essay About a boy
Bill Bryson Book ANDRE REVIEWS
Bryson writes hysterical travel books. In this one he sets out to re-create a backpacking trip of Europe he made during the seventies when he was twenty. His descriptions of people and places will have you falling out of your chair. The beer he is offered in Belgium, for example, defies his palate. He just can’t associate the taste with any previous experience, but finally decides it puts him in mind of a very large urine sample, possibly from a circus animal. (He should have stuck with Coca-Cola, nicht wahr, Wendell?)
Bryson has truly captured some of the giddy enjoyment that I experience when traveling in a foreign country where one does not speak the language. “I can’t think of anything that excites a greater sense of childlike wonder than to be in a country where you are ignorant of almost everything. Suddenly you are five years old again. You can’t read anything. You have only the most rudimentary sense of how things work. . . . Your whole existence becomes a series of interesting guesses.” At the Arc de Triomphe, some thirteen streets come together. “Can you imagine? I mean to say, here you have a city with the world’s most pathologically aggressive drivers -- who in other circumstances would be given injections of valium from syringes the size of basketball jumps and confined to their beds with leather straps -- and you give them an open space where they can all go in any of thirteen directions at once. Is that asking for trouble or what?”
Interspersed are salient comments about traveling on European trains. “There is no scope for privacy and of course there is nothing like being trapped in a train compartment on a long journey to bring all those unassuageable little frailties of the human body crowding to the front of your mind – the withheld fart, the three and a half square yards of boxer shorts that have somehow become concertinaed between your buttocks, the Kellogg’s corn flake that is unaccountably lodged
Bryson writes hysterical travel books. In this one he sets out to re-create a backpacking trip of Europe he made during the seventies when he was twenty. His descriptions of people and places will have you falling out of your chair. The beer he is offered in Belgium, for example, defies his palate. He just can’t associate the taste with any previous experience, but finally decides it puts him in mind of a very large urine sample, possibly from a circus animal. (He should have stuck with Coca-Cola, nicht wahr, Wendell?)
Bryson has truly captured some of the giddy enjoyment that I experience when traveling in a foreign country where one does not speak the language. “I can’t think of anything that excites a greater sense of childlike wonder than to be in a country where you are ignorant of almost everything. Suddenly you are five years old again. You can’t read anything. You have only the most rudimentary sense of how things work. . . . Your whole existence becomes a series of interesting guesses.” At the Arc de Triomphe, some thirteen streets come together. “Can you imagine? I mean to say, here you have a city with the world’s most pathologically aggressive drivers -- who in other circumstances would be given injections of valium from syringes the size of basketball jumps and confined to their beds with leather straps -- and you give them an open space where they can all go in any of thirteen directions at once. Is that asking for trouble or what?”
Interspersed are salient comments about traveling on European trains. “There is no scope for privacy and of course there is nothing like being trapped in a train compartment on a long journey to bring all those unassuageable little frailties of the human body crowding to the front of your mind – the withheld fart, the three and a half square yards of boxer shorts that have somehow become concertinaed between your buttocks, the Kellogg’s corn flake that is unaccountably lodged