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One unique thing about this poem is that it does not pertain to any one specific person. The content is vague, and the subject of the poem is “poetry.” It is not Ruth who should be riding the bus, but rather the poetry. This symbolizes the importance of community because anyone can relate to it. Ruth also symbolizes community with the imagery used in the poem. Ruth writes about “hopscotch in a polka dot dress” and “sitting through a whole photo album.” These are all memories that most people can relate to.…
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The concept of belonging to a place has been shown through Billy’s perspective in the poem ‘Longlands Road’, it has shaped his identity as well as given him a reason to hate the place he grew up in drawing a lack of connection to his father. Billy tells the readers how much he hates the town he lives in and feels that he doesn’t belong “deadbeat no-hoper shithole lonely downtrodden house in Longlands Road, Nowheresville.” By the use adjectives, negative tone and expletives it shows Billy’s resentment he has towards his home town as well as suggesting negative experiences he’s encountered. Billy feels he doesn’t belong and even though there’s a sense of history, it has been a negative experience and has urged him to leave. At the start of the poem Billy describes that the house “this place has never looked so rundown and beat” showing the physical degradation of the house not being looked after symbolising the way Billy wasn’t looked after. Furthermore, suggesting that he doesn’t belong or have a positive connection to Longlands Road. By Billy’s actions of throwing rocks onto the roofs of the houses in Longlands Road additionally adds his negative attitude he has towards his street and the rest of the place situated in it. The increase of negative diction in the quote “I throw one rock on the roof” highlights his…
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In the fourth stanza the poem takes on a metaphorical stance when Dawe starts to describe the city as “a concrete god with streamlined attributes”. It continues to explore the actions performed by society in its manner of worshipping, such as the “daily anthem of praise” and the “ceremonial honking of motor-horns”. This demonstrates the controlling manner of the industrialised city…
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This familiarity with the city is developed further in ‘Preludes’. In the third stanza Eliot writes that the sordid images of the night that are revealed constituted the soul. These images that the night reveal would be shadows caused by the world outside, and the use of the word “sordid” makes the reader recall Eliot’s earlier descriptions in the first stanza of “smoky days” and “grimy scraps” and the second stanza’s “faint stale smells of beer” and “sawdust-trampled streets” as these would all constitute a sordid setting of a modern city.” And yet despite this distasteful description of the city Eliot still writes that the soul of the person addresses as “you” in the third stanza is formed by these images of a squalid, degenerate city. The city is a part of this person and this shows that there is a very intense bond between the two. It is as if the failure to make meaningful connections with other people mean that the people in Eliot’s poetry have to turn to the only other presence that they are familiar with in their lives and that is the city that they…
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The very first line “This town is full of Tabasco,” contains an alliteration, and again, the Tabasco describes not only New Orleans, but also the ideal lifestyle there. Another alliteration can be found from Glaser when he says that “the clouds cooperate,” again representing the perfect weather of ‘paradise’ that pleases everyone and everything. Glaser also mentions that love is measured on a “sliding scale”, an alliteration meaning that love isn’t definite in this lifestyle. When Glaser says “the wild umbrellas, drum grunts and trumpets” when describing the funeral parade, an example of assonance can be found. This, again links back to death being a celebration in New Orleans and in life. This is followed by “swinging through laments as a limousine”, where both another alliteration and an example of a line break can be found. The meaning of line changes when proceeding to the next, but still flows properly. There are still many more rhythmic devices to be found in Glaser's poem.…
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In Maxine Tynes’ poem “Africville,” the theme addressed is despite how the community of Africville was completely destroyed, their pride still prospers and remains in the minds and hearts of all its citizens. Tynes uses repetition, tone of voice, symbolism and imagery to dynamically convey the theme. Throughout the poem, Tynes exhibits a universal tone used to evoke pain and anger, as well as a more contrasting tone that demonstrates pride. This contrast of the specific tone used is demonstrated by Tynes in the first stanza of the poem: “We are the dispossessed Black of the land/creeping with shadows/with life/with pride” (2-5). “We are the dispossessed Black of the land/ creeping with shadows” generates a feeling of loss which invokes the event in which the citizens of Africville were dislodged from their beloved land. The following part of the phrase, “With life/with pride” contrasts the first half by emitting a sense of pride which effectively conveys a more positive aura. This connotation is used to display how the community of Africville still lives on after they were evicted from their Promised Land. In addition to the tone of voice, the speaker uses repetition and well-founded word choice continually in various fragments of the poem. The speaker tells the readers of the poem that “No house is Africville. /No road, no tree, no well.” (25-26). The word “no” is repeated throughout the passage to emphasize and convey the theme; that Africville is not simply a location, but a part of the community itself. Thirdly, the theme is intensified by the frequent use of symbolism and imagery. It is recognized that the speaker uses imagery to foreshadow how the Africville community is a strong and hopeful society. The last stanza highlights this in the last few lines: “We wear Our Africville face and skin and heart. /For all the world. / For Africville.” (33-35). Readers notice that the word “Our” is capitalized. This addresses how the…
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The poem states: I have walked out in rain—and back in rain. / I have outwalked the furthest city light (Frost 2-3). The speaker explains how he has felt ‘rain’ steadily fall on him over and over again. This demonstrates how the speaker feels a raincloud is always over his head, and it will not go away. The rain appears to be a metaphor of his depression and how it continuously causes him suffering. The everlasting presence of the raincloud represents how this feeling is something he cannot escape. When the speaker says he has “outwalked the furthest city light”, he expresses that he is now in complete darkness (Frost 3). His depression cannot become any worse at this point. The speaker also uses other actions to emphasize his isolation. “I have looked down the saddest city lane. / I have passed by the watchman on his beat / And dropped my eyes, unwilling to explain” (Frost 4-6). The ‘saddest city lane’ symbolizes that he is at the peak of his sorrow. The speaker feels he is the saddest he will ever be and that it may not get any…
