The material of the dresses is particularly specific to the underlying storyline of Joan of Arc, as it is a metallic and shiny stretchy silver fabric. This infers the idea of the dresses symbolising armour, which is relevant to the battles that Joan of Arc had to fight. The masculine armour like fabric then contrasts against the feminine style of dress, again backing up the important theme of Joan of Arc throughout the piece. The shiny material also shimmers in the light and emphasises movements and enhances angles that the dancers perform, whether they are big or small moves which then makes developing motifs clearer to see.…
hair, blue eyes, a small nose, and very pale skin with a light dusting of…
This is a very elegant looking gown. It consists of mainly different shades of purples. The bodice of the gown consists of a layer of tightly attached silk, covered in jewels and rhinestones. The top of the bodice has a bow shaped pattern attached. This draws your eyes to the top of the bodice. By having the bow on the top of the bodice the same material as the bottom of the gown, it shows how the designer has reused used materials in an effective way. The bottom of the gown is made of a purple shade of silk. Alex Perry has designed the bottom of this dress so that the layers are given with a multiple layering effect; make the gown look ‘fuller’. This photo has been taken with the layers…
Both composers use colour to represent the main character, and make them stand out distinctively from the other characters. In Kill Bill the bride’s yellow outfit, yellow car, and yellow motorbike all contrast the crazy 88’s (O-renshi’s gang) black attire. This is to show that she is different from the rest of them and that she is distinctive. This makes the viewer focus on her. In the same way, Lola’s appearance is one of the most striking aspects of the movie, RLR. Lola has bright red hair, blue singlet top and green pants which make the responder engage on her. Images that linger like the Crazy 88’s black attire include the bare streets, the bank, the phone booth and the supermarket.…
She holds a bunch of daffodils and anemones, and the basket contains daffodils, narcissus, and anemones. These individually hand-made flowers vary from edition to edition. Eventually the flowers became mainly daffodils with a varying amount of anemones in the basket. As noted, the decoration usually centres on the orange shawl, the dress with varying stripes of blue, yellow and green, occasionally red. A distinct variation occurs in the version with the large apron, and has orange stripes overlain with dark blue chevrons. A complete change is the blue shawl from, which appears in the larger apron versions, tied and edged with yellow. The dress has stripes of varying widths and shades of blue, with more white shown between the stripes. The figure painter has clearly defined the buttons and buttonholes of the bodice, creating a light and homogenous design. From 1923 to 1925 the Vyses’ produced the versions as…
A gorgeous and stunning Australian actress “Abbie Cornish” worn this outclass Leather costume in the action combat movie “Sucker Punch”. The designers made this costume in the inspiration of vest, jacket and coat. It has front like vest, one side is sleeveless and the back has side leather panels tails till knee length.The outer of this costume is made from premium quality of leather material which is extracted from healthy animal skins. The interlining is extremely soft and luxurious and made from satin fabric which will give high amounts of comfort. The front and back has black lace-up closure passing from round silver eyelets. It has an oversized leather hood that can make you look extremely fantastic. This is a perfect girls costume…
The pattern on the fabric shows that she is a much more intricate character than the others because they all have a plain design and color.…
“She had...wide-spaced eyes, heavily made up. Her fingernails were red. Her hair hung in little rolled clusters, like sausages...She wore...red mules, on the insteps of which were little bouquets of red ostrich feathers”(31).…
The Sharks a Puerto Rican gang wore more traditional style spanish clothing that always incorporated the colors red and black. The Jets a rivaling white gang wore clothing time appropriate for a 1960’s teenager, like collared bowling shirts, and plain t-shirts. The Jets also kept with a color scheme of blue and white. One of my favorite scenes that sums up the great job the costumes did on making the play great was when Anita, the girlfriend of Bernardo, at the beginning of the play is creating a dress for Maria, Bernardo's sister, who is constantly teasing Anita telling her that the dress should not make her look to up tight. After a good bit of whining Maria finally puts on a beautiful white dress, and continues to spin in front of the mirror admiring herself. In one of the most moving scenes of the play when everyone on stage is wearing white to symbolize purity, and innocence after two influential characters have been stabbed to death. The people who have been stabbed come out in the same white clothing, but it is covered in blood to show. This choice of clothing shows the death of innocence of the young boys who have been corrupted after the murders they committed.…
