In the non-fiction piece, Naked and truthful in the Bronx by Lillian Ross demonstrates how the actors behave in a certain way and are spending great amount of money to portray the “poor” in social society. Firstly, in this is story the film that is made has all come down to money. As the producer says, “This is mainstream, but good. You can get top dollar for this.” This reveals how the story is all about money business, they do not care about what is the reality of the poor society.…
In the movie "A Bronx Tale" which is staged in the Bronx, New York, circa 1968, many narratives as well as visual motifs are present. The movie mixes many narrative structures such as the intertwinement of race, morals, and a kid growing up in the Bronx during this time. It also demonstrates the larger picture about the mafia and the power that seems to overcome everyone who gets involved.…
Citizen Kane is a 1941 American drama film by Orson Welles, its producer, co-author, director and star. The picture was Welles's first feature film. Nominated for Academy Awards in nine categories, it won an Academy Award for Best Writing by Herman J. Mankiewicz and Welles. Considered by many critics, filmmakers, and fans to be the greatest film ever made, Citizen Kane was voted the greatest film of all time in five consecutive Sight & Sound polls of critics, until it was displaced by Vertigo in the 2012 poll. It topped the American Film Institute's 100 Years ... 100 Movies list in 1998, as well as AFI's 2007 update. Citizen Kane is particularly praised for its cinematography, music, and narrative structure, which were innovative for its…
The Front is a film set in the 1930s, when the search for communists was at its height. Howard Prince and Florence Barrett were both in the entertainment industry where many people were getting blacklisted because they were targeted as communists. Howard and Florence both happened to be targeted as potential communists. Then there is “the Crucibles,” which is set amid the 1692 Salem witch trials. John and Elizabeth Proctor were accused of being witches, who turned against God’s…
Sexual Assault was not a well-established topic until the 1970’s when victims of assault started to come forward with their stories. The media played a huge part in reliving the victim’s stories and drawing forth the emotions and empathy of the public. It also played a fragment in the victim shaming and blaming because most did not believe that a survivor of sexual assault was telling the complete truth of their assault. The most well established part of mass media that tells the victim/survivor’s story in a more empowering way is movies.…
Quentin Tarantino paints with a palette of the past. As a young man, he worked in a video store, studiously absorbing film. When he began creating movies himself, he construed the elements of classic cinematic storytelling into his own modern pastiche, this is what sets him apart, and why he is often considered the most influential filmmaker of the 90s. Nearly twenty-five years after his first major film Tarantino gives us his eighth film, The Hateful Eight.…
The essays of David Foster Wallace are, in many ways, not about the subjects they pretend to cover. Foster Wallace is not concerned with lobsters, high-stake tennis matches or the way that Midwesterners gather around their TV's. Instead, Foster Wallace is interested with what surrounds these subjects and what they have to say about human experience. In this sense, the seemingly random topics Foster Wallace chooses to focus his lens on are actually incredibly precise. He uses them to find existential, and sometimes metaphysical, insight out of the mundane. It is for this reason that I think he is drawn to subjects that involve crowds, such as the Maine Lobster Festival in "Consider the Lobster," the 2006 Wimbledon tournament in "Federer as Religious Experience," and a group TV viewing in "911: The View from the Midwest." The increased number of people in the crowds in these settings gives Foster Wallace a larger sample…
Truth is a concept that exists throughout the cross-section of society. Telling the truth is extremely complex as truth is compromised by commercial self-interests. This is represented by the satirical television series Frontline directed by Rob Sitch et al. Frontline humorously mocks a typical current affairs show and its representation of the truth. In the episodes ‘The Siege’ and ‘Smaller Fish to Fry’, Sitch utilises sophisticated techniques to demonstrate how truth is manipulated and concealed.…
Scene B: The movie is mainly shot in black and white and there a few scenes that include color. One scene was the one with the girl in the red coat. She represents the first time Schindler has affection towards the Jewish people and makes him realize the atrocities the Nazi regime were committing. She appears once more in the film later when Schindler sees a pile of dead bodies and among them was this little girl recognizable by only her red coat. This is significant because it shows Schindler has changed because before he saw the liquidation of the ghetto he only cared about making money but after he sees this he tries to save as many Jew´s lives as he can. He is clearly disturbed by what he sees happening to the Jew´s at the hands of the Nazi´s and he is devasted to see this whole thing. Actions following this shows he clearly has affection towards the Jewish people such as when he paid Cpt. Amon Goeth hundreds of thousands of reichsmarks for the Jews just so he could save them. He even makes sure that the German soldiers are not on the factory floor and the remain on the outside of the building and he makes sure his Jews are properly fed and are allowed to practice their religion.…
The Big Parade is a silent film which was released in 1925, and was directed by King Vidor. The film discusses the story of an idle boy from a wealthy family who joins the US Army's during World War 1, during this he becomes friends of two men, experiences the horrors of trench warfare, and falls in love with a French girl. The movie begins in 1917 when the US enters World War 1. The main character James (Jim) Apperson gets threatened by his father to be thrown out if he does not join the army even though tells his anxious mother that he has no intention in joining. He spends the day with his friends who in a patriotic party end up getting enlisted. During the training, he makes friends with Slim and Bull who all get shipped out to France at a farm on the village…
John Cassavetes’ film Faces (1968) exemplifies his loose editing, basic lighting, documentary style of footage. Cassavetes didn’t have a concern for the filming techniques that are most recognized in Hollywood and art films. He supported and focused on accommodating the spontaneity of his actors while still sticking to the script. Cassavetes’ films have a strikingly alive and spontaneous approach, which makes it hard to believe there’s a script to follow. His style of filming comes filled with dancing, laughing, fighting, and crying.…
Andy Warhol directed many underground movies with titles that were sexually explicit or off the wall terms like “Blow Job” (1964) and “The Nude Restaurant” (1967). His filmography spanned through out America’s 60’s in a time where sexuality was constantly being questioned and Andy Warhol responded with a series of subjects that pushed the limits of what is considered normal behavior.…
Based on the true story of Baltimore Ravens offensive tackle Michael Oher, The Blind side opens with footage of the monumental moment when quarterback Joe Theismann got sacked by Lawrence Taylor, turning the offensive tackle into one of the highest paying positions in football but ending Theismann’s career. If you are not a football fan, The Blind Side is about Michael following in Taylor’s footsteps, but more so about how his adoption into the Tuohy family got him they’re to becoming a professional football player.…
The films, ‘The Butler’ and ‘The Intouchables’ are representations of the ordeals that African American’s were forced to go through in the past years and the implications of such experiences to the current production of films. It is without any doubt that because of the inferior status that was given to African Americans, most films that are produced today exhibit African Americans to be of a lesser status (Toledano and Olivier 5; Ager and Aubyn 1). For example, in both of the aforementioned films, black people are conveyed as servants (Toledano and Olivier 5; Ager and Aubyn 1). To add onto this, in the film, ‘The Intouchables,’ readers are told of the actuality that Driss served a jail time for a crime that he had committed thus showing that African Americans were stereotyped as criminals by nature.…
Kubrick's Lolita, in my opinion, is an excellent example of Kubrick's attempt (and success) in transforming one of the best literary works in history into a cinematic work. Kubrick's use of innuendo and visual storytelling truly conveys the novel's spirit, feel, and irony. The characters in Kubrick's Lolita are the driving force to the story and are managed by superb actors and actresses. That aside and more importantly, it is Kubrick's use of relationships, staging, environment, suggestion, and camera-work that make possible the effective production and delivery of Lolita…