a ballerina, many people have general ideas of some typical characteristics. Even though it this
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Thanks to choreographers, dancers, and companies ballet has seen a recent change in the United States. One ballerina that has broken all of these barriers is New York City Ballet primary ballerina Misty Copeland. Misty, a black muscular and petite women has become known for emerging as a powerhouse and exceptional ballerina. Defying all odds, she first discovered ballet at the age of 13 when her and her 5 siblings were being raised by a single mother. She is the first African American Principal Dancer with American Ballet Theater (ABT) in their 75 year history. Not only has she attracted the attention of the ballet world, but also major sponsors such as Under Armour and many others. Recently, she released a book regarding her. The success Misty has had makes her a role model that young women who may not fit “Balanchine’s Ballerina” body type or skin tone can look up to and know anything is

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