By comparing the two sculptures of Khafre, image 3-11 ca. 2520-2494 BCE (1), with the statue of Doryphoros (Spear Bearer), image 5-40 ca. 450-440 BCE (2) you get a true sense of the evolution of art, from Pharaonic Egypt to Classical Athenian Greece two millennia later. This was not just a revolution in art but also philosophy, which transported itself into not only the types sculptures created but also the style used by their creators.…
In the Ancient Gallery in the Chazen Museum of Art, there is a bell krater from Attica, Greece that was made around 460-450 BCE. It is a ceramic vase that is in excellent condition with the exception of a few chips on the red-figure decoration. The Bell Krater (figure 1, figure 2) stands under two feet tall and is just over one foot in width. Overall, the scene and design style on this krater is mostly consistent throughout the entire body of the vase, but there are a few formal elements that separate the scenes on Side A (figure 1) from Side B (figure 2). The three main elements that will be discussed include technique, space, and line, as they all have a significant impact on how the viewer sees the artwork. While the Bell Krater is cohesive as a whole, the different use of formal elements on each side would have created individual impressions for the viewer in Ancient Greece as they surveyed both viewpoints while dining in their home.…
1. Do you think a partnership with Product (RED) can improve Gap’s image? Is it a sign that they are making a commitment to corporate social responsibility or do you agree with critics who say their involvement is an attempt to spit-shine the company’s image while continuing to do business as usual?…
The desire for the finer things in life is eternal, and the strive for beauty and elegance can be seen in all ages. In regards to Islamic pottery, the elaborate and decorative nature of pieces from Kashan cannot be beaten. Now I will analyze a specific production from Kashan, a lustre bowl produced during the Seljuq Period (11th to 13th centuries), labeled as “Object D-12” in the UCSB Jewel Room and depicted below: In this image one can see the same line of eyebrows, drawn out eyes, and thin lips on the center figure that can also be seen on the polo player of Object D-12. Both men also have a halo surrounding them, enshrining them with a sense of importance and holiness. In this piece, dated at the early 13th century, the center figure appears…
1 Examine the funerary sculpture from Upper Egypt, 2200-2000 B.C.E., on page 54 of your textbook…
After going through the chapters of the textbook I have come across two sculptures that has both similarities and differences. In chapter three I came across the Seated Scribe, it originated in ancient Egypt and was carved in limestone. The seated scribe stood out the most because majority of the sculptures in Egypt were kings or queens standing straight up with their hands placed firmly against their sided. Instead, the seated scribe was very relax with his legs crossed underneath each other.…
Abstract: Egyptian canopic jars function as funerary pottery and a symbol of the protection offered by the four Sons of Horus. Although Egypt gets the most recognition, several other ancient cultures have similar pottery used for the dead’s benefit. Greek kraters functioned both as wine mixing pots and pots for liquid offerings for the dead. Both of these ceramics allow the viewer to observe key pieces of their respective cultures’ values, religion, and technology.…
The art pieces I choose to analyze are two paired Star Tiles with Vegetal Motifs and Inscriptions. The evolution of the purpose of an artifact reveals the development of complexity within Islamic empires as time progresses. The first Islamic dynasties controlled large unified Islamic states and religious pieces served as the main type of art within their empires. The goal of the gallery layout is to display to an uninformed viewer the evolution of Islamic art over the course of a millennium, and to reveal the four unifying characteristics that emerged, figural representation, geometric patterns, vegetal patterns, and calligraphy (The Met). The first artifacts are the oldest and are only decorated with calligraphy. The pieces eventually progress to geometric and vegetal patterns. The last element to appear is figural representations, because they are the most complicated. The tiles contain three of these main characteristics; calligraphy, vegetal patterns, and geometric patterns.…
