Emily Dickinson, a chief figure in American literature, wrote hundreds of poems in her lifetime using unusual syntax and form. Several if not all her poems revolved around themes of nature, illness, love, and death. Dickinson’s poem, Because I could not stop for Death, a lyric with a jarring volta conflates several themes with an air of ambiguity leaving multiple interpretations open for analysis. Whether death is a lover and immortality their chaperone, a deceiver and seducer of the speaker to lead her to demise, or a timely truth of life, literary devices such as syntax, selection of detail, and diction throughout the poem support and enable these different understandings to stand alone.…
Emily Dickinson’s main purpose in poem 355 is to describe an indefinable depression. She creates a melancholy persona to depict the chaos and despair she feels because of her condition. Her poem is structured around her uncertainty towards her mental state. Dickinson, in the first two stanzas, eliminates possibilities to what she may be feeling. She analyzes that “it was not death”, “it was not night”, “it was not frost”, “nor fire”. The poem appeals to the human sense of touch, as Dickinson compares tangible sensations that the body normally experiences to her tumultuous emotions. In the third stanza, Dickinson synthesizes all of the possibilities she eradicated in the previous two stanzas, ominously stating that her condition “tasted like them all”. The narrator is unable to distinguish her feelings from one another, leading the reader to conclude that she is in a chaotic state of mind. She compares her condition to a funeral, both of which evoke death. In the fourth stanza, Dickinson continues to explore her persona’s dark psyche. The narrator experiences terror and despair to the point where she “could not breathe.” Her only “key” to escape this punishment is to be able to understand what she is feeling and why…
The language present in Emily Dickinson’s poetry is at times unclear, sometimes ungrammatical and can be found to be disjunctive. Dickinson wrote in distinct brevity, irregular grammar, peculiar punctuation and hand picked diction. Her poems were written in a circular manner, where she took the reader to one place and them swept them back to the beginning always relating one metaphor to the next. Dickinson was an intimate person throughout her life, and her poems reflect that lifestyle. Like her poems, she was never quite figured out. Dickinson wrote not for the audience to understand but for her own self expression by writing down the words as they came to her, with little regard to the conventional syntax or diction. In this poem Dickinson coveys a metaphorical description of hope through simple language to explain a complex idea present in everyone’s life.…
The first line “Double estate – entailed at pleasure” suggests this imagery (5). The word “Estate” implies responsibility, honor, and social patterns (5). However, this line serves to cultivate the disjointed repetition tactic Dickinson employs; the words “Estate” and “entailed” are assonant, but again a hyphen separates the words, forcing the speaker and reader to pause (5). The next lines “Upon an unsuspecting Heir – / Duke in a moment of Deathlessnes” continues the imagery of inheritance and patterns, as the use of “Heir” and “Duke” suggest responsibilities and expectations (6-7). This, of course, contrasts to the obvious lack of any pattern in terms of the sound of the poem. In line 7 the tenuous pattern of repetitive alliteration prevails, but in a manner that – like in every other line – belies the presence of any actual pattern: “Duke” and “Deathlessness” are alliterative, but are at opposite ends of the line. Finally, the final line “And God, for a Frontier” continues the erratic pattern of repetition (8). The alliteration pattern of words jump from being at opposite sides of the line in line 7 to being almost next to each other in this final line (i.e. “for” and “Frontier”(8)). There is also a slant rhyme in this second stanza: “Heir” and “Frontier”, which lends to the theme of almost but not quite ever actually fitting somewhere; the speaker is indeed an “Heir” that cannot quite fit into the “Frontier” that is her existence…
2. How does the soul react to the chariots and the emperor? 3. After the soul chooses one society, she sometimes does what? 4. What can you infer about the soul from the words shuts, unmoved, and close? 5. What does the language of the poem demonstrate about the poet? 6. What does the soul determine about a person? “This is my letter to the World” 7. What does the ending of “This is my letter to the World” reveal about the speaker? 8. What can you infer from the lines “Her Message is committed / To Hands I cannot see—”? 9. Which lines in “This is my letter to the World” relate to the poet’s reclusive nature? 10. What is the speaker referring to in “for love of Her—Sweet—countrymen—”? “Tell all the Truth but tell it slant” 11. According to the speaker what is the nature of truth? 12. How does the speaker in say the truth should be revealed? 13. According to the speaker what is slant truth? 14. To what does Dickinson compare truth? “Success is counted sweetest” 15. According to the speaker what has been the experience of the people who value success the most? 16. What does the nectar symbolize? 17. Describe the tone of the poem. 18. What aspect of Dickinson’s own life might have she been commenting on in this poem? 19. Dickinson uses a straightforward, neutral tone to emphasize what fact from the speaker? 20. Which image appeals most strongly to the sense of sound?…