She notices peoples' skin color and makes immediate judgements of them. For instance, when she sees the little negro boy, she suggests that his family can't afford pants for him. Not only does she notice a person's race, but their style of dress as well. It is evident that she is concerned with clothing because of how she dresses for the trip. She dresses up so that if she should be killed in an accident, passersby would know she was a…
These Aleuts who come, end up being nice ones who decide to take Karana back to the mainland with them so she can find her tribe and try to make up for lost time. Karana readily packs up all of her belongings to go back with the Aleuts, but ends up having to wait for a couple of days so that the Aleuts can hunt down otter. Once they are out on sea and heading towards the mainland, Karana is made a new dress, to replace her cormorant feather one, but she honestly doesn’t care for it. What Karana doesn’t realize is that the Aleuts made this dress for her, in order for her to blend in a bit better with their people once they get back to the mainland. After being one the sea for a while and the ship frenzy had calmed down a bit, it finally…
Jasmine will wear black skinny jeans with a white, V-neck blouse that is well tucked in. On top of her white blouse she will be wearing a taupe, long sleeve blazer that reaches down to her waist and exposes the front part of her white blouse, all pared up `with a pair of beige Valentine Rockstud heels. As for pros, Jasmine will be wearing a gold, thin watch on her right wrist, two thin, gold bracelets on her left wrist and she will have a shoulder, black purse. Moreover, Jasmine’s make-up will not be very heavy since according to the book The Complete Play Production Handbook by Carl Allenworth, “. . . a pink medium in one of the beam spots lighting a front area of the stage will bring out the reddish tones in the makeup (298).” Therefore, Jasmine’s make-up will not be heavy. She will wear a light coating of foundation, a soft coating of pink blush across her cheek bones (as to obtain that white, milky skin color complexion), a thin black line across her eyelids as to cover her flake eyelashes, mascara to make her eyes appear bigger and rounder, and lastly she will wear a light coating of soft, nude pink lipstick. Now, Young-Jae’s apparel will consist of him wearing a simple light, gray, fitted shirt with dark blue, slim straight, jeans with a black leather jacket that is unzipped, pared up with black, high top lace-up Chukka Ankle boots. Young-Jae’s pros will only consist of him wearing a black, thick leather wrist watch on his right arm. His make-up will also be a light coating of foundation, concealer under his eyes and a very slight coating of bronzer as to avoid looking pale and ghostly, since he is very light in complexion. On the grounds my drama paper is based on, the possibility of new romance, I decided that this apparel was appropriate. Their clothing is serious looking; yet, both are ready for a night out,…
In Žemaitija women wore long linen shirts. They were decorated red. Outer skirts were usually patterned with vertical stripes. Women in Žemaitija were not satisfied with only two skirts, they wore even more. Especially colourful skirts were worn in northern Žemaitija. They were woven with red, green, yellow, violet, dark red, white, and black stripes, although red was usually the dominant colour. Shirts were usually white with red narrow collars. Aprons for special occasions were wide, gathered at the waist and shorter than the skirt. They were made of white linen. Bodices worn by most women in Žemaitija were very different from those found anywhere in Lithuania. They had shortened waists, sewn under the chest. They were rather short, reaching only the waist. Women in Žemaitija wore leather shoes with laces. The most popular headwear for young women in Žemaitija were crowns made from silk ribbons. Most scarves in Žemaitija were made of linen or cotton and were patterned red or white.…
Miss Marple often wears black and especially black lace at that. When the evening party sits together to discuss the latest case in The 13 Problems, she is wearing lace mittens, a lace…
Women’s clothes use a cloth called shemma, sometimes includes shiny beads to show elegance. Men’s wear long socks, dark shorts as well as white shirts with collars.…