He was born in 1899 in Washington, D.C., and came to Harlem in 1922. His composing style at the time contrasted deeply with that of two of his contemporaries, Fletcher Henderson and Don Redman. While they were developing the stereotypical big band style of Brass vs. Winds vs. Rhythm, the Duke attempted
He was born in 1899 in Washington, D.C., and came to Harlem in 1922. His composing style at the time contrasted deeply with that of two of his contemporaries, Fletcher Henderson and Don Redman. While they were developing the stereotypical big band style of Brass vs. Winds vs. Rhythm, the Duke attempted