"Near the threshold he stopped, horror-stricken at the sight of a thing. He was being looked at by a dead man who was seated with his back against a columnlike tree. The corpse was dressed in a uniform that had once been blue, but was now faded to a melancholy shade of green. The eyes, staring at the youth, had changed to the dull hue to be seen on the side of a dead fish. The mouth was open. Its red had changed to an appalling yellow. Over the gray skin of the face ran little ants. One was trundling some sort of bundle along the upper lip.”…
A Voyage Long and Strange written by Tony Horwitz is a novel in which he shares he thoughts and discoveries as he retraces the steps of some of the first people to ever set foot in North America. He retraces the steps of Christopher Columbus, Eirik the Red, John Smith, and many explorers in between.…
Bibliography: Horwitz, Tony. "Tony Horwitz." About: Bio. Tony Horwitz, 2011. Web. 25 Sept. 2012. <http://www.tonyhorwitz.com/tony/>.…
It is certain that as the reader, one is left feeling bereft and truly sorrowful at the close of ‘The Open Boat’. However, it is not with emphasising the self-pity of the seamen, or using particularly emotive language, that Crane achieves this, but rather by subtly manipulating the plot structure, carefully and effectively establishing the characters, and selecting a narrative style that is objective and detached. These techniques culminate in a conclusion that is both unexpected in its resolution, and unexpected in its effect on the reader, who is left to dwell on the fate of the seamen long after the final page is turned.…
To introduce the story, in the first sentence he hints towards death. Describing the Duchess, "looking as if she was alive." In a Fresco painting, which was very popular at the time in Ferrara, Italy. The navigation towards death implies that it will be a dark story, and to increase the darkness of the story it is ficticious. Instantly you can recognise the relentless rhyming couplets that are throughout the whole poem, this creates a cheerful, positive mood on such a dark story resulting in a spooky effect.…
The concept of a ‘rite of passage’ is a historical phenomenon that dates back to most, if not all, human cultures. Whether it is the vision quest of the Native Americans, or it is the acquisition of one’s driver’s license as an American, the story that is born from a rite of passage event is often a heartfelt and passionate tale from beginning till end. All the Pretty Horses, by Cormac McCarthy, is no exception.…
The setting of the jail helps the audience to think about the reality of the horrible conditions of people who are incarcerated. They prisoners are treated like animals. They have filthy conditions and it similar to living in a barn. It is cold and dark and the bedding is straw. When Herrick enters, it says that he nudges a bundle of rags lying on a bench which implies that you cannot tell that there is even a person in the cell. The audience is aware of how these people suffered for no reason.…
The author’s narrative, ripe with horrifying descriptions, is nonetheless told with compassion appealing to the emotions of the audience in his argument. The greater part of the book follows these men on their unlucky journey through the desert, and how each one is drained of their money, water, hopes and dreams, and for some, life. The author uses compelling descriptions of imagery; the taste of urine, the sight of mummified corpses, and the anguish of losing one's son are all strikingly portrayed. The reader finds themselves horrified each time death reaches another victim of the Devil’s Highway, forcing you to think about the family waiting in Mexico dreaming of a better life. At the beginning of the book Urrea lists the possessions of the dead (“John Doe # 37: no effects, John Doe # 44: Mexican bills in back pocket, a letter in right front pocket, a brown wallet in left front pocket”) these specific details provided are emotional responses to give the readers every last detail of the man and his possessions. Another technique Urrea uses that affects the audiences emotions is grammatical persons, Urrea often switches into second-person point-of-view so the reader imagines that he or she is going through the stages of hypothermia themselves. “Your muscles, lacking water, feed on themselves. They break down and start to rot. Once rotting in you, they dump rafts of…
Stripped of extraneous detail, the story focuses on what horror truly is: not the physical pain of death, but the terrible realization that a victim has no choice but to die. Whether the narrator chooses to jump into the pit or get sliced in half by the pendulum, he faces an identical outcome—death…
Diction plays an enormous role in expressing the impression the wolf's death (and circumstances surrounding it) has on the subject. From the onset, the author establishes a dramatic mood by describing the scenery as having "talus sides" (Line: 1) and "tall escarpments". (Line: 2) As the passage progresses, the passion of the choice of words increases. Such is exemplified in Lines 57 and 58 when the author states: "What blood and bone are made of but can themselves not make on any alter nor by any wound of war". Such a quote implies that the elemental make-up of a body can create the shell of a creature, but no act of man can bring back a soul to fill the casing. The terms "blood", "bone", and "wound of war" are all very fervent and poignant expressions. Their usage conveys the gravity of the quote itself. The utilization of a simple, two-lettered word held great meaning to one particular line of the passage: "He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held..." (Lines: 53 - 55). The placement of "or" implies that the subject is confused about his own emotions, but the situation indicates that they are strong. Simply holding the wolf's corpse in his arms is an attainable feat, but the second half of the previous quote seems to suggest that that subject is reaching for life in death, an impossibility that many strive for. The author's choice of diction, both complex and simplistic, conveys very precise and significant meanings that cannot be overlooked.…
The literary device that the author uses to compare the book and himself to was a metaphor. When the narrator said, “it was cold consolation to think that I, who looked upon it with my eye and fondled it with my ten flesh-and-bone fingers, was no less monstrous than the book”, this proved that he was comparing himself to the monstrous book. The meaning and significance of this metaphor states that he was no different from the book. His mind was now as dense and endless. The book carried infinite secrets and toyed with its readers. As it stated in the short story, “I felt it was a nightmare thing, an obscene thing, and that it defiled and corrupted reality”. The narrator felt that the deadly secrets that emanated from the book were all getting to his head. His fear of infinite evil caused him to hide the demonic book and run away from the eternal thoughts.…
C. Discuss the life of Yank in The Hairy Ape. What was his childhood like and when did he leave home. What is his job/social class position? How does his lack of education trap him? What happens when he encounters Mildred, and how does it change his life? Where does he belong?…
The story of the Essex’s begins in an innkeeper's house. This is where the great journey will start and then end it. In one night the story of Moby Dick will be told, from the great adventures, to its turmoils, to the never ending pain but in the end truth will rings out.…
In “The Flowers,” a little girl is walking along in the woods behind her house like she had done many times before, but when she begins to “circle back to the house,” she steps into the head of a dead man. This man is the victim of a violent and tragic death. He has been beaten “he had had large, white teeth, all of them cracked or broken,” and has been hanged “It was the remains of a noose.” The little girl, until this…
This description of the house reflects the way the narrator feels while she is there. The placement of house far back from the road mirrors the isolation she feels being confined to that house all summer. The house’s separation from the road and the town echoes the narrator’s separation from society as she is kept alone in the house. This imagery and setting also reflects the way women, especially those with mental health issues, were treated at this time; they were kept separate from humanity and were told that their isolation would help them recover, when in actuality, it was the opposite of what they needed to get…