Donatello-> (1386-1466) An Italian painter and sculptor. Donatello was a key figure in the early Florence renaissance. Major works includ David, Virgin and Child with Four Angels, St Mark and The Feast of Herod.…
“What spirit is so empty and blind, that it cannot recognize that the foot is more noble than the shoe, and skin more beautiful than the garment with which it is clothed” (Michelangelo). Michelangelo was one of the great artist who created great art during the Renaissance period. One of his most popular paintings is the Ceiling from the Sistine Chapel with the Creation of Adam being the main focal point. Art in the Renaissance period was more focused on the aspects of realism, humanism, and the prospective of what was created. Leonardo da Vinci was perhaps the most interesting artist of the Renaissance period; with that, he still holds presumably the most idealized painting in the world today, priced upwards of $1 Billion the Mona Lisa. Both…
Humanism, during the Renaissance period not only involved the study of ancient culture, but it also instilled a sense of respect towards human beings. Many artists at the time focused on the beauty and elegance of the human body. One of these artists was Michelangelo, a sculptor and painter. One of his most famous pieces of work was “David”, a 17 foot tall statue of a man. Michelangelo focused on making the statue as realistic as possible, in order to capture said elegance and beauty. Also, due to the context of the statue being directly after David had slain the goliath, Michelangelo chose “David” to be in a victorious pose. This…
If we add into the comparison the sculpture of David done by Donatello we see some similarities to both Michelangelo’s version and to Bernini’s version and we also notice differences from both other sculptures, as well. The first and foremost major difference of Donatello’s David as…
Michelangelo and Verrocchio both have incredible artistic talents and show it in each of their David sculptures, yet they both convey a different meaning of David in their own ideal and using their own medium. Michelangelo and Verrocchio both represent David in different ways through the meaning they convey, the skills and techniques they use, and the beauty that they each portray . Michelangelo and Verrocchio are both artists from the city of Florence, Italy. In this piece both artists were trying to portray the biblical scene of David fighting Goliath, and winning. Their backgrounds have a major influence on the way they…
Two portraits can be used as an example to show how the art style in the Renaissance differs from past artwork. “One is from Ballini, Portrait of a Young Man and the other was painted by Raphael, called Portrait of a Young Man With an Apple (Doc. 5).” In Ballini’s work, we see a man staring off to something to the left with a blank expression on his face. He is wearing dark clothes and there is no background behind him. In Raphael’s work however, we see a man holding an apple which rests on his other hand. He has different textured clothes on and he is looking at the painter with a bit more expression to his face. There is also a background in this portrait. There may be some differences in both portraits, like their point of view, what they are doing in the painting, or what the background style is like, but both of these portraits have a major similarity. They both are portraits of a man, which show the concept of humanism and focus on the individual. In both portraits, there's is a good amount of detail on the face and what the man is looking at. This is also seen in a sculpted statue called David, by Michelangelo (Doc. 7).” Michelangelo sculpted David with an excessive amount of detail from his muscular complexion to his serious expression and contrapposto stance. Renaissance artists focused more on the concept of humanism and included it into their works of art by bringing out facial features and expressions, defined human details, and used new art techniques like contrapposto and linear perspective which made Renaissance art differ greatly from past artwork, which featured less humanistic qualities standing…
The Mona Lisa, painted by Leonardo da Vinci around 1503-6, is oil on panel. It is a three quarter portrait of a young, Florentine woman. She is sitting in a chair with her torso twisting around to face the viewer. Her hands are resting on the arm of the chair. Behind the woman in the background is a landscape very characteristic of many Leonardo paintings. The Mona Lisa was painted toward the end of Leonardo’s career. In contrast, the David created by Michelangelo around 1501-4, is a marble sculpture of the biblical hero David. The seventeen foot tall statue depicts a young man standing in contrapposto. Most of his weight is supported with is right leg, while his left leg is relaxed. He holds his sling over his left shoulder and a rock in his right hand. His torso faces forward while his head twists to the left with an apprehensive, determined expression.…
