Daisy. Her money is rather his model, symbolizes the American dream to Gatsby. He assumed that Daisy will be out of his reach if he is not affluent, he works hard in order to approach Daisy's social circle in the upper class, he did his best to cover up his underprivileged social background and deployed to crime via Meyer Wolfshiem, involves illegal businesses to earn colossal sum of money to win over Daisy (Kumar, 124). Once he returns, he really wants to prove and show Daisy that he is wealthy and appropriate enough to be a right match with her. He brings up parties to wait, specifically, Daisy who live right across the bay to have a peek of his mansion, though she never shown up. However, his dream is too immense, since having money and fortune does not bring up to have a upper social status (Fälth, 10). She is in the upper class which is unreachable for Gatsby, she comes from "old money" like Tom (Lindberg, 13). Still Daisy, the American dream, as like as the green light at the dock that is always so close that he could almost stretch his arms towards it, yet he can grasp at no time. (Fitzgerald, 193)
Daisy. Her money is rather his model, symbolizes the American dream to Gatsby. He assumed that Daisy will be out of his reach if he is not affluent, he works hard in order to approach Daisy's social circle in the upper class, he did his best to cover up his underprivileged social background and deployed to crime via Meyer Wolfshiem, involves illegal businesses to earn colossal sum of money to win over Daisy (Kumar, 124). Once he returns, he really wants to prove and show Daisy that he is wealthy and appropriate enough to be a right match with her. He brings up parties to wait, specifically, Daisy who live right across the bay to have a peek of his mansion, though she never shown up. However, his dream is too immense, since having money and fortune does not bring up to have a upper social status (Fälth, 10). She is in the upper class which is unreachable for Gatsby, she comes from "old money" like Tom (Lindberg, 13). Still Daisy, the American dream, as like as the green light at the dock that is always so close that he could almost stretch his arms towards it, yet he can grasp at no time. (Fitzgerald, 193)