Dorian Gray’s characterization illustrates the theme throughout the story. At the beginning he is a charming, innocent young man who does not care so much about his looks. He then meets Lord Henry Wotton who severely influences his views and outlook on life. Lord Henry explains to Dorian that his looks are everything. Once he loses them, he will be and have nothing. Lord Henry tells him to live life to its fullest now and do things that pleasure him because once he has lost his looks, he will no longer have the opportunity. As Dorian examines the finished portrait of himself he realizes that Lord Henry is right about his looks and becomes resentful of the painting, angry that it will continue to look youthful while he slowly deteriorates. He pledges to sell his soul in order to stay beautiful while the painting takes on his altering features. Dorian then begins to…
youthfulness, naivety, and lack of experience. Dorian Gray listens to Lord Henry due to the lack of a…
Throughout Oscar Wilde’s The Picture of Dorian Gray, the sinful actions of Dorian cause Dorian himself as well as the portrait of Dorian to diminish. The portrait Basil paints of Dorian depicts an innocent, beautiful young boy who has yet to be corrupted by the influence of the world. However, as Dorian grows older he becomes debased by the thoughts of others and his own experiences. As the novel progresses, the reader loses sight of the innocent, pure Dorian and sees the cruel, corrupted Dorian. After Sibyl killed herself Dorian illustrates his corruption by claiming, “when she played so badly, and my heart almost broke. She explained it all to me. It was terribly pathetic. But I was not moved a bit. I thought her shallow” (96). Dorian no…
Henry-What matters most to Dorian, Lord Henry, and the polite company they keep is not whether a man is good at heart but rather whether he is handsome.In this novel, Lord Henry Wotton creates a conflict with the naïve and innocent Dorian Gray by influencing and mentally corrupting him. Under this influence, Dorian becomes a hedonist, constantly pursuing pleasure and everlasting beauty. This one-way conflict, where Lord Henry almost completely controls Dorian's emotions, is the cause for Dorian's downfall and death.…
Everyone Wants an Extravagant Lifestyle: Is Your Soul worth Losing to the Seven Deadly Sins…
finds himself easily manipulated and this fault will ultimately lead him to failure. Dorian has his picture…
The Picture of Dorian Gray is a novel written by Oscar Wilde in 1890. The book was written during the Victorian era, a period of time that brought Britain several changes concerning technology, science, culture, religion and others. The Picture of Dorian Gray talks about a character called Dorian Gray, who is a young and handsome man that owned a portrait of himself. An artist and friend called Basil Hallward painted it. The artwork was different from a normal painting. It showed Dorian’s physical changes through years while his physical aspects in real life were always the same without any change. Every time Dorian saw the painting, he saw his true self rather than the one he showed to society. Basil introduced Dorian to Lord Henry Wotton,…
In The Picture of Dorian Gray, Oscar Wilde constructs a tale in which Dorian Gray’s desire to stay young forever becomes a Faustian pact. His journey begins when Basil insists on painting him even though Dorian resists this. It is possible he protests too much, but it is also possible he feels a bit embarrassed as well as flattered with the attention. One might consider this the gate into the garden (of Eden) where Sir Henry plays the part of the devil tempting Dorian to take youth and beauty serious when he says:…
Artist Basil Hallward sees Dorian and decides he wants to paint a portrait of this stunning example of a man, and Dorian consents. While sitting for the portrait at Basil’s studio, Dorian meets Basil’s dear friend, the socialite/philosopher Lord Henry Wotton. Lord Henry is an aesthete who whiles away his time by attending parties, going to the Club, supping and other such frivolities. He is a man of charisma, intelligence, sharp wit and “wrong, fascinating, poisonous, delightful theories” (Wilde 56). Lord Henry is immediately taken with Dorian and quickly becomes infatuated. Over the course of time, Lord Henry begins to play a very sinister game with Dorian’s life—he seduces Dorian into leading the life of an aesthete, like himself. A life of debauchery and evil where the pursuit of happiness is paramount and comes at the expense of everything and everyone else—morality be damned. Lord Henry has no particular motive for doing this except to amuse himself and to play the game of creation. Dorian slowly begins to change; Dorian, the beauty on the outside becomes Dorian, the monster on the inside. He transforms into a selfish, hedonist. His disregard for others directly causes the suicide of his fiancée. He participates in immoral acts. He seeks personal gratification with abandon. His creator, Lord Henry, does nothing to intervene and stop Dorian’s progression from young, naïve man to loathsome monster. In…
