McCarthy tells the story using narrative voice in this section of the text. He contrasts the third person extradiegetic narrator with the man’s interior monologue in order to convey multiple perspectives to the reader. “He’d left the cart in the bracken beyond the dunes and they’d taken blankets with them and sat wrapped in them in the wind-shade of a great driftwood log.” Here, McCarthy constructs the lexis of the third person narrator using what some critics have called a limited linguistic palette. The polysyndeton creates a steady rhythm, which parallels the rhythm of the journey the man and boy are on, which is, like the sentence, seemingly never-ending. Here the narrator presents the reader with a practical account of the man and boy’s response to the disappointment of the beach, detailing their movements with unelaborated, unemotional language. The pared back language poignantly conveys the sense that the bleakness of the beach was inevitable. In contrast, the tricolon: “Cold. Desolate. Birdless”, is clearly the man’s interior monologue. The three adjectives highlight the extent to which the reality of the beach does not live up to the characters’ expectations of it. Where they had hoped for warmth when heading south, instead they found “cold”. Where they had hoped for a more habitable climate, they found a “desolate” environment. Where they had hoped for life, they had found a “birdless” environment. Thus, the tricolon convey’s the man’s disappointment to the reader. McCarthy utilizes stream of consciousness in order to enable the reader to understand the man’s emotional response. The narrator is typically unemotive, presenting a pared back account of events and it is thus these…
After reading the section entitled 'Was Colonial Culture Uniquely American' in the book Taking Sides, I came to the conclusion that colonial culture was uniquely American. Professor Gary B. Nash states time and time again that the combination of the Europeans, Native Americans, and Africans created a unique triracial society. Although other reasons do comply with my choice, they all basically come back to this statement.…
Shane K. Bernard wrote about the history of the Cajun people to symbolize the changes that occurred in their culture, becoming Americanized, becoming like the Anglo-American establishment that has traditionally dominated the nation 's mainstream culture, through the years. Americanization ranks as one of the most important events in the entire Cajun experience. Although today’s generation of Cajuns are fully Americanized, Bernard shows the long and often mentally brutal journey their ancestors were forced to take. He wrote this book to tell the Cajuns’ history that is often overlooked by other historians. These historians usually regarded the Cajun culture as unworthy of intellectual study and preferred more Americanized cultures to study.…
McMicheals, Roger. A Deeper look at Beauty. New York: Graymark, 1995. The quoted material is taken from page 22.…
Imagine for a moment a world where there are no feelings or warmth, no smiles or tears. A world where people are no longer people, but pieces of metal. We would only see this world as dead, not beautiful. Leah Silverman’s Lenses foreshadows this imaginary world as our future. The message that the way we are made, as unique individuals, is the most beautiful is conveyed through the main character Corinne’s thoughts, emotions and viewpoint.…
The duality in this poem creates an illustration of the poet’s struggle which refers to the rising and falling of the African American culture; Johnson wonders how the world sees African American during this period as a people or things. It shows that the poet is worried about the direction the African American culture will be moving. Men or things is the comparison which is “Do they really think that African American people are worthless than white american people?” So the poet uses the word “thing” it mean that whites do not appreciate and insult African American people that they do not value as a human. It might be a question the the poet wants to ask others if it will take a long time to change their thinking or if it will take great efforts, strides, and sacrifices.…
From the perceptions of an intelligent blind man in the short story “Cathedral”, the reader learns the difference between simply looking and truly seeing. The narrator, who is the husband, goes through life viewing all things in one dimension. Even though Robert lacks the physical ability to see, he has a great deal of insight when it comes to the wife and the world. The ability of Robert, a blind man, to see the wife in greater detail than the husband is a strong metaphor in which this story is based upon.…
The narrator does not understand that what blind people cannot see they can experience by feeling and hearing. He does not see what is underneath the skin or what is behind a face. He sees people and things at face value. In Contrast, the blind man sees things with his ears, his hands and his heart.…
