Bram Stoker’s book Dracula begins with a journal entry by Jonathan Harker. Harker is an English lawyer traveling to Transylvania, an Eastern European country, to meet with Count Dracula for business purposes. In his first journal entry, Jonathan records his trip to Dracula’s castle. Along the way local peasants warn him not proceed on to his destination especially so late at night. The worried peasants keep repeating the word “vampire” and give him crucifixes to ward off evil. Harker does get a bit scared but he still decides to continue on to the castle. When Jonathan arrives to his final destination, the friendly and gently Count greets him. During his stay at the castle, Harker feels more and more uncomfortable as certain events take place.…
Stoker’s Dracula, by contrast, is refined and enthralling. He has transmutated from a monster of sorts to a mysterious seducer, from a coldhearted “beast” of incontestable evil to a complex human arousing a strange sympathy and blurring the lines between good and evil. Count Dracula is now an attractive, sophisticated aristocrat who moves about easily in polite society. Dracula’s motivation throughout the film is the pursuit of his lost love, reincarnated in Mina Harker.…
Bram Stoker’s Dracula was written just before the turn of the 19th century; the beginning of this new era threatened a conservative, unchanging culture, and had people of all classes and religions in England on edge. Social fears such as the fall of the British Empire, the beginning of a new movement that would become what we now know as feminism, and changes in gender roles, gripped the nation. It is interesting the note that this not too dissimilar to the fear that gripped the world of the ‘millennium bug’ in 1999. Written and published in 1897, Dracula contains many of the fears that were in the minds of the Victorian public in this dawning age of social change. The British Empire was threatened by unrest and calls for independence in its…
Dracula is a blood sucking, devious, evil vampire that many people have heard of. Dracula is known for being a fictional character, but Dracula was actually based off of a real person. Vlad III, Prince of Wallachia, was the person behind the cruel Dracula. Even though Dracula is a fictional character Vlad and Dracula have a lot more in common than what people will expect them to; given that one is just a made up vampire character from the head of someone who was believed to have been a madman to the Prince of Wallachia. Vlad the impaler was born while Dracula was created, both used different ways of torment on their victims, and both men had a weird taste for something unique.…
Vampire stories have been popular for years. One such vampire is Dracula of Bram Stoker’s novel. Dracula drives the plot in many ways, but he is not always the nice guy. Not everyone like him; in fact most are scared of him. Dracula is dynamic, but the antagonist for several reasons. Dracula is evil, scares everyone, and he kills a lot of people.…
I read Dracula as a criticism of an individualistic search for power. Take away the supernatural elements and the story is of a man who gains power by ruining the lives of others. Bram Stoker’s motivation for writing Dracula was likely not one-dimensional. While there is the obvious attempt to play on the fear of foreigners, I think it is incredibly important to remember that Dracula is not the typical foreigner. Even when you disregard the fact that he is a vampire, he is still a count. There is quite plainly an element of class warfare. The story is interesting because it paints Dracula as evil and makes sure to leave out any elements of his past. He is pure evil with no redeeming factors. He doesn’t have the innocent start of Frankenstein, the upstanding alter ego of Dr. Jekyll, or some…
Goodness is self-righteous: evil is purposeful. Seems rather counterintuitive doesn’t it? But what truly is good and what truly is evil, or are the two even separate entities to begin with? After all, good and evil is all hinged upon perspective, viewpoint is the key. Can something so obscured by opinions really be quantified? So where do monsters fall then? Who are the monsters? Why is our society obsessed with such monsters both in reality and fiction tales? The answer is rather simple: since we cannot define what good and evil is and we presume monsters fall into the spectrum of evil, we write about them, mold them into what we believe they should be to fulfill our desire for a definitive ideal of good and…
This revolting image of Dracula is entirely absent in the film. By contrast, Bram Stoker’s Dracula is refined and enthralling. He has evolved from a monster of sorts to an enigmatic seducer, from a coldhearted “beast” of incontestable evil to a multifaceted human arousing a strange compassion and blurring the lines between monster and man. He is now an attractive and sophisticated aristocrat who moves about effortlessly society and whose only impetus is in the search for his beloved revitalized as Mina Harker.…
In Charles Dickens novel “A Tale of Two Cities” he expresses a tone of disgust through the use of sarcasm, alliteration, and repetition. Tone is the writer’s attitude towards the subject, and in this case Charles Dickens shows disgust towards Monseigneor.…
