Racked with the trouble of alcoholism and suspected bipolar disorder, Pollock’s drip art became a sensational hit in the mid 1940’s amidst the time of post-Great Depression. Unlike Van Gogh, Pollock’s work gained fame for his technique and style with his background life, gaining little attention in his pathway to fame. Pollock himself stated that over time, his passive nature towards his own art led to the beginning of his numbering of canvases instead of the routine naming of pieces because he wished to stray from the regular style of representational art. From works such as Lavender Mist to Blue Poles, witnesses to his art claim to be left in a state of tizzy excitement which is completely due to the work itself with no reference whatsoever to his background. Even if it was partially due to his unique style of abstract painting, Pollock was well known for his unconventional mediums of art as well as his new interpretations of images. Critics of his work rarely feel the need to bring up his pained background because holistically, troubled pasts are simply correlations and not causations of great
Racked with the trouble of alcoholism and suspected bipolar disorder, Pollock’s drip art became a sensational hit in the mid 1940’s amidst the time of post-Great Depression. Unlike Van Gogh, Pollock’s work gained fame for his technique and style with his background life, gaining little attention in his pathway to fame. Pollock himself stated that over time, his passive nature towards his own art led to the beginning of his numbering of canvases instead of the routine naming of pieces because he wished to stray from the regular style of representational art. From works such as Lavender Mist to Blue Poles, witnesses to his art claim to be left in a state of tizzy excitement which is completely due to the work itself with no reference whatsoever to his background. Even if it was partially due to his unique style of abstract painting, Pollock was well known for his unconventional mediums of art as well as his new interpretations of images. Critics of his work rarely feel the need to bring up his pained background because holistically, troubled pasts are simply correlations and not causations of great