In poetry, Dickinson is often fascinated by nature, death, pain, love and God. In her poems Dickinson often speaks elliptically. That said, when reading Dickinson's poems, we must dot the I's and cross the T's that we think are not L's. We must make our own interpretation because Emily would not have wanted us to interpret them at all. This is where the window is open to much criticism that maybe a pro or con to how others view Dickinson and her work. This is where we unknowingly hyperbolae words or phrases that should be litotilate.…
This specific poem intertwines facts about Dickinson with words from some of her more well-known poems. Like the fact that she describes Dickinson as having “packed poems/in her hip pocket” allows the reader to visualize how Dickinson was without actually telling the reader if she literally packs poems in her pockets (Meyer 794). One of the allusions that stood out the most to me was in…
Michael Salvucci Mrs. Comeau English 10 Honors Death, Pain, and the Pursuit of Peace Although Emily Dickinson’s poetry is profoundly insightful, her poems have a very confinedpan of subjects and themes. Most likely due to her early life and social reclusion, Dickinson’s poetry is limited to three major subjects: death, pain, and on a somewhat lighter note, nature. Dickinson’s poetry is greatly influenced by her early life as she led an extremely secluded and pessimisticlife. In her early adult years the poet spent one year studying at female seminary, from 1847 to 1848. Dickinson’s blunt pessimistic attitude is shown in a letter, written to a friend, as she says “I am not happy…Christ is calling everyone here, all my companions have answered, and I am standing alone in rebellion.” (Meltzer 20-21) The poets self-described rebellious manner can be acclaimed to her residence featuring many politically active and dominant men, as her brother, father and grandfather were all attorneys with interest in politics. Again in a letter to a friend written during a political convention, Dickinson wonders “why can’t [she] be a delegate in the convention?” as she says “[she] knows all about the tariff and the law.” (Sewall 64-65) She recognizes the gender barrier in society and as a result Dickinson develops a unique style of poetry. Because I could not stop for Death, He kindly stopped for me; The carriage held but just ourselves And Immortality. (Lines 1-4) The speaker’s use of the word ‘kindly’ to describe death exemplifies his civil and considerate manner, but is his courteous character an illusion? Later in the poem the speaker writes: We slowly drove, he knew no haste, And I had put away My labor, and my leisure too, For his civility. (4-8) Because of death’s kindness in stopping for the speaker, she “put[s] away / [her] labor, and [her] leisure too,” (5-6), is death being true in taking her to heaven, or is he betraying her? There interposed a fly (9-12)…
The human desire for belonging can be nurtured or inhibited by an individual’s society. In her poem, “this is my letter to the world,” Dickinson not only reveals her desire to belong, but also the way that society has prevented her from achieving this. Dickinson accomplishes this effectively as she reflects her feelings through a “letter to the world.” Dickinson attempts to internalise the views of her society and, upon failing to do so, retreats further within herself where she finds a sense of belonging. The line “The simple news that Nature told, with tender majesty,” demonstrates Dickinson’s reverence for nature and the hope that people will be able to hear her message through it, which is personified as the mediator between Dickinson and her society. Within this poem, it is clear that Dickinson has a closer affinity to nature than she does with society. It is through nature that she is able to gain a sense of belonging, which is fundamental for human growth and development. Dickinson's messages are complex and profound but usually conveyed in simple language, which tends to create an enigmatic effect. In this poem, Dickinson uses metonymy to represent her society as “hands I cannot see.” This demonstrates her alienation with society and her need to simplify them into something she is able to comprehend. The last line makes a final appeal to the…
