Dante and Virgil are outside the eighth Circle of Hell, known as Malebolge. The circle has a wall along the outside, and has a circular pit in the center. The ridges create ten separate pits. This is where the people receive their punishment for fraud. This is where Virgil and Dante see souls from one side to another. The demons with great whips cause pain to the souls when they come to the demon’s reach, which then force the souls to the other ridge. There is an Italian that Dante recognize and he speaks to him. The Italian tells Dante that he lived in Bologna, and now is there to sell his sister. The pit is for the Seducers and the Panders, and then Dante saw the Jason of mythology who abandoned Medea. When Virgil and Dante had…
The thirteenth canto of Dante’s The Inferno clearly depicts several of the different themes that can be seen throughout the poem. Some of these themes are the idea of contrapasso, or the notion that the punishment dealt fits the crime committed, the portrayal of Hell as being devoid of hope, and the importance of fame. The images and language Dante uses to describe his experiences in the middle ring of the seventh circle of Hell, which houses the suicides, provide the reader with the feeling of despair and hopelessness present throughout the text, while also serving to show the idea of contrapasso and the underlying importance of fame.…
Before Dante and Virgil enter Hell proper, they find the opportunists in the vestibule. They are running around wildly chasing a banner, while nude being stung by hornets and wasps. When the split came between Satan and God, they tried to stay neutral, and now they must suffer their punishment. Here, the banner symbolizes a leader, serving as a direct punishment for their indecisive nature. They come across limbo next, where the virtuous pagans are. These are the souls of good non-Christians, who are stuck in limbo because they were never baptized and never went to church to study Jesus. This is where Virgil and the poets reside. Limbo is not a bad place to be, and their only punishment is that they will never get to see the face of God. This is a fitting punishment because while alive they never knew of God,…
Dante’s Inferno depicts all the different types of major sins you can commit in your lifetime and the punishments you will endure thereafter. Dante had a system for these punishments that worked on the idea of divine justice. Basically, whatever temptations you succumbed to, you will be punished in a deserving manner based on how bad the sin was. Dante’s 9 circles were in order from bad to worse, 9 being the worst.…
“The Inferno” is an epic poem following the journey of Dante a mortal man who was guided through the many circles of Hell. Through his experiences he learns that divine retribution is pure justice of God; for all the punishment the tormented souls endure in Hell corresponds to whatever sins they have committed in life. Every circle in hell has an assigned punishment for the corresponding sinners within them. At the beginning of Dante’s journey he was horrified and felt pity and compassion toward the tortured souls he encountered. Through his journey Dante’s attitude changes from pity and compassion to ridiculing and wishing more punishment of divine retribution upon the sinners within the circles of hell. Through my essay I will discuss cantos V, VIII, and XXXII.…
While Dante’s imagery is sometimes straightforward, he also has disparate instances where his the elegant diction in his imagery leaves the audience haunted such as when he describes those in hell for committing suicide, “Our bodies will be hung: with every one, fixed on the thornbush of its wounding shade” (XIII. 101). The imagery of this mutilation leaves the audience wondering about the about the wounding shade.…
Virgil and Dante enter through the gates of Hell and see a crowd of people along the banks of the river. Virgil tells Dante these are the souls who neither sinned nor worshipped God, and are therefore rejected by both Heaven and Hell. Charon takes them across the river. The Second Circle is guarded by Minos and is the first of four rings in which souls are punished. In the Second Circle, the souls of the lustful are blown about by never-ending winds. In the Third Circle, the souls of the gluttons are soaked by heavy rain and clawed by the three-headed dog, Cerberus.…
In Canto 3, Contrapasso is illustrated in a subtle way. The individuals in this reside in the Anti-Inferno, punished not for sinning but for being neutral. They have lived without praise and without blame, living an undecided life without a relationship with God. Their “neutral” attitude is punished by forcing them to walk in a crowd following a banner. The banner symbolizes a leader, serving as a direct punishment for their indecisive nature. “Behind that banner trailed so long a file of people…” Additionally, Dante describes this section of Hell as “the city of desolation,” often viewed as meaning a sorrowful city. This further emphasizes Dante calling the souls “lost,” implying that they had no direction and are therefore punished for their indecisiveness.…
