Alison Bechdel demonstrates on “compulsory reading” essay that children should never be pressured on reading books or stories beyond their desire ones, otherwise they develop aversion toward reading. She begins by admitting that she was a hardcore reader when she was young, but that change when her parents give her undesired books to read. Consequently, Bechdel develops a strong aversion toward reading. Furthermore, she loathes reading that anybody suggested her. She becomes an adult with a strong hatred toward reading, however that changes when she founds more compelling books on her parents’ book shelves. Children are naive and skeptical therefore adults should not force them to anything beyond their desire interest…
Uses literary allusions as a way to assist her in illustrating the strained relationship between herself and her father, as well as every other relationship in her life. The story jumps back and forth in time with a main focus on Bechdel’s relationship with her father, his untimely death, a presumed sucide.…
6. Identify any symbols or motifs that you found in the story. What did they add to…
In the poem, “ The Author to Her Book,” Anne Bradstreet refers to her book like it is her child. Just like a mother critiques her child as she walks out the door, Bradstreet critiques her book before the second edition is published. The poem is her outlet for her emotions regarding the exposure of the first edition, which was published without her knowledge. Bradstreet uses a conceit supported by metaphors throughout the poem, to express maternal feelings such as pride, frustration and protectiveness toward her book.…
During this passage within the comic Bechdel depicts a dictionary with words such as queer, the term slang, qualmish; faint, and counterfeit are highlighted among many others. This moment in her comic shows that not only was her father was strange in her observation after death; she also saw him as a queer as a part of his persona. She depicts that as she expressed her coming out when she speaks of it. It simply shows how contrasting she was to her “closeted” father when she states: “I am a lesbian.” (Bechdel Ch. 3, p.…
In Anne Bradstreet’s seventeenth century poem, “The Author to Her Book” she compares the awareness of nurturing and properly raising a child to the writing and revising of a book. The speaker is caught between conflicting love of her book and shame of its weaknesses, both of which are expressed in the metaphor and in the tone – both expressing the true mammalian nature of her motherhood, ultimately creating a tone of sincerity and loyalty.…
These relationships manifested within her in different ways. The central figure of Fun Home is Bechdel's father in particular, a figure who is more or less shrouded in mystery to her regardless of how much information she is able to collect, both from her childhood, and all the way up to the uncertain circumstances of his death. For Bechdel, her memoir seems to be a method of retrospectively re-evaluating her own family history in order to ascertain a new truth. This method of processing information appears to be a project that she has taken numerous times throughout her life, beginning very early in her childhood with her neurotic diary-keeping, and continuing well into adulthood in the forms of graphic novels. In a sense, this reassessment of memories is the project of all memoirs, but Bechdel's graphic memoir functions particularly as what Ann Cvetkovich calls an “archive of feelings” (120). Initially, it might seem a little obvious to say that the memoir is an archive, but I intend to argue that Bechdel accomplishes this on a very sophisticated level. It is specifically the construction of this archive within the comic that I would like to investigate more closely in this…
I agree with some of the things you said in your post. Bruce Bechdel is quick to anger and lashes out at his children sometimes for no good reason. On pages 10-11, Alison uses the classic film, It’s a Wonderful Life to show similarities between Jimmy Stewart’s characters scarce frustrated outbursts towards his family and Alison’s father’s frequent bouts of short-fused rage. It became quite clear to me how unhappy this man truly was on page 7 when Bechdel says her father outwardly seemed to be an example of the exemplary father “but would an ideal husband and father have sex with teenage boys”? I have to admit this singular line actually made me a bit nauseous. Up until this very point of the story, I simply believed this man to…
Judith Beveridge challenges our understanding of the world by revealing hidden sides of our society through confronting images throughout her poems. The reader is revealed with number of issues such as animal cruelty and psychological torture. These issues are related to the gender of the character with the cruel attitude toward nature and the society. This is evident in the poems “The Two Brothers” and “Fox in a Tree Stump”.…
Analyze the ways in which controversy over the extension of slavery into western territories contributed to the coming of the Civil War. Confine your answer to the period of 1845-1861…
In the essay, "The Back of The Bus,” author Mary Mebane shares an usual ride in a bus on a Saturday morning she had which inspires her. The purpose of writing this essay is using her personal experience to demonstrate what it was like and how people were able to overcome their struggle for equal rights under legal segregation.…
What are the typical stereotypes associated with those who have tattoos, piercings, or other body adornments?…
Alison Bechdel grew up with a father who was alternatingly distant and angry, an English teacher and director of the local funeral home (or “Fun Home”, as Alison and her siblings called it). Their relationship grew more and more complex until Alison was in college. Shortly after Alison had come out to her parents, she learned…
Bechdel writes: “Not only were we inverts. We were inversions of one another” (98). They are looking at each other instead of looking directly at their own reflection. Readers can move the perspective between Alison and Bruce. In which the boxed text reads “velvet” pointing to Bruce who dresses with the most luxurious suit he had and another boxed text reads “least girly dress” pointing to Alison who wears the least feminine dress she could find. Both of them do not feel comfortable of what they are wearing or fit with their assigned gender roles. On Alison’s side, she desires Bruce’s masculinity outside while on Bruce’s side, he desires Alison’s body. Similarly, in the panels on page 99, Bechdel compares herself to her father to convey the similarities between them. She writes: “But I wanted the muscles and tweed like my father wanted the velvet and pearls—subjectively, for myself” (99). The father is displayed as being gay, with his feminism ways and the daughter is shown as being a lesbian, with her masculine ways. Their outside is masking the inner identity, such that her father is too hesitant to wear pearls. The different orientations they had make up the missing part for each other to be socially accepted in what is defined as normal in the society. Alison being a lesbian and her father being a closeted gay man summed up their sexualities and their…
Drew Hayden Taylor’s “This Boat Is My Boat” and Naomi Klein’s “Local Foreign Policy” are similar in several ways as both essays talk about marketing. Despite the fact that the authors of the stories are from different regions of the world, the message that is sent in their essays is about exploitation. As a result, in both essays, the authors talked about the exploitation, the history of the products and the solutions.…