Examples Of Femininity In The Last Samurai

Masculinity/ Femininity Dimension in the Last Samurai

According to Hofstede, Masculinity/ Femininity dimension explains

Masculinity:

The way the samurais in the movie were portrait are in fact extremely accurate to those that existed in the 18th century. From as young as seven or eight years of age, boys we turned from kids into killing samurais. In one of the scene’s of the movie, we see two young boys learning to fight with wooden sticks. Although so young, their skills were already better them most everyday adults. When trained further, their acceptance of death on the battlefield became greater and with more appreciation. To die at a battlefield was an honor for them as long as they were brave and what they did involved honor. Another interesting point that the film mentions is that for a Japanese samurai at the time, their sword meant more then anything in their life. As much as their friends an family mattered, nothing compared to the meaning of one’s sword, for it was said that a samurai’s sword was his soul. This way we can see how much the Japanese culture was focused on the samurai and their way of fighting. As the government began pressing on the issue that samurai’s are no longer to exist, a law was passed that no samurai shall be allowed to carry a
Contrasting with the brutal fight sequences, often shot in graphic slow motion, are some humorous and tender moments, most notably in the suppressed passion between Algren and Taku. After his winter with the samurai, when time comes for battle, Algren's allegiances are tested as he is faced with fighting for those who employed him or for his captors whose principles he has come to