In scene four of “ A Streetcar Named Desire” Blanche attempts to convince Stella that she can get out of her situation with Stanley, but Stella insists she is not in anything she wished to get out of. Stella makes it clear that she is happy about her relationship with Stanley through their sexual chemistry by saying “ But there are things that happen between a man and a woman in the dark”. Stella believes that there is nothing wrong and she can’t understand why Blanche is so frantic. Blanche tries to persuade Stella that her situation with Stanley is just desire by arguing, “ What you are talking about is brutal desire- just- Desire!- the name of that rattle-trap streetcar that bangs through the Quarter, up one old narrow street and down another…”…
A Streetcar Named Desire was based in the time it was written – New Orleans in 1947. The late 1940’s was a postwar era as the United States rose as a victorious superpower above the rest of the world. This era was also the beginning of the Baby Boom – a time of high marriage and birth rates in the country. There was a postwar surge in luxury with the end of rations and the emergence of better, cheaper cars and entertainment. Although there were many positive advances during the time, there was also the dark cloud of the Soviet Union as the Cold War was brewing and the atomic bomb was being threatened once again.…
Furthermore, Tennessee Williams’ realistic drama ‘A Streetcar Named Desire’ presents two groups within society in a confined setting. His play sets out a realist effect on the middle class versus working class environment. Williams does this by personifying the two classes by using the relationship between two sisters. Stella, is the oldest sister who represents a working class, she lives in a shabby flat with her alcoholic, abusive, Polish husband Stanley, and is pregnant with his child. Blanche on the other hand is a middle class, sophisticated and self sufficient woman who is shocked at the way the working class lives, particularly her sisters living conditions. It could be suggested a class system is the cause of fragmentation within society,…
A Streetcar named Desire is driven by the imagination of Blanche and the other nature. The handwriting in the amusement cloak from their loyalty by representation as if the events they way through didn’t occur or were not momentous. The consideration of mockery/fantasia vs. devotion seems to carry on the intention that these independence poverty to “sally” their earth. Escaping your fact and vigorous in a like globe will leaving you intricate to the stuff around you. In some suit, if you are muscular enough to restrain from the humor and illusions around you, you may termination up in the loyalty, inclination Mitch. Both Stella and Blanche found it flower in their liking to remain in a humor but if you abide in it too far-reaching it can take…
One might be led to believe that the constant transitions between various streetcars could possibly be symbolic for the unstableness that Blanche’s life provided for her. The main streetcar focused on in the play was named Desire, which furthers leads us to believe that this is referring to Blanche’s desire of genuine happiness. She represents a deeply embedded fixture, stuck in the past. She’s spent so much of her younger years, investing in temporary facets, until now that she is actually aging; Blanche wishes to appear younger than what she is. She is in great denial, wanting to reclaim and relive those miserable years of life that she could never get…
A Streetcar Named Desire written by Tennessee Williams is a play about a southern lady named Blanche from Mississippi visiting her sister Stella, who is married to Stanley and currently living in Elysian Fields, New Orleans. Blanche arrives in Elysian Fields, and throughout her entire stay with Stella and Stanley, there is tension and conflict occurring in Stella’s house. Even though Blanche and Stella were brought up in the South under wealthy conditions, the conflict is mainly caused by Blanche’s dislike of Stanley because, as a blue-collar worker, Stanley's status is lower than the DuBois’. In another aspect, Stanley’s conflict is caused by him being suspicious of Blanche since her arrival. Blanche explains to Stella that…
Streetcar occupies a specific place and time in the American literary canon. Blanche finds herself adrift in the tough, yet endearing world of New Orleans in the mid to late 1940s. In Stella’s working class neighborhood, traversed by a streetcar named Cemeteries and a streetcar named Desire, there is a sort of…
Streetcar Named Desire’s Tennessee Williams explains how Blanche and Stella are both living a lie and existing in a fantasy, where in time they must come face to face with their own realities. People that live lives they wish to have eventually with have to come to terms and realize to enjoy the life they have and stop comparing their lives to…
Stanley shows instability throughout the play, especially after the arrival of Stella’s sister, Blanche. Stanley does not allow his anger to take over him at first, but after many months of what he sees as disrespect from his sister-in-law and eventually from his wife he completely breaks down. The first scene of instability shown in the play is at the poker game where when Stella tries to act as head of the house and attempts to break up the poker game. Stanley jumps up and charges after her and slaps her. Another example of Stanley being pushed from sanity is in scene eight when he says, “What do you two think you are? A pair of queens? Remember what Huey Long said- “Every Man is a King!”And I am the king around here, so don’t forget it!” (Williams 131).…
“Solitude is impractical and yet society is fatal” (Ralph Waldo Emerson) Emerson’s saying is all that embodies A Streetcar Named Desire. Williams’s Blanche is that tragic heroin hurt by the depths of society. Her tragic flaw is her pursuit of society and her madness for beauty. The Young Man’s presence in Scene 5 of Williams’s A Streetcar Named Desire is essential as it illustrates Blanche’s fear of vanishing beauty and old age. Elia Kazan’s film version of A Streetcar Named Desire correspondingly to Williams’s play uses the Young Man to foreshadow Blanche’s fatal flaw. Williams’s illustration of the young man reveals innocence and naivety which ultimately contrasts with Blanche’s character. However, Kazan’s adaptation of…
By examining Stella's ineptitude to recognize Stanley’s true character, Blanche’s solace in her own fantasy, and contrasting them with Stanley’s hard set realistic view of life, Tennessee William reveals the only way to shield themselves from the horrors of reality is to live life in one’s own fantasy.…
A Streetcar Named Desire, a play by Tennessee Williams, takes place in New Orleans in the mid-1940s. It follows the lives of Stanley Kowalski, Stella Kowalski, and Blanche DuBois and the story about a woman coming to visit her sister, which ends up going just as bad as any family reunion has ever gone. From the moment Blanche got to Elysium Fields, her and Stanley, Stella’s husband, appear as polar opposites and are constantly at war with each other. They never can agree on anything, are always arguing and shouting at one another, and want the loyalty of Stella all for themselves. Their constant power struggle can only end with one character the victor and the other leaving defeated. One of the main themes about conflict is that Stanley and Blanche are in a battle to win Stella and neither of them will give her up. However, Stanley and Blanche represent something bigger than two conflicting characters. Blanche represents the old south, with dying traditions whilst Stanley represents the new south where chivalry no longer exists and it 's every man for themselves and just like in real life, the old south is overcome by the new south.…
An illusion is something that deceives by producing a false or misleading impression of reality. In Tennessee William's A Streetcar Named Desire, characters such as Blanche Dubois, Harold Mitchell (Mitch), and Stella Kowalski often use illusion in an attempt to escape reality. Blanche Dubois is a woman who uses fantasy in order to protect herself from her own fears and the undesirable circumstances which occur in her life. Mitch uses illusion by regarding Blanche as the perfect woman in order to escape her lies and false reality. Stella uses illusion to make it seem as though she has a happy marriage in order to make her life and the abuse from Stanley bearable.…
The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe evolves her promiscuity. She is lonely and frightened, and she attempts to fight this condition with sex. Desire fills the emptiness when there is no love and desire blocks the inexorable movement of death, which has already wasted and decayed Blanche's ancestral home Belle Reve.…
To what extent do the Kowalskis and the DuBois represent a clash of cultures in “A Streetcar Named Desire”?…