nothing but the death of not only the monster’s— but his. The creature had the curse of life from the beginning. He was created and abandoned, thrown into a world that could not accept or understand him due to his unnatural terrifying appearance. Uneducated like a newborn, the creature learned from his surroundings. He examined the actions and lifestyles of a family known as the “cottagers.” He gained much knowledge from this, but the longing for companionship left him cold. After their rejection of him, he sought no reason to live, “Why, in that instant, did I not extinguish the spark of existence which you so wantonly bestowed... my feelings were those of rage and revenge” (143). This began his spiral downward, and the later destruction of his mate ended any tranquility for his life and Frankensteins’. Frankenstein blamed himself for his family’s death, yet sought revenge towards his own crazed creation; the creature blamed Frankenstein for giving him the unfair gift of life.
This situation could not end in any way but the demise of both. The traumatic events that occur in life cannot be erased but merely dealt with. Mary Shelley’s Frankenstein disturbingly paints the victory of death that all will succumb to; the peacefulness that the living could possibly acquire when the lights flicker off, “ I had better seek death than desire to remain in a world which to me was replete with wretchedness (192).” It is a farfetch'd tale that questions how horrible death may really
be.