In the beginning of Canto III, Dante and Virgil are about to enter Hell itself. Dante is hesitant about the odyssey ahead because of the cryptic message inscribed on the Gates of Hell. As Dante voyages across the circles of Hell, the different circles show Dante that justice was the main concern for each Circle. Consequently, justice is seen as a prevalent theme throughout the Cantos in the Inferno.…
Another thing I have noticed with this book is a size discrepancy. In the back of the book there is a drawing of the different circles in Hell, with each circle a little smaller than the one above. As I make my way through the rest of the book, the circles that Dante describe seem the be growing in size. Each new circle now has a division of sinners, with the eighth circle having ten pouches by Canto XXX. I have found it interesting that the deeper sins have this wide variation and subgroups. I am curious if this is mainly to tailor punishments to the specific sins. For example, in Canto XXVI the eighth circle, eighth pouch, Ulysses and Diomedes are receiving punishment. Virgil goes on the say, “Within that flame, Ulysses / and Diomedes suffer: they who went / as one to rage, now share one punishment.”…
Dante’s journey begins in The Dark Woods, and from there Virgil leads him through all nine circles of hell. As Dante travels through hell, he crosses the paths of many mythological beings which correspond to the sins of those in a circle of hell. Each circle is dedicated to its own sin, and the farther down Dante goes, the worse the sins become. Dante is in the seventh circle of hell, the circle of the violent, when he encounters three of the most violent beings ever to have been; the minotaur, the centaurs (one of whom is named named Chiron), and Nessus. Since these were three of the most violent creatures on earth, they are used to punish the most violent in hell.…
Dante and Virgil reach the gates of Hell and read the printed inscription. When Dante is concerned, Virgil comforts him and tells him he must have courage. The two come to the first level of hell filled with people who only worked to benefit themselves and lacked conviction, including the angels who took no side in the battle between Lucifer and God. Here, the dead are seen naked, chasing after an ever-moving banner while being stung by hornet and treading on maggots. In this crowd Dante spots Popes Celestine V and Boniface VIII whom he disliked in real life. They continue on and meet Charon the ferryman who at first refuses to take Dante across the river but then reluctantly agrees. There are souls gathered along the banks wanting to cross…
Virgil leads Dante to the Gate of Hell, which is marked with the inscription, “ALL HOPE ABANDON, YE WHO ENTER IN.” Virgil and Dante go through the gate to the outlying region of Hell, The Ante-Inferno, where cowardly angels the souls who in life did not commit to either good nor evil, are forces to chase a blank banner while being stung by hornets and worms lap their blood. As Dante witnesses this punishment, he feels pity and repugnance for their suffering. As they go through the crowd, Dante notices a big crowd of people gathering on the banks of a river and asks Virgil why they seem so eager to cross over. Virgil responds by telling him to quiet down; he will soon find out why when they get to the banks of the river Acheron, one of the five…
Dante’s levels of hell are based off of Virgil from the 6th book of the Aeneid…
The Divine Comedy is composed of three canticas— Inferno (Hell), Purgatory (Purgatory), and Paradiso (Paradise) — composed each of 33 cantos. The very first canto serves as an introduction to the poem and is generally not considered to be part of the first cantica, bringing the total number of cantos to 100. Inferno (Hell): First Circle (Limbo): unbaptized and the virtuous pagans, who didn’t accept Christ. Second Circle: lustful ,Third Circle: gluttons, Fourth Circle: materialistic people, Fifth Circle: wrathful and the sullen or slothful people, Sixth Circle. Heretics, Seventh Circle: the violent, divided into three rings, (Outer) the violent against people and property, (Middle) the people who commit suicide, and (Inner) the violent against God (blasphemers), the violent against nature (sodomites), and the violent against art (usurers). Eighth Circle: The fraudulent—those guilty of deliberate, knowing evil-divided into ten bolgie: Bolgia 1: Panderers and seducers, Bolgia 2: Flatterers, Bolgia 3: simonists, Bolgia 4: Sorcerers and false prophets, Bolgia 5: Corrupt politicians (barrators), Bolgia 6: Hypocrites and liars, Bolgia 7: Thieves, Bolgia 8: Fraudulent advisors, Bolgia 9: sowers of discord, & Bolgia 10: falsifiers (alchemists, counterfeiters, perjurers, and impersonators) Ninth Circle. Traitors, the circle is divided into four concentric zones: Zone 1: traitors to their…