Motivated by hate and jealousy, Iago begins his manipulative ways on Othello by suggesting that his wife, Desdemona is having an affair with Othello’s newly appointed lieutenant, Cassio. Othello respects Iago as an honest and loyal person so he believes the circumstantial evidence that Iago presents to him, “by heaven, I’ll know thy thoughts”. (1337)…
In Shakespeare’s “Othello,” Othello is highly respected and looked up to but later is influenced by the antagonist, Iago, resulting in a jealous insecurity ultimately leading to his murdering of his own wife and the plotting of murdering of his ex-lieutenant, Cassio. The reader first notices Othello’s shift in character…
| Iago ‘only loves’ Desdemona out of revenge and jealously of Othello as he believes he has slept with his wife. The ‘infidelity’ that is occurring behind is back is eating him alive and so he plans to manipulate Othello in beliving Desdemona is having an affair with Cassio. ‘Deception’ aids him to accomplish this task…
Othello, the play's protagonist, is the most dynamic character of them all due to the fact that he is a complete foil of himself by the final act of the play. In the second act Othello is introduced as confident, esteemed general of the Venetian army and a “valiant Moor,” (1.3), but by the end of the play he becomes overcome with insecurity and jealousy because of the rumors fed to him by his general. Throughout the play the audience witnesses the subtle shift in Othello’s feelings toward his wife, Desdemona, and his former lieutenant, Cassio. Othello’s suspicion soon drives him to insanity because he cannot figure out what the truth is. He says “I had been happy, if the general camp, Pioners and all, had tasted her sweet body, So I had nothing known.”(3.3) exclaiming how he would rather Desdemona sleep with the entire army without him knowing than being uncertain of her rumored affair with Cassio. The lie that Iago tells Othello ruins the Moor’s life. Othello goes from a respected commanding officer to an emotionally distraught killer. Iago had made the Moor a mirror image of himself.…
“I have’t. It is engendered. Hell and night / Must bring this monstrous birth to the world’s light.” (1.3 446-47). As Iago indicates, an evil tyrant may lurk in even the best of people, only looking for self-satisfaction and prosperity at whatever costs, exactly how Iago presents himself through Othello. Throughout the play, people are unaware of their surroundings enemies and mischievous plans at work, forgetting the saying, “keep friends close, and enemies even closer.” Iago’s jealously overwhelms him, masterminding a mischievous plan to have Othello kill Desdemona. Shakespeare demonstrates that those who manipulate others, convincing them to act dishonorably, are guiltier than those who actually perform the illicit action. Within the play, Shakespeare develops this idea through the characters, as Iago manipulates Desdemona, Roderigo, Cassio, and Othello.…
The tragedy play, one that has captivated many for its effectiveness in understanding the human flaws and how they can lead to eventual downfall is one that Shakespeare’s plays embody. However, there is such a play that contains these elements, yet it manipulates the genre’s conventions for a new effect, the play Othello. This play is centered around a Moorish noble, a soldier who faces conflict regarding his beloved Venetian wife. The themes present in this play are that of trust, jealousy, honesty, love, stereotypes, friendship, and above all deception. Through the use of all of these themes, it sets the stage for how Shakespeare…
The major characters illustrate the theme of deception because most of them are the ones who deceive others in the play, and they are all victims of someone else's deception. The antagonist, Iago, is the main deceiver. He deceives everyone from Othello to Roderigo. His biggest target is Othello, but to reach him he must deceive others, including Desdemona and Cassio. In a soliloquy, after Iago lies to Cassio, he says:…
Shakespeare’s play, Othello tells the audience the story of a very successful General of Venice, Othello and how has was deceived by someone he believe to be an honest man, Iago, his ensign. The plot speeds up quickly Othello promotes Cassio instead of Iago. Iago vows revenge and slowly convinces Othello of Desdemona’s infidelity with Cassio, the lieutenant to whom Othello had given the position Iago had sought. Iago also gets Roderigo to help him in his evil plan by telling him that he can have Desdemona if he helps get rid of Cassio. Oblivious to Iago’s master plan Othello is ultimately a victim of his own naïveté.…
wefwfewfewfeowgnwgwegnpwignengengingThey greatly contribute to the theme that appearance does not always portray reality, and reality is not what one sees but more often what one does not see. The acts of betrayal in Othello help develop this theme through character development. The acts include how Iago deceives Othello by being his friend and enemy at the same time, Othello betraying his wife's love and trust, and Iago's betrayal of Roderigo by using him and his money. These acts of betrayal happens all the time, even in our society today and that is one of the biggest pain a human can go through.…