Sometimes we have to look beyond what we see on the outside to understand something more deeply. In the short story Cathedral By Raymond Carver, the narrator has an attitude of being selfish, and jealous through the story. The narrator’s wife invites a blind man, Robert, to come stay in their house for a short time while the man visits family members of his own wife who recently passed. The narrator is not enthusiastic because blind people make the narrator uncomfortable, mainly because the narrator has no real experience with the blind. In addition, to his uneasiness with the blind the narrator is uncomfortable with the relationship his wife and the blind man have. The wife and Robert, the blind man, have maintained a close relationship via tape recordings mailed back and forth. Despite the narrators feelings about the visit, Robert shows up, and the three of them dine together. By the end of the story the narrator begins to understand and accept Robert and his blindness. In the short story Cathedral, Carver uses binary oppositions of blindness versus the seeing to show the theme of ignorance through the first person’s narrator’s journey from insecurity to openness.…
The authors’ name of the book called Trail of Tears: The Rise and Fall of the Cherokee Nation is John Ehle. Trail of Tears was published in the United States by Anchor Books, a division of random house, New York and in Canada. This book was published in September 22, 1989. This book has 424 pages.…
Appalachian literature carries with it the current of a lack of proper health infrastructure and education in the Appalachian region. Although this theme is rarely addressed, novels such as Harriette Arnow’s The Dollmaker, Denise Giardina’s Storming Heaven, and Ann Pancake’s Strange as this Weather Has Been display situations that encapsulate this shortcoming. So called “facts” of life that are accepted within these novels – Gertie’s late night and frankly, dangerous travel to a doctor to acquire basic medical help for her son, Amos in The Dollmaker, for example – exemplify that, while it may not be intentional by these authors, the situations presented in their works nonetheless illustrate the systemic inadequacy of healthcare in real-world Appalachia.…
Far before the European settlers came along, Native Americans called North America their home. Specifically, the Cherokee tribe thrived in East Tennessee and Western North Carolina. Even after European intervention, Cherokee culture still lived on. In the book, The Story of the Cherokee Indians, 9th grade Cherokee students from the Eastern Band describe some of the distinct details of their culture. This publication is just one way that the Cherokee craft has been able to live on. This essay will briefly illustrate the lineage of published books and go in depth on the type of publication that The Story of the Cherokee Indians is.…
The shifting first person point-of-view Wallace uses gives the readers the opportunity to understand the character and give the audience a glimpse at the character’s innermost thoughts and feelings. We see Ian as a character very unhappy and insecure about himself. He constantly questions and moans "Why can't it always be the holidays?" because he dreads school and gets bullied, yet no one in his family understands. Ian looks up to his Father and wishes he could "do something to make him proud". We are encouraged to feel sympathy towards Ian since he does try at school yet no one understands what is he going through and his Mother just calls him "a dull child"…
In the three short stories written by Frank O’Connor, he depicts the narrator’s relationship with family similar in his short stories. In all three short stories, “My Oedipus Complex”, “First Confession”, and “Masculine Protest”, O’Connor portrays the narrator as a young aged boy whose relationship with each family member has a unique similarity throughout each of these short stories. Frank O’Connor illustrates a struggle of close relationship between the narrator and his family due to the fact that O’Connor portrays some family members to act unjust and shows a deeper conflict with each member. The narrator is seemed to have a sense of intelligence and standpoint on his relations with the people around him in whom O’Connor relates each story to his own family life.…
The novel is written largely from the point of view of the narrator, who is first introduced to Strickland through the latter's wife. Strickland strikes him (the narrator) as unremarkable. Certain chapters entirely comprise stories or narrations of others, which the narrator recalls from memory (selectively editing or elaborating on certain aspects of dialogue, particularly Strickland's, as Strickland is said by the narrator to be limited in his use of verbiage and tended to use gestures in his expression).…