how eventful it really was. Recalling Thoby's "blue eyes" and the "streaming hair" of the jellyfish, Moments of Being almost forces the reader to feel what Woolf did; to experience the misty breeze aboard a ship and the stickiness of the sea. Woolf almost memorizes the affair because of how much it meant to her. She was away from her village in Cornwall and was able to bond and "hang about" with her father out on the vast ocean. Woolf also uses descriptive language to describe the lasting impact her father's words had on her. Having had her passion for fishing "extinguished," Woolf learned that life can be as capricious as a trip to the casino. Sometimes, one can even go home broke.…
Bronte demonstrates her stance on feminism by creating characters that defy the stereotypical ideal woman during the Victorian era. Jane’s characterization opposed many desired virtues of the Victorian era because the ideal woman at the time was docile and selflessly devoted to her family as demonstrated in Patmore’s poem which reads, “ Man must be pleased, but him to please/ Is woman’s pleasure.” (Document E) As opposed to the character of Jane Eyre portrayed as a strong, stubborn woman who isn’t afraid to speak her mind and has control of her own choices. Since she has no familial male figures present in her life, Jane has the opportunity to make autonomous decisions on what she wants, contradicting the standard rule of male ownership of…
Flowing from Virginia Woolf’s poem “Memoirs of Being” is a beautiful piece of her childhood. This picture that has been created, is one that is filled with imagery, anaphora, and is an allusion to a time when her cares were not burdened in the way that they would become later in the poem. We can see that the piece is a picture of a time of youth. One that is not yet marred with the understanding of consequences. And a joy can be seen from start to finish, but her understanding of that joy experienced growth during this piece. Although, she doesn’t agree with her truly enjoys her trip, she finds that the joy experienced therein is one that is a ‘momentary glimpse’ of her childhood, and not one that would be repeated.…
According to Lefrancois, Social cognitive theory is a label for Bandura’s theory, which explains social learning through imitation using the principles of operant conditioning while recognizing the importance of cognitive activities such as imagining, symbolizing and anticipating (Lefrancois, p.386). Bandura’s theory was based on Skinners operant conditioning. If you recall Skinner believed in “free will” Therefore, Skinner believed that we have a mind, but due to the limitations on how to study our ”mind” he studied behavior because it could be seen by observation. Skinner was known for operant conditioning that was based on Thorndike’s “Law of effect”. Skinner and Thorndike believed that if a behavior…
While reading this book, the reader may pity Jane. Charlotte Bronte creates a consistent thread until the end of the book. Jane struggles with the same problem throughout the work, which is betrayal. She deals with it a place that was supposed to be her home, school and the work place.…
Each author writes in a manner that clearly describes their surroundings. Dillard goes to the woods to relax and enjoy the world. She describes her environment in a very straight-forward manner painting a vivid image of the setting; even the worms and “twiggy dirt” received mention. She is then inspired by her book and surroundings. Woolf writes from an entirely different perspective. Instead she describes only what is outside, providing evidence that Woolf isolates herself from the rest of the world, instead of embracing and enjoying it as Dillard did. She describes the field that is being plowed, the black, net-like flock of birds flying…
Virginia Woolf’s purpose in writing this piece is to remind us of the power that death has over life. She shows us the desperation of attempting to avoid death but also the inescapable ending of…
Woolf’s harsh description and cold tone regarding the women’s college in the second passage depicts her attitude towards women’s roles in society. She uses short and curt sentences with blunt and repetitive bursts. IN contrast to the phrase “a confection which rose all sugar from the waves” in the first paragraph, Woolf uses phrases such as “rumps of cattle in a muddy market” and “mitigated by custard” in the second passage to create a stark contrast. This creates a sense of inferiority and bluntness towards a women’s place. She seems to suggest that the meal at the women’s college could not have possibly been better than the one at the…
placement in the piece. Woolf's description of the phenomenon of death is in the last paragraph. Just as…
Jane is not an omniscient narrator, like Hamlet, therefore the reader can see things she does not, such as the gloomy significance of the extract and how it is an indication of her future relationship with Mr Rochester, and Thornfield. The whole of the novel is written in elaborate, complex sentences, which perhaps is the author 's way of demonstrating Jane 's intelligence and eloquence. The style of language and it usage is similar to that of Keats. Bronte uses active verbs such as "rising moon" and "blended clouds" (p143) and "noise" breaking out, and integrates them into the elegant prose to bring a sense of movement to Jane 's surroundings. An idea of sound is also achieved by the use of onomatopoeic words such as "tinkle of the nearest stream" and "whispering" (p143) this brings a sensuous aspect to the prose, something that Keats also manages to achieve in his Ode to Autumn. There is even a small degree of alliteration "wave wanderings" (p143) something, which Keats also uses.…