Dracula was written in London, England during the Victorian Era. The Victorian Era lasted from 1837-1901 during the reign of Queen Victoria. During this era, men and women were not allowed to talk about sexual desires. It was also frowned upon to write about these sexual desires. Women were held to very high standards; they were not allowed to show skin besides for hands and their face, and were not allowed to have sex without being married. In addition, men were supposed to be very loyal and honest to their wives. In this novel, Stoker writes some very intense, erotic passages that show that both the characters in the novel have repressed thoughts about sexuality. Stoker reveals these sexual desires through Dracula’s…
Bram Stoker's Dracula is one of the most renowned British novels of all time. It has left its marks on many aspects of literature and film. Many thematic elements are present throughout the story and have been interpreted in many ways. Stoker uses his characters to manifest the themes that he wishes to imply. Three themes that present themselves throughout the book are the theme of Christian Redemption, science and technology, and sexual expression.…
Other than being remade into other forms such as movies and cartoons, Dracula was a relatively new concept during the time of its publication and had a major impact to its surrounding society. Today, the novel’s uses of multiple unique elements of writing such as dramatic irony, the everyman, and suspense/mystery continues to speak to interests of readers. In addition, the character itself, like any other supernatural beings including ghosts and witches, naturally intriguing us just based on many people’s love of getting scared; Dracula is portrayed in the novel as a completely evil and manipulative character that feasts upon the lives of mortals for his survival. Throughout the course of “Dracula,” Stoker used an epistolary form of writing not only for its prevalence in the Victorian era, but also for its effectiveness in portraying first person point-of-views and first-hand accounts for multiple characters. By doing so, he was able to make readers feel as if they themselves could have been in the characters’ shoes. Because it was an epistolary format and readers knew exactly what each character knew and did not know, his application of dramatic irony became clearer than other literary pieces as well. Dramatic irony was used in the course of the novel in multiple ways. The Victorian readers already knew of the vampire concept by the 18th century and Dracula was written in the early-mid 19th century. As they read the novel, they generally would have known what Dracula was, and had a similar idea to what we think now, before Jonathan Harker’s realization of Dracula’s intentions (Stoker 22). Another way dramatic irony was added in the novel was the placement of each journal. For instance, readers were notified first of Jonathan’s experiences in his journal and then Mina’s journal was revealed with her wondering about the condition of her finace (Stoker 27,…
In the novel, Dracula by Bram Stoker, he developed the writing of his novel by addressing the struggles between a modern society of progress, science, and technology with superstitions, folk beliefs and from the past. Bram stoker became interested in ancient superstitions including one from Cluj in Transylvania, Romania. He was a sickly child whose mother used to tell him ghost stories. Throughout the novel, two characters addressed these behaviors, Abraham Van Helsing, a Dutch professor who is a doctor and a lawyer and a philosopher and metaphysician. Also, Dr. John Seward a young doctor who studies psychological and owns his own asylum. Both of them showed their work by stopping the Count Dracula and killing him and going through rough obstacles.…
Dracula, a vampire that serves as an anti-Christ, is a human embodiment that the Victorians fear and hope to destroy. Stoker describes him as a prominent figure of grieving evil, a curse that is a disgrace to the Victorian society. Having seen Count Dracula being ostracized from deviating from Christianity and creating his own religion, Stoker intends to persuade readers that believing in such religion is required and essential to human survival.…
Dracula by Bram Stoker is a story about a vampire, Count Dracula, that holds Johnathan Harker captive in his castle and he eventually escapes after he has witnessed events that change him forever. Also in this story, Count Dracula bites two ladies Lucy and Mina. Lucy turns into a vampire after multiple encounters with Dracula and Dr. Steward, Dr. Van Helsing, Lord Godalming, and Quincy Morris free her from her vampire state. Then, Dracula forces Mina, who is happens to be Johnathan Harker’s wife, to drink his blood to become his slave. Dracula flees from the men after they decide to hunt and kill him. The men follow him back to his castle and catch him along the way killing him by cutting off his head and freeing Mina from her captivity to Dracula. Throughout this story, Stoker uses several elements…