As we have discussed in class, mise-en-scene is all about what is staged and arranged in front of the camera: actors, props, setting, color, movement, costume, make-up, and more. Identify *three* significant, specific elements of mise-en-scene from the scene in SHERLOCK JR. (see link above). Then answer the following questions: 1) For each element you mention, write a little about its meaning, emotional impact, and significance to the story. 2) Discuss whether or not the film, *as a whole* (not just this one scene) appears to be controlled or uncontrolled in its use of mise en scene. If the total film is a mix of controlled and uncontrolled elements, state specifically which elements are controlled, and which are uncontrolled. (approx 500 words / 2 paragraphs)…
The movie is extremely well put together, the props, scene arrangements, camera movements and angles. Even with the film being in black and white the lighting was well played and designed. The mise en scene was laid out, positioned and selected methodically to encase the simplicity but elegant comforts of a stationary life that someone who wants to settle down. The set and setup contains the mundane and dullness of staying put that one would feel who like to be on the go. Not only does mise en scene, lighting, setting, camera movement and location en-capture and speaks to and out for both of the main characters it sets the mood and aids the story to grab its viewer to help them relate.…
The flash-forwards are dulled in hue and create a visual contrast to the rest of the film. The scenes happen almost automatically after the encounter and a jump cut is used, Within the scene images are pieced together in a montage are used to depict the individuals new future, with the sound of a flash from a camera going off to signify that this is a snapshot of pivotal points that influence the whole new life, these sequences depict the future yet to come. Almost like ultimate universe and the paths and actions that influence us to get there, Lola’s impact on others destiny also shows how powerful she is as an individual and her influence on others.…
In this chapter, Frye writes about the two different perspectives in literature- the vertical and the horizontal. There is a vast difference between the two perspectives and literature is commonly only written in the vertical. The two perspectives can be pictured as a compass on a map. From north to south is where the vertical perspective lies and from east to west is where one would find the horizontal. The north and south on the compass represents the top and bottom half of literature. "The top half of literature is the world expressed by such words as sublime, inspiring, and the like, where what we feel is not…
In Alfred Hitchcock's 1954 classic thriller Rear Window, Jimmy Stewart stars as L.B. Jeffries, a world traveling magazine photographer accustomed to living a fast pace active lifestyle. When Jefferies injures himself taking a risky picture he is immobilized, confined to a wheelchair inside his apartment for two months. Bored with his uneventful life he becomes completely obsessed with the lives of his neighbors spending the majority of his waking hours watching them from his window. To obtain a better view he begins using a telescopic lens from one of his cameras. By watching his neighbors through the camera he assumes the role of both a spectator and a voyeur. This contributes to the creation of a movie being played right outside Jeffries window. In this movie within the movie his neighbors' lives become the subject for the plot. Each window represents a different film screen, each of which is focused upon only when Jeffries directs his attention to it. One of the central themes in Rear Window is marriage, or more specifically Jefferies' fear of marriage. Through his voyeuristic habits he is able to see the strenuous complications that arise from marriage and relationships in his neighbors' lives. Each of their stories carries a theme that is associated pursuit and commitment of marriage: the newlywed couple beginning their life together, the depressed Miss Lonelyhearts who desperately seeks companionship, the happy couple who sleep under the stars on their fire escape, and most importantly the bitter Thorwalds whose marriage reaches an abrupt termination. He witnesses both the anxieties associated with the beginning of a marriage and the heartache of relationships ending. The plots that are played out before his eyes become more important than his own personal life. In fact, Jeffries renounces the idea of marriage due to the scenes he witnesses from within his apartment. He is currently involved in a…
Gloria Ladson-Billings is an American author, pedagogical theorist, and researcher who wrote the critically acclaimed book The Dreamkeepers: Successful Teachers of African American Children (2009). Ladson-Billings currently serves as the Kellner Family Chair in Urban Education at the University of Wisconsin-Madison and is known for researching and examining pedagogical practices of teachers who are successful with African American students. In 2005, she served as the president of the American Educational Research Association and was elected to the National Academy of Education. She has received numerous scholarly awards and distinctions in honor of her contribution to the field of Education including the H.I. Romnes faculty fellowship, the…
Rear Window is a 1954 suspense film, which was directed by Alfred Hitchcock. It was written by John Michael Hayes. The film starts James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter and Raymond Burr. The plot of the film is about a photographer who confined to a wheel chair after being in a racecar accident because he was trying to take a picture. Jeffries is the main character the one confined to a wheel chair is also in love with Lisa Fermont his girlfriend. However, Jeffries does not want to get married because he is afraid that after getting married he would have to give up his photography career and freedom, because he thinks that Lisa Fermont is not physically prepared to travel with him. After being stuck in his apartment for…