How strange that when inside a scenario very similar to the one she mourns for in “Contrasts”, Dickinson seems just as miserable. Therefore, one might conclude that her reclusive lifestyle was both her own private heaven and hell. She seems to crave joy and yet chooses to be melancholy. The choice of the word “abstinence” in the first poem seems to imply that she somewhat consciously denies herself the guilty pleasure of happiness, perhaps feeling it sinful to enjoy life when others, like the soldiers she mentions, are suffering. The words “stimulate” and “spices” contrast with her favor of the bland. This is similar to the juxtaposition of the warmth of the scene inside the open door to her lost plight outside in the second poem. Within the two descriptions of diametrically different experiences, both of which are encounters with others, one can simultaneously feel the heartache of Dickinson’s loneliness as well as her overwhelming desire to seek comfort in…
In an early evaluation of Dickinson’s work, a critic wrote, “This poetry is as characteristic of our life as our business enterprise, our political turmoil, our demagoguism, or our millionaires” (Wells,…
This stanza concerns Emily’s signature theme of death, but this time it deals with how her progress and achievements in her life have immortalized her in the minds of people and in paper. However the stanza has an ambiguous meaning since her inability to die and live more than God(Though I than he may longer live, he longer must than I) can implicitly adumbrate that many people won’t remember God bringing them into his church, but instead call forth on her as their light in the darkness. She thinks that God is the true architect in the scheme, not her, but people will remember her more than they will ever do about God. In short, Emily Dickinson delights us with an intricate poem that can be difficult to discern but at last proves worth by revealing to us a powerful and truthful pathway, God still can sow in our…
Dickinson’s I died for beauty, but was scarce examines the struggle between opposing pressures of individuality as an artist and a search for acceptance through the persona’s attempt to acquire fulfilment after death. The persona’s introduction as an outsider due to a lack of conformity in society is clearly illustrated in the first line of the poem “I died for beauty, but was scarce” where “scarce” serves to emphasise the persona’s lack of recognition and acknowledgement while she was alive. The introduction of the secondary persona metaphorically juxtaposes this as “one who died for truth”, implying a difference between the two who are placed in “adjoining rooms” as an imagery of distance due to their differences, also showing the persona’s struggle with opposing pressures to reach out, yet building a wall when in fear of losing her individuality. An examination of the paradoxical nature of belonging that creates struggles is also evident through the persona’s death “for beauty” where beauty is a symbolisation for Dickinson’s art is perceived as a failure as she is questioned as to “why I failed?”, showing the view of her society where a lack of conformity is seen as a failure and illustrates her absence of belonging in society as a result of choosing to retain her…
Dickinson scrutinized the inextricable links between orthodoxy, the formation of an individual’s identity and the agonizing paradox of belonging. This can be seen in “I had been hungry” which demonstrates the persona’s desire for acknowledgement and her Asceticism. “I looked in windows for the wealth, I could not hope for mine”, appears to be an anguished cry for inclusion and indicates her envy when looking in at those who have a sense of belonging. though she finally acknowledges that while communion with others is tempting, she would lose too much of her natural self by conforming. The words, “Nor was I hungry, so I found”, reflects her longing to sample the bounty having been satisfied by her lack of hunger, she ironically returns to her solitary subsistence and inured to hard ships. In a similar manner, Dickinson’s “ I gave myself to him” also reveals her thoughts on her sense of belonging. Through the despondency of her words, “Myself a poorer prove”, the use of alliteration stresses a sense of disillusionment and discontent that she does not belong dueperhaps to her inadequacy – or even her paradoxical reluctance to belong.. The enrichment or limitation of the experience of belonging is depicted in the work of Dickinson. Unpack the words of the question to show how Dickinson’s poetry really reflects her…
The season tends to transcend the category of ‘season,’ and more accurately takes on the form of a revival. By utilizing personification, Dickinson is able to bring to life the natural elements that form the essence of spring, while implicitly relating these intrinsic qualities of spring to her faith. Throughout most of her works, Dickinson tends…