For the fact that it plays a major role in the outcome of the play. William Shakespeare's Othello is a tragic play about deception, manipulation, and revenge. The main character, Othello, is a powerful black military man who wins the love of a white woman named Desdemona. Their devotion to each other seems ideal, and it appears that Desdemona would do anything for Othello, even if it meant withstanding ridicule. The love between Othello and Desdemona, however, will be horrifyingly hindered, for the immoral Iago has plans to destroy their affection, but especially to destroy Othello himself. Iago's primary goal was to get revenge on Othello for not promoting him to lieutenant. Iago is clever. Iago is evil. In the eyes of others he is ironically perceived as honest and trustworthy, but inside he is a sinister villain. Iago is able to manipulate the minds of people into performing actions that are advantageous to him. "Honest Iago" is like a disguised wolf in the flock of sheep that guilefully pounces on each victim. Iago does not merely seek retribution against Othello in one single step, but rather, he cautiously and cleverly manipulates several people to trap the Moor. Iago uses people as if they were pawns; and he positions each one carefully, making moves that will finally corner Othello. He uses people such as Roderigo, Cassio, and even his own wife…
Throughout the play Iago displays an ability to identify flaws and weaknesses of others, which allows him to create devastation through subverting others who follow their own agenda, to achieve a web of events. In the quote “Where I the Moor, I would not be Iago. In following him, I follow but myself” – Act I, Scene I, Iago explains to Roderigo, that he follows Othello, not out of love or duty, but because he feels he can exploit Othello’s flaws. Iago identifies Othello’s trusting nature, as seen in the quote “That thinks men honest that but seem to be so” Act I, Scene II and plans to use Othello’s trust in him, which he considers is a flaw, to bring about Othello’s downfall. Shakespeare uses the character Iago to highlight issues relating to trust and betrayal “I follow him, to serve my turn upon him”- Iago, Act I, Scene I. Iago is the ultimate protagonist, his lack of morals, duplicitous nature and ability to manipulate others allows him to make Othello trust in the untrustworthy, Iago, and betray the people loyal to him, Desdemona. The central themes of trust and betrayal in Othello are reliant on the character Iago to create and accentuate. It is this reliance on Iago that suggests that he is a central for the understanding and interpreting of the play…
Shakespeare's 'Othello' is the study of how a seemingly successful Venetian general, is skilfully manipulated by the cunning Iago, who by exploiting Othello’s insecurities transforms his identity into a jealous murderer. At the beginning of the play, Othello’s identity is that of an assiduous black general who fought exceptionally hard to gain respect in a white dominated society. In marrying Desdemona, Othello adds to his identity by being a lover and husband and his identity is portrayed to be interconnected to his love for Desdemona. Iago is jealous of Othello’s high standing and greatly respected identity and therefore undermines Othello’s confidence in his wives faithfulness and turns his identity into an irrational jealously. Shakespeare utilises a number of key techniques in ‘Othello,’ to indicate the extent of Othello’s identity changes. These changes are effectively conveyed to the audience through the contrast of Othello’s outward appearance with his affable interior. They are further…
Othello is the protagonist of the play; he is a highly respected general of the Venetian army. Othello is not a Venetian though; he is a moor, which means he is from North Africa. This puts Othello in a very unusual position; he is one of the most important people in the Venetian army and very respected but is also an outsider because he is a black man. I perceive Othello’s character at this point in the play to be Naïve, honorable and honest; he really has nothing to hide. His naïveté’s will cause Othello to make bad decisions and shows that Iago (the villainous character that hates Othello and wants to ruin Othello) can easily deceive Othello through his insecurities and self-consciousness of being a black outsider. We are shown these characteristics…
The tragic play ‘Othello’, written by William Shakespeare, is one where the direct impact of themes such as jealousy, prejudice, and manipulation bring about the downfall of the protagonist Othello, a moor who is both a successful military leader in the city of Venice and the lover of the ‘Sweet Desdemona’. The Antagonist, Iago, weaves webs of deceit and denigrations on almost all of the characters and is portrayed as the puppet master, controlling the characters to his own end.…
In William Shakespeare’s Othello, the characters’ personalities and motivations influence the plot heavily. Iago is driven by his jealousy of Cassio and his desire to exact revenge on Othello. Othello’s trusting nature leads to his undoing in the play. Iago takes advantage of how he’s seen in the eyes of those around him to carry out his plans. Although Othello is the protagonist of the play and Iago is the antagonist, the two characters are not the ultimate portrayals of good and evil. Othello is not a war between good and evil, but instead a demonstration on how destructive jealousy and gullibleness can be.…