between approaches of Divine superiority. One is more grounded in the elements of the mundane world, bringing the Divine down to the Greeks to become more humanized; the other aims to ascend and reach out to attain Divinity. However, cultural representations of the female body appear rather similar.
The Greek pot and Shiva’s statue are instances of destruction and danger, though carry differing contexts. The Greek pot is more akin to a dramatic story between people. There were arguments and fighting, and sides were being taken. The situation depicted was tense. Shiva’s dance of destruction represented more of a cosmic force than something rooted in mundane drama, which seems petty in comparison. Shiva harnessed force and was in full control – there was a sense of grace within the turmoil of the flames with his fluidity. The Greek figures were rigid and clashed with each other. Herakles’ club was a weapon, while Shiva’s held flame is representative of mastering his force. Again, it seems that the Greeks presented their mythological characters more like themselves in terms of conflict, while the Hindus’ depicted this deity performing their Divine role in the cosmic cycle.