Dance Difficulties

As an extremely challenging and physically demanding pastime, it makes sense that a career in dance has lots of pressures that go along with it. This should come as no surprise seeing that every professional sport requires hard work and at least some sacrifice. It is questionable, however, if there is maybe too much pressure put on dancers in this day and age. Many people do not realize what it takes for a person to make it as a dancer, the dedication and drive the person must have. The fact of the matter is, the outcome of a dancer's career may not outweigh the physical and emotional damages left over from the long journey to the top. In the eighteenth century, the most prominent dancer of the time, Marie Camargo, set the standard for the typical dancer's physique. The body characteristics of no hips, breasts, or stomach became the customary body shape for dancers at that time, and in the future (Gim). George Balanchine, one of the most prominent dance choreographers in dance history is responsible for the basic look of a thin ballet dancer. His goal within a dance company was for all of the females to look as identical as possible. He wanted dancers who were tall and streamlined with beautifully arched feet, long, elegant legs and a graceful extension (Solway 57). He believed that the thinner the dancer, the better one could see their bodies and movements. Due to the views of George Balanchine, it soon became the norm for a dancer to be a certain height and weight. Soon that is what company producers, directors, choreographers, and the public expected. Even today, "an ideal has been set in place in the dance community which reflects the general public's desire to see thin women on stage" (10-6). The main goal of a dance company is to have viewers, and for that to happen the public must be visually pleased. Cultural ideas of feminine beauty cause young women to feel a strong desire to be thinner than their bodies naturally tend to be (10-1). This idea is