In her story “Everyday Use,” Alice Walker introduces the complex relationships that are a part of African American families. Being an African American woman herself, Walker knows first hand the importance of family and the prevalence of heritage in this world and uses this story to challenge readers to not lose value of their heritage. Quilts are used to represent years of stories and history that carry the legacy of African American families and become themselves a bit of heritage. Walker uses quilts in “Everyday Use” as a way to pair the materialistic false world of Dee to the reality truth found in Maggie; in doing so, she is able to reinforce her point that African Americans need to respect and revere their heritage and be careful not to lose sight of where they come from. Walker uses the character of Dee to parallel the world around them that seems to claim young men and women and cause them to lose sight of who they are. Dee seems very alluring and is described as having “neat-looking feet” that appear to have been shaped by “God himself” (Walker 842). Dee later reveals that she has changed her name from Dee to Wangero to escape oppression. In doing so, Walker shows how people so willingly trade in their heritage and all the history …show more content…
encompassed in it. This is later reinforced when “Wangero” begins asking Mama about some things around the house whittled and made by family members. She immediately discards all history associated with them and says “I can use the churn top as a centerpiece for the alcove table…and I’ll think of something artistic to do with that dasher” (Walker 844). She constantly rejects history for superficiality. On the other hand, Maggie’s character is completely opposite of Dee. While Maggie has an appreciation and sentiment for these items, she recognizes the importance of the memory associated with them. When arguing over the quilts, Dee accuses Maggie of having the nerve to put the quilts to “everyday use” which is precisely what they are for (Walker 845). Maggie doesn’t place an artificial emphasis on the quilts; to her, they are functional pieces that contain a memory. Maggie later says that “[Dee] can have them…I can ‘member Granma Dee without the quilts” (Walker 845). The irony here is that Dee is arguing over quilts made by someone whose name she just rejected. Later in her narration, Mama reveals that Maggie’s own hands are scarred probably from learning to quilt herself, a skill Dee never acquired. Maggie becomes an example of someone who has clearly maintained an appreciation for her heritage. After the argument over the quilts, Mama is hit with a realization that causes her to see Maggie in a new light.
Mama compares this feeling to being touched by the “spirit of God” (Walker 845). Being so overcome by this she embraces Maggie and returns the quilts to her telling Dee to “Take one or two of the others” (Walker 845). In doing so, Walkers point of the value of heritage is reiterated. Dee goes on to reject her heritage once again saying “It’s really a new day for us. But from the way you and Mama still live you’d never know it” (Walker 845). Dee leaves the house without the quilts she desired, still lacking an appreciation for her heritage and her
history. By using something as simple as quilts, Alice Walker’s thematic use of heritage is presented in a way that gives the reader a deeper understanding of the importance of ones history. Not only do the quilts serve a purpose in the home, they represent everyone who has touched or been touched by them. Through her use of Mama, Dee, and Maggie, Walker is able to display not only the significance of family heritage but also what happens when one loses sight of this. The relationship between Mama and Maggie is strengthened by Maggie’s willingness to embrace her heritage. By rejecting her heritage, Dee loses sight of who she is which is evident in the relationship she now has with Mama. Ultimately, Walker is able to effectively make a point about the importance of a respect and appreciation for ones heritage.