By convention, artwork – both in the illustrative and written medium – serves as a literal representation of an idea. Brush strokes paint vivid colors in hopes of capturing an iconic moment, and words are deliberately structured to tell a moving story. At its core, any form of art fulfills the capacity to capture life; yet it is the hope of true artwork to not only represent, but rather provide meaning. Artwork, and in particular ekphrastic descriptions of that artwork, serve as a recurring theme placed at the forefront of Charlotte Brontë’s Jane Eyre. The novel uses Jane’s myriad occurrences with various forms of artwork to provide insight into the understanding of the semantics of emotional expression, and rather than project art through…
The words the author used created an intensifying moment that could keep a reader enticed and wanting more. The methods used help describe the height of the moment, yet still not disclosing the obvious, almost as if showing the reader the bullet and leave them wondering where the gun is at. Another fervent moment used in “The Storm” was “The rain beat upon the low, shingled roof with a force and clatter that threatened to break an entrance and deluge them there.” (Chopin 271). This example brings suspense to the plot of the story by creating an antagonizing moment for both the reader and the…
As an extremely well versed (OK, modest) critic of English Literature and a fairly decent judge of people and character, I have chosen to write my critique, or paper, on a particularly good (a brewing controversy in some circles) author of the times. This particular author was born in Steventon, Hampshire, England on December 16, 1775 to a loving, well-educated, mother and father (1, page 1). Her loving parents did welcome this seventh (of eight) children and last of two daughters into the world with loving arms. One of the first more obvious facts in her writing is that, although her father had a modest income (around £600 yearly) (4, page 2) she was a spoiled, little brat who was well, perhaps too well, taken care of. That is, at least, what shows in her writings. I bring up this point to demonstrate that her parents truly loved her and the other children and tried their best to do what every parent wants to do with their children. Give them a better life than they had. This can be argued because she was one of eight children in the family that turned out some fairly successful kids. That and, £600 a year was not a lot of money for the time. Her other siblings did extremely well in most of their endeavors. This fact could have very easily have caused some dissension or even jealously between her and her siblings. A fact that is at same time well proven by her writings. There is some indication of this in her surviving letters to her closest confidante, her only sister (4, page 4). All of the aforementioned material, in fact, her very life, is probably the main reason that I, and thousands of normal, law-abiding men from all over the world, dread any lesson plan that includes my chosen author. At the same time, if she hadn 't had this life, they we dread so much, then we might have been deprived of such great works as Emma, Sense and Sensibility, Pride and Prejudice, and Northanger Abbey. With…
There’s always something odd and intimidating about being a guest at someone’s dinner party. When you walk in, the interior looks clean enough to be sold the next day, and the hosts are cheerful to an alarming extent. In in Who’s Afraid of Virginia Woolf, Edward Albee slowly chips away at this mask from all four characters until all that is finally left at the end of the final act is the revealing, truthful pulp of each person. This enormous culturally impactful play (and movie) could never be successfully adapted until an unlikely episode of a show called The Office would send similar shockwaves through pop culture in today’s context. This 21st Century take on the play aptly named Dinner Party would bear nods to the previous tension-filled…
With the dawning of the twentieth century, a literary movement emerged. That movement would come to be known as modernism. “On or about December, 1910, human character changed . . . All human relations have shifted— those between masters and servants, husbands and wives, parents and children. And when human relations change there is at the same time a change in religion, conduct, politics, and literature.”(Woolf, Mr. Bennett, 22) Modernists were the literary artists who would come to address these changes in human character. The way individual reality was seen, as well as the way a single moment was processed, viewed and represented through the narrative had changed. Narration was a step closer to thought, a step closer to human emotion and farther away from the physical and the external. The focus of the novel as a form of writing had become much more intimate; and was fixated on the inner workings of the mind, and this is evident in the form of the narrative. The narrative form, as seen in the modernist novel, is very experimental, incorporating features such as fragmentary and distant narration, unexpected point of view shifts, an unorthodox treatment of time, as well as form that mimics content perfectly. These authors were pioneering techniques that took the literary world by storm. Modernists revolutionized the style and form of the novel. Authors like Virginia Woolf and James Joyce viewed literary convention as an enemy that they must constantly stride against with their work. Modernist authors wrote in response to writers who Woolf called “materialists. The materialist’s concern with the “body” and not the “spirit” is exactly what modernist writers were attempting to alleviate. They were working to draw closer to the spirit of the human character and away from all of these previously established literary norms and techniques. Woolf implies that even if we wander off and lose ourselves in the desert, that it would at least offer an opportunity for…