She gives a pulsing performance that is all grace and enchantment, disciplined by an instinct for the realities of the stage.
Hepburn and Ferrer married on 25 September 1954, in Switzerland; their sometimes tumultuous partnership would last for the better part of the next fifteen years. Her performance won her the 1954 Tony Award for Best Performance by a Leading Actress in a Play; the same year she won the Academy Award for Roman Holiday. Hepburn, therefore, stands as one of three actresses to receive the Academy and Tony Awards for Best Actress in the same year (the other two are Shirley Booth and Ellen Burstyn).[50]
Hepburn received the Golden Globe for World Film Favorite – Female in 1955,[51] and also became a major fashion influence.
Hepburn was asked to play Anne Frank in both the Broadway and film adaptations of Frank 's life. Hepburn, however, who was born the same year as Frank, found herself "emotionally incapable" of the task, and at almost thirty years old, too old.[52] The role was eventually given to Susan Strasberg and Millie Perkins in the play and film …show more content…
She attempted a comeback in 1976, co-starring with Sean Connery, in the period piece Robin and Marian, which was moderately successful. In 1979, Hepburn took the lead role of Elizabeth Roffe in the international production of Bloodline, re-teaming with director Terence Young (Wait Until Dark). She shared top billing with co-stars Alan Arkin, Ben Gazzara, James Mason and Romy Schneider. Author Sidney Sheldon revised his novel when it was reissued to tie into the film, making her character a much older woman to better match the actress 's age. The film, an international intrigue amid the jet-set, was a critical and box office failure. Hepburn 's last starring role in a cinematic film was with Ben Gazzara in the 1981 comedy They All Laughed, directed by Peter Bogdanovich. The film was overshadowed by the murder of one of its stars, Bogdanovich 's girlfriend, Dorothy Stratten; the film was released after Stratten 's death but only in limited runs. In 1987, she co-starred with Robert Wagner in a tongue-in-cheek made-for-television caper film, Love Among Thieves, which borrowed elements from several of Hepburn 's films, most notably Charade and How to Steal a Million.[citation