In the Glass Menagerie by Tennessee Williams there is a since of fantasy and escape among the characters. They all live in there own type of world. Tom Wingfield, our narrator’s sister Laura is in a crippled world of her own. She lives in a world where it consist of phonography records and her favorite glass animals, she lives in a world of confinement and dependency. Amanda Wingfield, Tom’s mother lives in a world of the past, she feels trapped by the life she was given. She did not choose to be left with her two children alone not being able to enjoy life. She escapes to her world of her gentlemen callers to forget about it all. Tom Wingfiled lives in a world of movies and writing, but among all these characters, there is one character who has managed to escape the desperate and…
The mall is composed of columns, patterned tiles, and iron rod railings. The mixture of clean glass and stone makes the aesthetic of the mall very welcoming. The bright lights light up every inch leaving no part in any kind of darkness. The pure white lights that shine from the ceiling makes all the colors pop. The wooden benches with iron rails were…
“If you build it, he will come”, One of the most famous quotes from the 1989 movie Field of…
Different for ever individual, what we experience in different landscapes sculpts our connection to the natural world. Memories can have a large impact on the emotional, cultural, personal and imaginative landscapes we develop in conjunction with the physical landscape, which provides the stimulants for the memories we link to particular characteristics. The many different environments we have experienced can elicit various different emotions and reactions. Therefore, connections to the natural world can vary between different memories associated with it; memories define our imaginative landscapes, and thus, our connection to our environment. It is obvious that different emotions contribute to unique experiences, resulting in the way we remember the landscape as unique. The emotive experience portrayed through an author provides the reader with an experience, a memory not their own, which shares the imaginative landscape of the writer with the reader. The differing portrayals of various scenarios, environments and people are directly related to the memories of the writer, which aids the connections development between the landscape portrayed and the reader. Memories of a landscape allows individuals to develop connections to that landscape and further a sense of identity, the strength or weaknesses in relationships to both those around them and the environment they inhabit, and whether the traditions are upheld or discarded. A strong connection to ones environments is created, and maintained by strong, positive memories within the landscape. However, in contrast, a disconnection to one’s environment can lead to isolation and alienation as a result of negative, or lacking of, memories within the environment. The lack of connection to the landscape we inhabit can result in a disconnection to culture, society and traditions. This is portrayed by Rachel Perkins, director of movie “one night the moon”, a film about the loss of child that communicates the difference in…
The Glass Menagerie and A Doll House have connections, with how the writers utilized the characters, and the symbolism to illustrate key ideas of the female characters, and the direct connection that each character has with the symbols.…
Clint Eastwood’s 2008 film Gran Torino was met with critical and box office success, as it details the detailed story of Walt Kowalski’s personal growth when he connects with his new, Asian neighbours. At the film’s core are heartfelt messages regarding the belated blooming of Walt’s better nature, and how race dictates how we as humans interact. Primarily, Gran Torino promotes conflict resolution, through visual mis-en-scene techniques, including, but not limited to, lighting effects, camera angles and setting. The innovation of these aesthetic ingredients allows the audience to sympathise with the central characters, whilst positioning them to feel intensified feelings of desperation, worry and emotional attachment. Together these components…
Analysis in A Midsummer Night's Dream “O, I am out of breath in this fond chase!” (Act 2 vs.81)…
The Glass Menagerie is a play of a family who is incredibly unstable. The play is about many other things, however the childlike minds of the main characters are a main point of the film. Each character of the film is caught within their own fantasy. Their inability to stay in reality hurts each character differently. Restoration is not actually attained in this film, however there was a desire from the mother, Amanda, for restoration. This movie is not a good depiction of restoration because no restoration actually takes place. A simple definition of restoration is putting things back to the way they were. Laura has always been aloof and crippled, and Tom never seemed to be interested in the reality in front of him so there is nothing to put back. Amanda is however trying to recreate her youth through the many reminiscing’s of her past the forcing of Laura to get gentlemen callers, and the nagging of Tom to stay home are Amanda’s way of trying to seek restoration. Although incredibly flawed, Amanda does try her best for the people she loves, Tom and Laura. Her feeble attempts at restoration only show that care that she has for her family even though her the way she shows it is flawed.…