They say the greatest warrior's in history all come from the long gone and distant land of Ioni. Where it exist none know today, but what is know that there is a long lineage of warriors who can trace ancestors back to this land. Multiple ways of the warrior all can be traced back to Ioni. At some point though the continent it was located on collapsed into the planet it resided on. All remnants of it shattered to oblivion. All there was left were a few artifacts traders had before the collapse happened and stories the elders spoke of. After thousands of years all was forgotten. Ioni and all that was known of it was gone, none knew of it and everybody went through their trainings not knowing who had created their art form of war. One day on a sunny day the whole world was at peace. No wars had been fought for 200 hundred years and civilization was thriving. As the birds chirped and children played in the meadows, the planet shook all across. The oceans seem to sink deeper and the water levels lowered. New land rose and came with it many old broken structures. Ioni had rose back up to the world. Out of all the chaos wars broke out for the race to see what was in these structures. Millions died trying to figure out what was in these structures. One day a group of explorers found something that was terrifying to all of them, a war mask stained in blood. The mask bathed in black had carving all over it and some with blood as a paint over. The mask itself lied on a pedestal patiently waiting. All around this mask were more carvings and the first of their kind, actually writing by the people that once existed. The writings themselves suggest that there lived about 10,000 people, all with the heart of a warrior. They ate much of the same traditional food they still ate at the current time: rice, fish, cattle, and many…
This paper focuses on the ruler and their power; it intends to analyze the role of art and architecture within the Mesopotamian and Egyptian hierarchy and its purpose. Throughout history, human civilization has learned to convey messages through various means. One of the most significant of them all is the language of art and architecture. From every corner of the planet, we see this trend. From Egypt to Iraq, from Asia to Africa, art and symbols along with architectures of various types show the power of past leaders. We will discuss how rulers convey their power through art and architecture and the ultimate purpose of that display. The Mesopotamian and Egyptian leaders both demonstrate through their magnificent artistic creations a distinctive bond between themselves and the gods.…
The image I have chosen to present is of a contemporary Egyptian style vase made in 1990. The vase is an exquisite piece done in lapis blue porcelain and lavished with 24 karat gold. The “Palette of King Narmer” which is the class example bears more contrast than similarity from the contemporary vase. As opposed to the vase, the palette is an actual ancient artifact that depicts the Egyptian culture of its time. The vase on the other hand is merely an artistic piece that aims to depict version of the ancient Egyptian culture. The similarity in the two pieces is that they both have hieroglyphs marked on them purposefully to tell a story. However, the hieroglyphs on palette specifically serve as historical records of King Narmer’s reign.…
Over the years, throughout the world there are being discovered important art pieces created by known, unknown artists or simply by people who want to pay tribute to someone in particular, who has different and special elements behind. Around the world, investigators have discovered millions of beautiful and significant pieces that symbolize some important events in the lives of a culture, of a people or a civilization. Such is the case of the discovery of two statues of great goddesses; Nike of Samothrace and Coatlicue, both have strong similarities as well as differences, they had different cultures and myths, and also had artistic and symbolic elements.…
Throughout Egypt, during the middle empire art evolved as a symbol for power and permanence featuring straight lines and powerful figures; as time passed art evolved again morphing from simply representational images of man to the more idealized and anatomically correct style of Roman art. As art became more and more prevalent through the late 3rd and early 4th century’s artists began to focus more on anatomical perfection and realism borrowing artistic elements from other cultures such as the Greeks. Though the artistic styles of ancient Egypt and early Roman art vary widely, the underlying symbolism remains the same. This is clear in both the Egyptian Sculpture Vizier (Figure 1) and the Roman sculpture Bust of and Unknown Man (Figure 2). Where the ideas and concepts of both sculptures are essentially the same, their vastly different styles are evident of the time periods in which they were made.…
In this essay we’ll discuss the similarities and differences between two pieces of art from different civilizations. One difference that we’ll take note of beforehand is that the Stele of Naram-Sin is an Akkadian piece while the Palette of King Narmer is Egyptian. Now just because they’re from different cultures, you’d be surprised what they have in common. And thus, we start with the similarities of both pieces.…
How did the ancient Egyptians’ jewelry influence the jewelry in the United States today? First we need some incites on the history of the jewelry of the ancient Egyptians. In this essay I hope to inform you on how the Ancient Egyptians’ jewelry influenced the United States’ jewelry and how it is showing the similarities now.…