The other male dance came in from the wing to join him and did a pose connected to him. Then, the first girl joined the two males, also in a connected pose. Lastly, the second female walked in to join, but just stepped through the dancers who were posed, and then all the dancers broke away from the pose and then stream of light went away and the whole stage was lit and all four of them began to dance…
New Moves, choreographed and performed by the students of the Cornish College of the Arts at the Broadway Performance Hall amazed me with how the dancers were able to express emotional moments in nature and life through various dance techniques.…
A brief moment is seen in the first subsection – where the dancers break away from the tight formation and precise synchronisation and go into spontaneous looking duets and solos In the mean time the previously religious lyrics change to “there is trouble all over this world...”. As the lyrics return to “I’ve been buked” a strong sense of community is…
In Fall 2012 there was a production called Jubilation taken place in El Camino College in the Campus Theatre. The Dance consist of many different styles of dancing from African dance by Nichole “Nittche” Thompson Spirit Within, to Tango as demonstrated in La Revancha Del Tango, choreographed by Imara Quinonez. One of the most common and best performed dances that was presented in the production were The Gift and Broadway Bound, choreographed by Bernice Boseman. Broadway Bound consisted of twelve dancers, and performed as a single group of girls, a single group of guys, and girls and guys dancing together. However, in the performance of The gift there was just one guy that performed his solo.…
The intense dance between the two leads was so heartbreaking yet beautiful. The piece told the story of a man and a women who cared deeply, supporting each other yet now being good enough. The man and the women had dragging movements, carrying and dropping each other showing that they couldn’t survive. At the end, there was a spotlight on the women as she collapsed to the floor with the man standing over her and others gathering around. The male lead sprinkled rose petals over her body, making the story so powerful.…
Dancers in society continue to blossom in today’s society with new talent breaching the world of dance every day. People’s abilities become discovered and pass on their passion amongst those who are willing to learn. A person who has gone by this statement is Bill T. Jones, an artistic director that shares a diverse coverage in being a choreographer, dancer, theatre director and writer. The American prodigy was born in the state of Bunnell, Florida. Though his place of home had been moved to the North to Wayland, New York, as a part of the Great Migration in the first half of the twentieth century. It was from this point on that he was offered the chance and fame to be who he is today by studying in the ‘Big Apple’ and attending Wayland High School. In growing and progressing his academic studies he had moved on to the State University of New York at Binghamton, where he had begun his dance training, studying in the areas of classical ballet and modern dance.…
It was up close and personal. All I could do is reminisce on the discipline of my dance training as I wiggled in my seat with anticipation waiting for the curtain to rise. I could write about the performance from beginning to end, but I choose not to. However, I do want to write about a segment of the performance that evoked a riveting, yet somber mood that struck me to my core. Home. (2011) choreographed by Rennie Harris (assisted by fellow choreographer Nina Flagg) who has a Hip-Hop dance company called the Rennie Harris Puremovement he founded in 1992. Music by Dennis Ferrer and Raphael Xavier - Underground is My…
Alvin Ailey never considered dancing as his career. He had always been enthralled by the lights, costumes, and dancers flowing with the music, but it never occurred to him that he would be creating such spectacles. He went to see many shows when he was younger, mostly ballet and musical theater. Acceptance for modern dance had not yet been established during the 1940 's, when Ailey was in his childhood, and he would become one of its most major influences. Alvin Ailey helped modern dance become accepted by bringing his roots into his dances, opening his own studio, and giving African Americans equal opportunities.…
The Rite of Spring was choreographed by Vaslav Nijinsky, a Russian dancer and choreographer. He joined The Imperial School of Ballet in 1900 and was later the lead dancer of the Ballet Russes. He eventually choreographed many works, one of them being Le Sacre du Printemps (The Rite of Spring) in 1913. He “exceeded the limits of traditional ballet” and the Rite was an example of this. In 1919 he was diagnosed with schizophrenia and spent the rest of his life in and out of hospitals until he died in London on April 8, 1950. The Rite of Spring was performed by Sergei Diaghilev’s Ballet Russes on May 29th, 1913 at the Theatre des Champs Elysees in Paris. It was later remade by the Joffrey Ballet in Los Angeles on September 30, 1987. Igor Stravinsky was the composer for The Rite of Spring. In his works for the Rite there was a significant basis of Russian and Lithuanian folk music. His music has influenced many of the 20th century composers and the idea that the Rite portrayed was inspired by Pagan Russia. The Rite of Spring became one of the first pieces of work that led to modern dance.…
Every year, the University of Southern Illinois University of Edwardsville has a Student Dance concert put on by the students apart of the university’s dance program. This organization is an extremely diverse, unique, and talented group of dancers. The dance concert had nine different pieces that were all different styles of dance. All pieces were choreographed by different student dancers and had different themes and messages. Two pieces stuck out from the rest. These two were Today and Despondency.…
Although most scholars simply define it as the art of designing and arranging dance, American ballet icon George Balanchine distinguished dance choreography as “an expression of time and space, using the control of movement and gesture to communicate,” (Anderson 5). This definition puts emphasis on the rigid structure and body control required to successfully produce a piece of choreography, an idea not uncommon in the ballet community (Conoley-Paladino). Like Balanchine, modern dance icon Merce Cunningham defined dance choreography as “an art in space and time.” However, in contrast, he stated that “the object of the dancer is to obliterate” that art, drawing on the importance of…
“Our company is as strong technically as any professional ballet company,” says Virginia Johnson, artistic director for New York City’s Dance Theatre of Harlem today. The pas de deux from Act 3 of the ballet classic Swan Lake is, after all, part of the company’s repertoire. But, as Johnson explains, the Dance Theatre of Harlem strives for something different. “We are a neo-classical company. Our work is based on the idea of moving ballet forward and giving audiences today something that maybe helps them understand their own lives in a different…
The focus of the short story “Dancer” by Vickie Sears is the positive progression of the main character, Clarissa, a foster child who gains a sense of her cultural identity as a Native. In the beginning of the story, she is introduced as a child with next to nothing and is portrayed to have psychopathic traits. Towards the end of the story, there are positive changes in her character. The main factor that led to Clarissa’s progression was her developing a strong interest in the powwow that led her to gain a sense of being a part of a family, knowledge about the community, and a better understanding of her history and culture.…
The first Monday of the season rolled around and I was ready to go. As I sat waiting for my turn I thought to myself, “I have been dancing my entire life, I know I will make every dance.” My group was called up and I nailed the dance.…
On Friday night, November 22th, a great concert was held again in the Sean O’Sullivan Theatre of Brock University. This concert was performed by four young, energetic, and talent musicians: Vera Alekseeva play a violin, Austin Hitchcock plays a French horn, and Karin Di Bella plays piano. When I entered the theatre, my eyes were immediately caught by a beautiful piano on the stage under the bright light. Some students were taking pictures of the instruments. Before the concert start, the musicians were briefly introduced themselves and descript about the pieces they going to play. The audiences were exciting and interesting for the concert. It was a perfect opportunity to experience such a wide variety of music.…