Bibliography: Stoker, Bram. Dracula: With an Introduction by George Stade. New York: Bantam, 1981. Print.
Bibliography: Stoker, Bram. Dracula: With an Introduction by George Stade. New York: Bantam, 1981. Print.
Bram Stoker’s book Dracula begins with a journal entry by Jonathan Harker. Harker is an English lawyer traveling to Transylvania, an Eastern European country, to meet with Count Dracula for business purposes. In his first journal entry, Jonathan records his trip to Dracula’s castle. Along the way local peasants warn him not proceed on to his destination especially so late at night. The worried peasants keep repeating the word “vampire” and give him crucifixes to ward off evil. Harker does get a bit scared but he still decides to continue on to the castle. When Jonathan arrives to his final destination, the friendly and gently Count greets him. During his stay at the castle, Harker feels more and more uncomfortable as certain events take place.…
Stoker’s Dracula, by contrast, is refined and enthralling. He has transmutated from a monster of sorts to a mysterious seducer, from a coldhearted “beast” of incontestable evil to a complex human arousing a strange sympathy and blurring the lines between good and evil. Count Dracula is now an attractive, sophisticated aristocrat who moves about easily in polite society. Dracula’s motivation throughout the film is the pursuit of his lost love, reincarnated in Mina Harker.…
In an analysis of Bram Stoker’s Dracula and one of many film adaptions, Coppola’s Bram Stoker’s Dracula, it is very evident that the female characters within the movie and the book are remarkably different. Not only is the love interest between Mina (Ryder) Harker and Dracula (Oldman) an addition to the movie, but the extreme sexualization of all the female characters within the film adaption portray the women in a new light. Through the distinction in character portrayal between the movie and the book, the underlying contrast between the “New Woman” and the Victorian Woman become very identifiable.…
These women can suddenly take the male prerogative to instate an encounter that is inherently sexual, and penetrate their victim (with their fangs). This destabilisation of gender roles is not limited to female people receiving phallic symbols however; the vampire itself completely reverses the stereotypical roles of men and women in the Gothic story. The women become predators, dangerous creatures to be hunted and feared; the men are the prey and they crack under the pressure and become hysterical on several occasions, the “stalwart manhood seemed to have shrunk somewhat under the strain of his much tired emotions” [Stoker, p.181]. After Lucy is killed, Dr. Seward must comfort Arthur Holmwood in the funeral parlour when he “suddenly [breaks] down, and threw his arms round my shoulders and laid his head on my breast, crying,” [Stoker, p.181]. Whereas when Mina is told of Lucy’s death, she shows “courage and resolution in her bearing” [Stoker, p.240], and is determined to tell the full story of their fight against Dracula, even if recording the death of her friend upsets…
During his time in Castle Dracula, Jonathan Harker encounters three vampire women when he falls asleep in what used to be a lady’s sitting room. When he awakens in the middle of the night, Jonathan sees three women in the room and two send the third to ‘kiss him’. Before she is able to, Dracula appears and drives them off, leaving Jonathan to wonder if the whole experience was merely a dream. The whole experience sets off Jonathan’s curiosity and drives him to continue exploring the castle and eventually escape Dracula altogether. This experience also instills the fear of vampires in Jonathan that causes him to have a breakdown multiple times, the fear that is only dispelled when Mina herself must be rescued from Dracula’s clutches. This instance…
The frequently used concepts in Dracula to objectify women as sexual objects, gives the reader an insight into Stoker’s ways on implementing the Victorian male imagination and society’s extremely rigid expectations for a female. In the Victorian era, the women had only two scarce choices to choose from, either be a virgin – which basically consisted of being a role model of purity and innocence – or a respected wife and mother. If women did not met these socially acceptable standards they were either seen as a harlot who had no self-respect or did not deserved any respect whatsoever. Men commonly in the Victorian era, as Bram Stoker regularly refers to, strongly believed to have a higher stand that any other women, Limiting women was very common…
Despite this quality, they still do not think that she should come along with them on their trip to seek out and kill Dracula. Instead, they leave her at home to sit in her room and wait to hear if any of her friends have been harmed or killed. They also ask that she acts as the secretary during their meeting, a job which she most likely brought on herself by volunteering to write up everyone’s journal entries beforehand. Mina does seem to think of herself in these same sexist ways, although she does her best to turn away from it. When Quincy accidentally shoots the window to try and kill the bat, Mina is the first to cry out, and she shames herself for being such a coward. Despite these leanings toward sexism, I feel that Stoker did a pretty good job at creating a strong female character given the time period that he wrote…
This transformation is apparent in Lucy, who is at first a sweet little girl. After each encounter with Dracula, Lucy’s “canine teeth grow longer and sharper than the rest” (Stoker). Lucy begins to develop traits of an animal when she loosens her sexuality each time she ventures out into the night to meet Dracula. Lucy’s metamorphosis into a grotesque vampire is meant to discourage sexual women, since Lucy begins to look repulsive when she crosses the line of sexual propriety. Also, it becomes evident that hypersexuality dehumanizes a woman. The vampire woman “licks her lips like an animal” and laps it against “her white sharp teeth” in order to seduce Jonathan (Stoker). The three vampire sisters that prey on Jonathan are mesmerizing but possess animal-like qualities that are associated with hypersexual women. A woman that is too promiscuous turns into a bloodthirsty beast, a reason why her sexuality must be repressed. In addition, critics state that the way Stoker describes sexual women suggests that they are not true women. Stoker portrays sexual women as “Un-Dead, fragmenting them into disembodied physical features” (Swartz-Levine). A woman’s sexuality is what turns her into a vampire, stripping her womanhood from her. Therefore, as women unveil their sexuality, they transform into monstrous beings that stray from the standards of Victorian…