Love Always turns tragic. The two novels “The picture of Dorian Gray” and “The great Gatsby” shows us why through the love stories they both contain in the novels, greed, as well as how it all ends in a tragedy for them both. People will always want more and never settle for what they have which is where the greed comes in play. Love is like a box of chocolates; you never know what to expect which leads us to tragedy. Tragedy will always occur as long as you don't keep to yourself. Tragic love happens a lot because of these reasons and if there is not a tragedy then there was never really love.…
In this scene, Wilde creates a threatening atmosphere as he describes Dorian heading to the Opium House at night, a place that represents his sins. Dorian’s carriage “jerks” into a “dark” area, the sudden movement suggesting that the horse is instinctively nervous or scared. And the “low roofs and jagged chimney-stacks” that looked like “black masts” shrouded by a mist of “ghostly sails” paint a nightmarish image of hostility due to harsh words like jagged, and fear with mentions of ghosts; both add to the tension. In the next paragraph Wilde uses diction such as “hastily” and “quickly” to build the suspense with Dorian’s obvious discomfort in the situation and desire to get out of the open. Then, Wilde uses light imagery to illustrate a dark setting which would explain Dorian’s fear. The description that the night was lit by a “red glare” and “lights [that] shook and splintered in the puddles” contributes to the uneasiness because red is often the color of evil and shaking lights can be associated with panic. Dorian’s anxiety heightens as he “hurried” and “[glanced] back now and then to see if he was being followed”. His actions suggest that he is paranoid and running from something, causing the environment around him to appear more threatening. And finally, Wilde’s description of “gaunt factories” completes the image of a foreboding neighborhood because even at night, factories are supposed to appear formidable, not desolate as if they couldn’t stand up to their…
Throughout The Picture of Dorian Gray Dorian Gray is manipulated by the mere words of Lord Henry. Lord Henry's thoughts on Dorian's life eventually consume him, and by allowing Henry's views consume Dorian felt as though he was unstoppable. You see this through his rather rash decisions towards the end of the novel. In the end it is simply words that seduce Dorian into his fatal bargain, tempt him to explore all sensual experiences and delude him into his attempt to evade the consequences of his hedonistic indulgence.…
One of Sigmund Freud’s most prominent theories is how the psyche is split into three parts: the id, ego and superego, each of which contribute to a different set of behavior. The id is the primitive part, which focuses on our impulsive desires and how we can satisfy them, with no regard into the feelings of others, oneself or society’s expectations. The ego is the logical and reasoning part, which focuses on satisfying the same desires the id feels, yet looks for a more practical solution, while also avoiding hurting oneself. The superego is the moral part, which focuses on how one’s desires fit into societal norms and also controls our guilt (McLeod). In The Picture of Dorian Gray, Dorian is…
Dorian Gray, at the beginning of the novel, is healthy and morally good. He retains his youth and innocence.…
Known to assume a myriad of guises—a platonic friend, a sensual mistress, a loving spouse, an idealized deity—an artist's muse, in the traditional sense, possesses bewitching inherent characteristics that embolden ordinary men to craft profound masterpieces. Deliberately shrouded in melodrama and mystique, a muse's traits are often idealized with their circumstantial virtues hyperbolized by their artist, while conversely, their critical character flaws are neglected or even omitted (Craft). Dorian Gray, the titular protagonist of Oscar Wilde’s novella The Picture of Dorian Gray, exemplifies all aspects of the muse archetype with his stunning looks and grace that inspired his friend the Artist Basil Hallward to capture Dorian’s picturesque figure in art. Although Basil originally intended for his exquisite portrait to preserve Dorian’s beauty, it ironically evolves to represent Dorian’s guilt, regrets, and corruption that result from his excessively hedonistic lifestyle. Through Basil and Dorian’s intimate interactions,…