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The darker literal diction at the start of the poem reveals the struggle between the speaker and the swamp. In lines 9-12, Oliver uses the words “closure” and “pathless” to focus on the struggle the speaker is going through. Oliver’s diction in this case, shows a shift in tone in the poem when she uses the words “painted” , “glittered” (Oliver .24) and “rich”(Oliver .26). This changes the tone of the poem to a more lighthearted, positive feel. She goes on to progress the speaker’s struggling connection with the swamp with the phrase “sprout, branch out, bud” (Oliver .34), showing hope, potential and a delighted air of progress made after the hardship. Oliver’s dark literal style of diction inspires huge samples of imagery.…
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Throughout the poem, one phrase is repeated over and over: "We are the greatest city, the greatest nation, nothing like us ever was". This proves that the city really was a magnificent city with rich possessions. Something caused this glorious city to collapse and fall. Before, "the doors were cedar and the panels stips of gold and the girls were golden girls " (10-12). Now, however, after the downfall of this city, "the doors are twisted on broken hinges. Sheets of rain swish through on the wind" (17-18). This is a great comparison in theme to "There Will Come Soft Rains". Just like the city of Allendale, great cities like the one described in the poem can and will eventually fall. It's just a matter of time before "the only listeners left are the rats and the lizards" (35-36). There used to be "strong men [who]put up a city and got a nation together, and paid singers to sing and women to warble" (24-27). Now, though, "there are black crows crying, Caw, caw,'" (37-38) while building nests over the great city. At the end of all this, when "the wind shifts and the dust on a doorsill shifts" (60-61), this tells "nothing about the greatest city, the greatest nation Nothing like [them] ever was"…
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This is used to suggest that Chicago is a big city with many problems, but it proudly faces these problems and has many positive attributes that far out way them. Compared to other, smaller cities, Chicago is much more progressive, it is continuing to move forward despite adversity. Another example of figurative language is the use of a simile in line 23, when it is stated that Chicago is as “fierce as a dog.” This implies that Chicago is constantly active, always looking for more things to do and never backs down from adversity, but keeps trying to move forward. Throughout this poem, Chicago is also personified, it has shoulders, a heart, a pulse, and it laughs. The reason for this personification it to portray that the city is almost very human in that it is flawed and beautiful. The personification also helps to represent the true foundation of the city, which is every single person who works in it. One of the final figurative devise employed is metonym, which is used in the beginning end of the poem while listing a few various jobs such as “tool maker.” These singular jobs are uses to represent the workforce as a whole, and more importantly manual labor, which is a key part of Chicago, and the very back bone if our…
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The first four stanzas are a conversation between the mother and her daughter, who wishes to march in the streets of Birmingham to protest segregation. The mother, worried for her daughter’s safety, argues that Birmingham is not safe for a little girl. She convinces her to go to church instead, where she assumes she will be protected. The poem ends with the mother’s realization that her daughter died in the explosion that blasted the church.…
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To start off, the townsfolk’s isolation and poverty made me feel as if I had too much. They had no education, not enough food to go around, not even value for their lives, which was “given to … [them] free and taken without being paid for.” (McCullers, 40) They were shallow and took joy in petty and unnecessary gossip, but only because they didn’t know any better. I felt greatly disheartened when the café was destroyed, because it was the only symbol of happiness they had, and even that was taken away from them. So they resorted to being consumed by monotony, living every single day not looking forward to the next, and once again completely secluded from the world.…
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I generally feel that there is a certain charm in the poem Country Towns; you’ve mentioned that it carries a nationalistic pride with our village squares and fairs. However having that said, the setting is most empathised to be a rural and isolated place. I believe the poem also devotes carelessness showing that without care it employs a lack of sensory imagery that induces a strong flare of sleepy atmosphere. Without this charm I feel as though, there’s an immediate sense politeness instead of carelessness, for example the town doesn’t want to offend anyone by taking down the posters. As I quote; “Of Entertainers Here To-night"– Dated a year and a half ago, but left there, less from ‘carelessness’ than from a wish to seem polite.” This also implies that the usage of capital letters and inverted commas that quote from poster, as well the dash at the end of the 4th line which makes us pause to consider what has been said, and realise that the broadsheet does lie; makes us see the amusing side to it, as you’ve also mentioned before about humours inputs.…
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The poem starts off in a world full of greed, gossip and a life of no time, and there is a man - crying in the middle of the street, yet no-one knows why. The town take an interest in this scene - a fully-grown man crying in public is unacceptable behaviour so everyone stands around, not knowing what to do. Some police try and stop him, or even try to take him away to end the commotion, but are held back and silently admire his bravery to show his emotions.…
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The Poem starts of with a type of introduction; it begins the Poem by setting up a mood, by explaining how she moved with her family. The speakers love for her homeland is exemplified by using domineering words such as 'own', which makes it seem as something unique, and also by telling the reader that her brothers were 'bawling' the word 'home.' A combination of alliteration and imagery in the first line "red room" and "fell through the fields" also helps emphasize this. All of these rather unsympathetic words encourage a development of a depression throughout the Poem. The personification of the 'miles (which ran) back to the city...' seems to indicate how, while being on this train, makes the child feel worse and worse knowing its becoming more distant from its homeland, and this reflecting that the land is passing so quickly it seems to be running away past. The whole stanza mainly concentrates on the child and its family, except for the last line, this sudden change also brings up strong emotions because from one image of leaving the place you have always known to be your home,…
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