Joseph Conrad 's Heart of Darkness is both a dramatic tale of an arduous trek into the Belgian Congo at the turn of the twentieth century and a symbolic journey into the deepest recesses of human nature. On a literal level, through Marlow 's narration, Conrad provides a searing indictment of European colonial exploitation inflicted upon African natives. By employing several allegoric symbols this account depicts the futility of the European presence in Africa.…
After setting foot on the land and beginning his journey to the Inner Station, Marlow observes a group of slaves, from which a particular one stands out in his decimated clothing and deprived appearance. Marlow, in vain, offers the slave a biscuit immediately before they die of hunger right before his eyes (28). This simple encounter echoes the irrefutable damages caused by imperialism and the idea that no matter what anyone does to try and reverse the effects, including Europeans themselves, the damage that has been done has been set in stone for centuries to come. As noted in Edward Said’s essay critiquing Heart of Darkness, “Conrad… could clearly see… imperialism was pure dominance, [but] he could not conclude that imperialism had to end so that natives could lead lives free of European domination” (Said par. 18). This quote unequivocally supports the notion that Europe became a necessary crutch for Africa, and provides evidence for the transformation of darkness to convey the idea of the long-lasting effects of…
The Heart of Darkness by Joseph Conrad is regarded as one of the most superlative novels of English literature written in the twentieth century. However, the ideas and notions presented by Conrad in this story has generated quite a bit of controversy among academic scholars and literature experts who believe the novel creates a sense of racial animosity towards the African continent and its people. With further analyzation it can be inferred that this novel does indeed show signs of racial enmity and presents a rather deplorable situation in which one must evaluate if Conrad himself is a racist. Some would argue that his novel was…
In the late 18th and early 20th century, European nations with vast wealth and power saw opportunities in increasing their sphere of influence by exploiting weaker or smaller nations of Africa for their resources. In Joseph Conrad’s “Heart of Darkness”, the political principle of imperialism is depicted by Conrad to show the mechanisms and attitudes of the world along with his views.…
‘The Heart of Darkness’ is a psychological masterpiece, revealing the relationship between subconscious life and conscious motivations. In the text, Conrad through Marlow reviews the memories of his journey to the Congo: personal nightmare is mixed with his own psychological complexities. He is looking for self-understanding, and showing his own mental picture of the conflicts between savagery and civilization. Many critics have called it the best short novel written in English. The text involves the reader in dramatic and decisively difficult moral judgements, which are in parallel with the central characters: Marlow and Kurtz. It is a dramatic, layered, paradoxical and problematic novel: a mixture of autobiography, adventure story, religious drama and a symbolic text, thus making it an allegorical text.…
There are various motives for Imperialism attributed to the different characters in Joseph Conrad’s novel, The Heart of Darkness. Each and every character has their own opinions on the concept of imperialism. While some of them agree with one another, others disagree with one another. Just like Richard Meinertzhagen, Karl Pearson, Joseph Chamberlain, and Cecil Rhodes, they all had their own beliefs in Imperialism that may have contradicted another. In the novel the characters don’t all just complement each other there’s a bit of conflict in their view and opinions on motives for Imperialism.…
Africa with its black inhabitants has traditionally been looked upon as an underdeveloped continent with uneducated, tribal residents that were ill equipped to deal with the vast natural resources available to them. In the 19th century, Africa became attractive for white Europeans to move down to and make new lives for themselves as landlords who ruled over the local black communities. The Heart of Darkness, by Joseph Conrad, is a great adventure novel that romanticizes and justifies atrocities in the name of king and country, not unlike how Teddy Roosevelt romanticized war. The Heart of Darkness dehumanizes an entire people, similarly to how the United States dehumanized Native Americans in their conquest of western lands. The justifications…
In Neil Bissoondath’s “I’m Not Racist But…” the narrator intends to bring awareness to his readers on the connection between stereotyping and racism and condemns such acts against one another, while in Joseph Conrad’s “Heart of Darkness, the protagonist informs his audience on the consequences of African colonization. Bissoondath’s work is oriented to educate the reader in the different types of racial acts leading to hatred, abuse or enforcement of power toward any given group of people. He condemns their use whether ignorantly or intentionally. Conrad’s work however, informs the reader of how the goals of the European settlers in Africa, such as ….., led them to exploit the Africans and their raw materials for the purpose of earning profits.…
Throughout the imperial conquests of Africa, Europeans in general held very low opinions of those that they dominated. Instead viewing the native African people as sub-human, or tools if they were particularly fond of an individual. While Heart of Darkness presents itself as anti-imperial, Marlow, and by extension Conrad still display an astonishingly undesirable view of the tribes assisting himself and Kurtz. For example, there exists an International Society for the Suppression of Savage Customs that Kurtz writes a report for. To Marlow it is an elegant paper that he cannot help but praise for its elegance. The contents of this paper suggest that the Europeans, to, “exert a power for good,” must appear as gods, deities, and supernatural beings…