Other than being remade into other forms such as movies and cartoons, Dracula was a relatively new concept during the time of its publication and had a major impact to its surrounding society. Today, the novel’s uses of multiple unique elements of writing such as dramatic irony, the everyman, and suspense/mystery continues to speak to interests of readers. In addition, the character itself, like any other supernatural beings including ghosts and witches, naturally intriguing us just based on many people’s love of getting scared; Dracula is portrayed in the novel as a completely evil and manipulative character that feasts upon the lives of mortals for his survival. Throughout the course of “Dracula,” Stoker used an epistolary form of writing not only for its prevalence in the Victorian era, but also for its effectiveness in portraying first person point-of-views and first-hand accounts for multiple characters. By doing so, he was able to make readers feel as if they themselves could have been in the characters’ shoes. Because it was an epistolary format and readers knew exactly what each character knew and did not know, his application of dramatic irony became clearer than other literary pieces as well. Dramatic irony was used in the course of the novel in multiple ways. The Victorian readers already knew of the vampire concept by the 18th century and Dracula was written in the early-mid 19th century. As they read the novel, they generally would have known what Dracula was, and had a similar idea to what we think now, before Jonathan Harker’s realization of Dracula’s intentions (Stoker 22). Another way dramatic irony was added in the novel was the placement of each journal. For instance, readers were notified first of Jonathan’s experiences in his journal and then Mina’s journal was revealed with her wondering about the condition of her finace (Stoker 27,…
In Bram Stoker’s novel, Dracula, Stoker portrays many different aspects of women’s roles in the nineteenth century. Women had a strictly defined role within the era; there was no thought of equality, no thought that women could liberate themselves sexually. Stoker uses women in this novel to critique against women’s liberation. Stoker’s portrayal of women makes the novel seem like a fantasy. Women are primarily objects of delicate beauty who occasionally need to be rescued from danger. In the novel Mina Murray is the embodiment of Victorian virtue in which she is loyal, earnest, innocent, and dependent of her husband. Stoker creates another character, Lucy Westenra who is completely opposite of Mina. Lucy is embodies the desire of women who want to liberate themselves. Only Mina shows any considerable strength or resourcefulness. Lucy is primarily two-dimensional victim, picture of perfection who is easy for Dracula to prey upon.…
The Victorian ideology of women is centered on the oppression of females and the idea that a woman’s sole purpose and duty in life is to be obedient and compliant to her husband. It was believed that “New Women” who stepped out of the ideal Victorian role were whores, unfit mothers and brides, and would ultimately cause chaos. In Bram Stoker’s, Dracula, Lucy and the three seductive vampires serve as women who step out of their Victorian role and are in turn punished for their actions.…
While Count Dracula is prominently reckoned as an opposition within a methodical society, he can somehow exemplify a potential alteration for oppressed women against the Victorian’s standardized expectations. In the primary introduction of Mina and Lucy’s appearance, the two female characters express a vast ideology of obedient and pure Victorian women. Both of them desire to wholly love and marry whomever they want without feeling oppressed by the expectations that society imposes on them. After Count Dracula corrupts Lucy to become a vampire of her own, her sexual desire commences to expand, and she deviates herself from the norms within the Victorian society. In chapter 15, Dr. Seward anxiously states, “She still advanced, however, and with…
the vampire sisters represent the deficiency of the other regal women in the novel. Whereas Mina and Lucy are models of what society deems to be full of this purity and virtue. The sisters of night are seen as aggressive, showing signs of being voluptuous, and insatiable. Examine the positions in which the vampires assume over Harker suggests to a sexual act, and due to this display of female sexual aggression, it both attracts and repulses Harker. The systematic ideas of what woman should be vs what you want a woman to be so you can gain pleasure play contested roles. In this Victorian society they prize and reward female virginity and domesticity, the sexually adventurous vixen is bound to be the subject of fantasy. Due to these same rigid…
Bram Stoker used his characters in Dracula to help portray the death of the Victorian Woman and the birth of the New Woman. During this time, women didn’t have the equal rights that men did. During the 19th century, women weren’t able to vote and usually stayed home to be housewives. This shows that women were accustomed to the conventional Victorian lifestyle, which meant that they rarely did anything outside of the house. Victorian woman didn’t play a big role in society, and were known as the less superior gender. However, the death of the Victorian Woman created a “New Woman:” a woman to show that this is now a time to change people's opinions and prove that women could be just as intelligent as men.…
A strong character is one who possesses many qualities such as being selfless, courageous and sacrificial. Dracula written by Bram Stoker portrays the young and witty Mina Harker. She is the best example to fit the description of a strong character. Mina starts off as a young school mistress who is engaged. As the plot progresses, her normal life changes and she is faced with many challenges that she overcomes, that show that she is the strongest personality in the novel.…