During the Renaissance there were many influential sculptures. Artists during the Renaissance experienced a renewed interest in classical Greek and Roman civilization. Christianity played a major role in Renaissance art. David was an important figure in more than one religion. In the Christian religion David was depicted as the youngest son of Jesse, who was a descendant of Jesus Christ, that was sent o the battle lines to bring new of his brothers. While at the front of battle he heard the giant Goliath’s defiance instill fear in the men of Israel. David unexpectedly offered to fight Goliath and actually killed him using only his sling shot and a pouch full of stones. Three artists depicted this biblical story in the Renaissance and those artists were Michael Angelo, Donatello, and Bernini. Donatello’s depiction of David best illustrates the story of David.…
Therefore, “David,” is a fit symbol of courage and civic duty to guard the city. Standing 13’5″ tall, the double life-sized David is depicted patiently waiting for battle, prepped with slingshot in one hand and stone in the other. Michelangelo, in his mid twenties, carved the David after he had already carved the Pieta in Rome. He carved this sculpture from a huge block of marble that had been abandoned decades earlier by another sculptor: Michelangelo took on the challenge of living up to Donatello and other precursors who had sculpted the same heroic figure. Instead of creating David to look relaxed and confident after his victory, Michelangelo's David looks tense and ready for combat. His brow is furrowed, the tendons in his neck are taut, as are the muscles in his nose and lips, and his eyes are focused on something in the distance. Despite this mental concentration, he stands in a relaxed “contrapposto” position, with his sling casually thrown over his left shoulder. This combination of intense expression and calm pose is intended to capture the short period between the decision to fight and the fight itself. The statues hands and head appear to be disproportionally large for his body, possibly because they were deemed more visually important for viewers who would see the statue high up…
What is regarded as definite step in Renaissance taste is Donatello's statue David. The statue is the first freestanding nude since Roman antiquity. According to an analysis by Professors Lawrence Cunningham and John Reich, Donatello wanted to show the beauty of David's adolescent form wearing only greaves and a shepherd's hat (Cunningham 12).…
Donatello was the greatest Florentine sculptor, before Michelangelo. He was born on 1386 in Florence, Italy. Before he was 20 he was getting commission for his work. He was the son of Niccolo di Betto Bardi. After sculpting for many years he started sculpting creations of his own. Between 1411 and 1413, he sculpted a figure out of marble of St. Mark who was an author. One of his greatest works was a bronze statue. During his final years his lifelong friendship with the Medici family earned him a retirement allowance to live on the rest of his life. He died of unknown causes on December 13, 1466.…
However, the sculptures are drastically different from one another. Each one is unique in its own certain way. Bernini emulated neither Donatello's triumphant boy victor nor Michaelangelo's posturing adolescent. His hero is full-grown and fully engaged-both physically and psychologically-as he takes aim and twists his tensed, muscular body a split second before slinging the stone, grasped in his left hand. David stands alone, but Goliath is simplicity envisioned directly behind the viewer. As a viewer, we are tempted to duck. It is the anticipation of violent action that heightens this confrontation as David's latent power is momentarily arrested. Art of the baroque era is characterized by an emphasis on movement and emotional…
Donatello’s and Michelangelo’s Davids were an artistic representation of the influences of both religion and politics. In theses sculpture, the concepts of Christianity and old religious heroes were a significant foundation in their composition. The Florentine political environment, however, was a much larger part of the composition of both sculptures. Close observations of the sculpted faces of Donatello’s and Michelangelo’s Davids each reflect a representation of the Florentine government at the time of their creation.…
Both visions of David, Donatello's and Michelangelo's, are exceedingly similar in religious context and body construction yet contradictory in numerous aspects. It almost seems like looking at the same person in two different costumes. Both are influenced by Classical Greek sculpture in terms of nudity and contrapposto posture. However, there is a stark difference in the size of the two: Donatello's David stands at 6 feet tall while Michelangelo's David is over twice its size at 14 feet. Another big distinction is in the material and process used in their construction. As stated earlier, Michelangelo showcases the moment before David slays Goliath, where Donatello portrays a scene after the battle. Donatello represented David as a boastful…
The David by Donatello in Museo Nazionale del Bargello. Florence. The height of the bronze statue of David by Donatello is 158 cm. David was the chosen subject of the statue as he had become a symbol of the…