It is composed of two parts: a narration and the characters dialogue. The narration is done by the protagonist at the beginning and end of the story. He sets the background of the story and explains the effects that his actions had at the end. The protagonist dialogue is very informal since he uses common words and stutters constantly: “I'm not even hungry. U... Unless, of course, you're hungry... in which case I'm... I'm... I'm starving. Yeah, I mean, I'll eat the whole menu... tw... twice!...”. Most the time, the dialogue shows really strong emotions, either they are really depressed, furious or joyful. A clear example of this is Albert’s character, which in two of his appearances were very dramatic. He showed two emotions, a huge disappointment towards Adam and delight at the end of the film. Adam dialogue also shows that he is really overwhelmed most of the time, He is always in the border of the emotion’s spectrum. The dialogues are frequently short, without containing any meaningful or profound speeches. Besides the author doesn’t emphasizes in the development of the relationship of Adam and Eden, an initiative that isn’t beneficial for a romantic movie and that was harshly mentioned by
It is composed of two parts: a narration and the characters dialogue. The narration is done by the protagonist at the beginning and end of the story. He sets the background of the story and explains the effects that his actions had at the end. The protagonist dialogue is very informal since he uses common words and stutters constantly: “I'm not even hungry. U... Unless, of course, you're hungry... in which case I'm... I'm... I'm starving. Yeah, I mean, I'll eat the whole menu... tw... twice!...”. Most the time, the dialogue shows really strong emotions, either they are really depressed, furious or joyful. A clear example of this is Albert’s character, which in two of his appearances were very dramatic. He showed two emotions, a huge disappointment towards Adam and delight at the end of the film. Adam dialogue also shows that he is really overwhelmed most of the time, He is always in the border of the emotion’s spectrum. The dialogues are frequently short, without containing any meaningful or profound speeches. Besides the author doesn’t emphasizes in the development of the relationship of Adam and Eden, an initiative that isn’t beneficial for a romantic movie and that was harshly mentioned by