Racism is extremely prevalent in current times, yet society tends to turn a blind eye towards it. By ignoring racism, society essentially condones it, and teaches future generations to do the same. Authors often choose to incorporate the belittlement of their characters based on ethnicity to address social problems. Joseph Conrad utilizes racism in his literary works to bring to light this widespread issue. In his novel, The Heart of Darkness, Conrad uses verbs connoting animalistic traits to create an apathetic tone towards the dehumanization of natives, demonstrating how racism is inevitably ignored in society.…
Conrad explores the element of not belonging to a great extent through the presence of cultural barriers dictated by the European exploitation of the natives. Contextually, Africa was seen to be the ‘antithesis to Europe’, hence the natives were seen to be ‘less civilised’ and inferior, hence were unable to express their own personal opinions due to their oppression in the hierarchical structure, hindering societal and cultural belonging. Throughout the novella, they are referred to as ‘negros, savages and rudimentary souls’ who work for the Europeans, yet get nothing in return except mistreatment. The list of ruthless descriptions creates a detached tone that conjures a sense of isolation. The horrific sensory imagery of the natives with ‘iron collars around their neck tied together with a chain’ symbolically represents the subjugation…
Throughout Heart of Darkness, the reader receives Joseph Conrad’s portrayal of Africa and its people under a remarkably demeaning light. When the author was born in 1857, racial tensions were at a heightened point in history and Conrad used the novel as a vehicle to advance his innately racist views. During the late nineteenth century, Imperialism struck Africa, leaving harmful effects on many of the native people and marking a dark moment in human history. The colonization of Africa, which had significant economic incentives behind it, ultimately led to intensely strained relationships between white Europeans and black natives, especially in Central Africa. Charles Marlow, the protagonist, is regularly confronted with the racism that stained…
Heart of Darkness has been considered for most of this century not only as a literary classic, but as a powerful indictment of the evils of imperialism. It reflects the savage repressions carried out in the Congo by the Belgians in one of the largest acts of genocide committed up to that time. Conrad's narrator encounters at the end of the story a man named Kurtz, dying, insane, and guilty of unspeakable atrocities. More recently, African critics like Chinua Achebe have pointed out that the story can be read as a racist or colonialist parable in which Africans are depicted as innately irrational and violent, and in which Africa itself is reduced to a metaphor for that which white Europeans fear within themselves. The people of Africa and the land they live in remain inscrutably alien, other. The title, they argue, implies that Africa is the "heart of darkness," where whites who "go native" risk releasing the "savage" within themselves. Defenders of Conrad sometimes argue that the narrator does not speak in Conrad's own voice, and that a layer of irony conceals his true views.…
Chinua Achebe's article "An Image of Africa: Racism in Conrad's 'Heart of Darkness'" was basically written about the racism Achebe encountered in “Heart of Darkness”. Achebe criticizes Joseph Conrad for his racist stereotypes towards the continent and people of Africa. Achebe claims that Conrad spread the image that people imagined rather than portraying Africa in its true form. Africans were shown in “Heart of Darkness” as savages with no way to speak other than grunting. To Conrad, the Africans were not real characters in his story, but were backgrounds or props. Chinua Achebe responded with his own novel, “Things Fall Apart”: it was a contrast to Heart of Darkness and comparable works by other European writers. In “Things Fall Apart”, Achebe tells the story of Okonkwo, an Ibo man who is actually represented as a functioning person. Africans are represented as actual individuals with intelligence and a language, not just one massive conglomerate of dumb thoughtless natives. Their customs are not regarded as crazy and foreign, but as normal everyday life no different than the assortment of Western customs. And the land itself is described as a mix of towns and farms, not a foreign dangerous land. In basically every way, “Things Fall Apart” challenges typecasts set forward in Heart of Darkness. Overall it is a useful article that contains a good amount of information and I would recommend it to other students.…
Hawkins argues that Conrad implements the evolutionary trope in Heart of Darkness, but also exposes the downfall of Europeans by showing their desire for merciless control and inhumane actions to control the African colonies. An evolutionary trope is a developmental logic that white civilization is more advanced than African civilizations (Lecture 2/16/17). Kurtz himself is a representation of Europe because he is a civilized man who becomes barbaric and savage after living in Africa. In addition, Hawkins noted that in Heart of Darkness, racism explicitly occurred as “Conrad likely didn’t show more of the Africans because he wanted to focus on the Europeans” (370). Much like Kurtz himself, Conrad and Marlow conceal a lot in their use of sophisticated words and diction. In addition, their high-strung eloquence is very underrated; people will do anything that the voice asks them to do, including the African people. Ultimately, by denying the humanity of Africa, Europeans are destroying their own humanity, and therefore, Europe is destroying…