Emily Zola
EMILY ZOLA (1840-1902)
French novelist and critic, the founder of the Naturalist movement in literature. Zola redefined Naturalism as "Nature seen through a temperament." Among Zola 's most important works is his famous Rougon-Macquart cycle (1871-1893), which included such novels as L 'ASSOMMOIR (1877), about the suffering of the Parisian working-class, NANA (1880), dealing with prostitution, and GERMINAL (1885), depicting the mining industry. Zola 's open letter J 'ACCUSE on January 13, 1898, reopened the case of the Jewish Captain, Alfred Dreyfus, sentenced to Devil 's Island.
"I am little concerned with beauty or perfection. I don 't care for the great centuries. All I care about is life, struggle, intensity. I am at ease in my generation." (from My Hates, 1866)
Emile Zola was born in Paris. His father, François Zola, was an Italian engineer, who acquired French citizenship. Zola spent his childhood in Aix-en-Provence, southeast France, where the family moved in 1843. When Zola was seven, his father died, leaving the family with money problems - Emilie Aubert, his mother, was largely dependent on a tiny pension. In 1858 Zola moved with her to Paris. In his youth he became friends with the painter Paul Cézanne and started to write under the influence of the romantics. Zola 's widowed mother had planned a career in law for him. Zola, however, failed his baccalaureate examination - as later did the writer Anatole France, who failed several times but finally passed. According to one story, Zola was sometimes so broke that he ate sparrows that he trapped on his window sill.
Before his breakthrough as a writer, Zola worked as a clerk in a shipping firm and then in the sales department of the publishing house of Louis-Christophe-Francois-Hachette. He also wrote literary columns and art reviews for the Cartier de Villemessant 's newspapers. As a political journalist Zola did not hide his antipathy toward the French Emperor Napoleon III, who used the Second Republic
French novelist and critic, the founder of the Naturalist movement in literature. Zola redefined Naturalism as "Nature seen through a temperament." Among Zola 's most important works is his famous Rougon-Macquart cycle (1871-1893), which included such novels as L 'ASSOMMOIR (1877), about the suffering of the Parisian working-class, NANA (1880), dealing with prostitution, and GERMINAL (1885), depicting the mining industry. Zola 's open letter J 'ACCUSE on January 13, 1898, reopened the case of the Jewish Captain, Alfred Dreyfus, sentenced to Devil 's Island.
"I am little concerned with beauty or perfection. I don 't care for the great centuries. All I care about is life, struggle, intensity. I am at ease in my generation." (from My Hates, 1866)
Emile Zola was born in Paris. His father, François Zola, was an Italian engineer, who acquired French citizenship. Zola spent his childhood in Aix-en-Provence, southeast France, where the family moved in 1843. When Zola was seven, his father died, leaving the family with money problems - Emilie Aubert, his mother, was largely dependent on a tiny pension. In 1858 Zola moved with her to Paris. In his youth he became friends with the painter Paul Cézanne and started to write under the influence of the romantics. Zola 's widowed mother had planned a career in law for him. Zola, however, failed his baccalaureate examination - as later did the writer Anatole France, who failed several times but finally passed. According to one story, Zola was sometimes so broke that he ate sparrows that he trapped on his window sill.
Before his breakthrough as a writer, Zola worked as a clerk in a shipping firm and then in the sales department of the publishing house of Louis-Christophe-Francois-Hachette. He also wrote literary columns and art reviews for the Cartier de Villemessant 's newspapers. As a political journalist Zola did not hide his antipathy toward the French Emperor Napoleon III, who used the Second Republic
Bibliography: • CONTES Á NINON, 1864 - Stories for Ninon • LA CONFESSION DE CLAUDE, 1865 - Claude 's Fonfession • MES HAINES, 1866 • MON SALON, 1866 • THÉRÈRE RAQUIN, 1867 - trans. • EDOUART MANET, 1867 • LES MYSTÈRES DE MARSEILLE, 1867 - The Mysteries of Marseilles • NOUVEAUX CONTES À NINON, 1874 • L 'ASSOMMOIR, 1877 - The "Assommoir" / The Dram-Shop- Ansa, suom • THÉÂTRE, 1878 • LA RÉPUBLIQUE FRANÇAISE AT LA LITTÉRATURE, 1879 • NANA, 1880 - transl. - suom.- films: 1925, dir. by Jean Renoir; 1934, dir, by Dorothy Arzner; 1954, dir. by Christian-Jacque • LE ROMAN EXPÉRIMENTALE, 1880 • LES SOIRÉES DE MÉDAN, 1880 • LES ROMACIERS NATURALISTES, 1881 • LE NATURALISME AU THÉÂTRE, 1881 • NOS AUTEURS DRAMATIQUES, 1881 • DOCUMENTS LITTÉRAIRES, ÉTUDES AT PORTRAITS, 1881 • AU BONHEUR DES DAMES, 1883 - The Ladies ' Paradise / Naisten aarreaitta/Naisten paratiisi • NAÏS MICOULIN, 1884 • GERMINAL, 1885 - trans • L 'OUVRE, 1886 - The Masterpiece • L 'AFFAIRE DFEYFUS: LETTRE À LA JEUNESSE, 1887 • LA TERRE, 1887 - The Earth • LE RÊVE, 1888 - The Dream - Unelma - film: 1921, dir • DÉBÂCLE, 1892 - The Debacle - Sota • LES TROIS VILLES: LOURDES (1894);ROME (1896); PARIS (1898) - trans. • NOUVELLE CAMPAGNE, 1897 • LES QQUATRE ÉVANGILES: FÉCONDITE, 1899 - Fruitfulness - Hedelmälisyys; LE TRAVAIL - Work, 1901; LA VÉRITÉ, 1903 - Truth - Totuus; LA JUSTICE (unfinished) • LA VÉRITÉ EN MARCHE, 1901 • ' 'UVRES COMPLÈTES, 1927-29 (50 vols.) • MADAME SOURDIS, 1929 • CONTES ET NOUVELLES, 1976 • CORRESPONDANCE 1858-1877, 1980