This can be seen in the moment where she enters the room in an ungrateful manner and the the way she was eating which was not the expectation of a female. Furthermore, since the main audience that are targeted in the movie are teenagers, the main idea was to show the problem of gender expectation. The idea of gender expectation is also depicted in twelfth night, but the movie intends to show radical exploration on how teenage genders are stereotyped based on sports and not on the female's ability skills. One way that the Movie is modernized of the play can be seen in the clothes because the students wore clothes and the use of technology that are considered modern. In depth, The last point to show how the movie is modernized can be seen in the last scene of the movie where Sebastian showed his penis to prove he was a boy and also when Viola does the same when she showed her breast. The idea of nudity and the showing of private areas of a gender is endured in today's American society or culture because nudity was not acceptable in shakespeare…
For hundreds of years people from all over the world have seen the works of William Shakespeare performed by thousands of actors. Twelfth Night or What you Will is but one of the many comedies written by William Shakespeare that have been produced in many formats, from theater, television and even several feature films. So many different productions of the same works have opened the door to directors adding their own twist to the original script to make it their own. One play can be performed countless different ways, from very conservative or to unconventional depending on the director’s interpretation and intentions. So all writings are open for creative interpretation thus being for this paper I am going to focus on the directorial staging of this play and how the staging and direction brought the focus of the subplot of Antonio and Sebastian into a homoerotic relationship opposed to other renditions of Twelfth Night that were homosocial. Directors have creatively reconstructed these plays pulling from the era, the popular ideology of the community and political correctness at the times the different styles and interpretations so that Shakespeare can be adapted to the current times.…
In Shakespeare's uniquely constructed comedy, Twelfth Night, there are several paradoxes within the characters. Misinterpretations as well as false presentation of reality are both common occurrences within the characters. Nearly the entire cast of characters use or fall victim to some form of deceit. Both Andrew and Viola present themselves as people they are not, and Orsino and Malvolio are fooled themselves about who they are and where they want and can be. Also, on a historical note, both Olivia and Feste the clown step (by default or self-attainment) out of the socially imposed stereotypes of their biologically born person. The reasons for Shakespeare's contradictions of characters are unknown; however, it can be hypothesized, knowing the man and his style that he was poking fun at elements of the society, in which he resided, as well as the ridiculousness of higher class citizens and the ritual absurdity of the lives they lived.…
The lines don’t flow together like other parts of the play. There is no iambic pentameter is these sentences they are either too long, or too short. I think that Shakespeare purposely made these lines uncut and off rhythm for a reason. This reason is that Feste is a fool and is always being witty never making a direct point. Viola is fooling right back and not being entirely serious as well. From a literary stand point having the fool talk in such a manner makes them both out of the box or “party”. It makes sense that Feste talks in such a manner in the play, but I like how Viola’s lines are almost the reiterating the argument that Feste and Viola are very similar characters with their…
Deception and disguise are two key themes in Shakespeare's 'Twelfth Night'. As in most comedies, Twelfth Night celebrates different forms of disguise and deception in order to make the play more entertaining. It also develops a strong connection between the main plot (with Viola, Orsino, Olivia, and the others) and the sub-plot (involving Sir Andrew, Sir Toby, Malvolio, and Maria). Disguise and deception appear in many different ways throughout the story.…
William Shakespeare was an English poet, playwright, and actor, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. Shakespeare’s plays and poetry have been translated into every language and have been performed all over the world. Shakespeare’s plays have remained at the center of the theatrical repertoire through periods of changing dramatic tastes and they have adapted themselves to different culture and theatrical traditions. William Shakespeare was born in 1564.…
3. What does Viola think has happened to her brother? How does the captain give her some hope about Sebastian?…
Andrew is funny, it is not intentional. His faults include a lack of wit, a…
In Shakespeare's "Twelfth Night", it is clearly evident that the fluctuation in attitude to the dual role and situation and tribulations imposed upon the character of Viola/Cesario ends up in a better understanding of both sexes, and thus, allows Viola to have a better understanding for Orsino. Near the opening of the play, when Viola is adopting her male identity, she creates another self, like two masks and may decide to wear one or the other while swinging between the two identities in emotion and in character. She decides to take on this identity because she has more freedom in society in her Cesario mask, which is evident when she is readily accepted by Orsino, whereas, in her female identity she would not be. Thus, a customary role in society and to the outlooks of others is portrayed.…
In his play, Twelfth Night, William Shakespeare uses the metaphor of a knot to show how decisions one makes can lead to an almost impossible knot to untie. As soon as Viola realizes the predicament she has gotten into, she addresses time saying, “O Time, thou must untangle this, not I” (2.2.40-41). Viola created this knot, whether she knew it or not, but she decided to leave it up to time to untangle the knot. Removing herself from the consequences that will follow, Viola allows time and fate to control how the situation plays out. Viola elaborates on the metaphor, “It is too hard a knot for me t’ untie” (2.2.40-41).…
Shakespeare here is portraying what Alsop, Fitzsimmons and Lennon, centuries later, have written about gender in the gender theory, that it is a social construction. (2002). If it is that easy for Viola to change into Cesario, just by changing her clothes and her manners, then gender or even social class are not concrete ideologies that individuals are inherently born with.…
Shakespeare's Twelfth Night drastically changed the way people viewed men and women in the Elizabethan age. For decades, women have been perceived as “emotional (irrational), weak, nurturing, and submissive” while men have been viewed as “rational, strong, protective, and decisive” (Feminist 84). In contrast, Viola, Lady Olivia, and Maria are powerful characters in the play who challenge the era’s scientific theory that females were merely defective males.…
In Twelfth Night, Shakespeare constantly alludes to the contrast between darkness and light by the use of secrets, mistaken identities and the contrast between sanity and insanity. With this motif Shakespeare shows us that if we act on first impressions without the true knowledge of the entity of the situation or character, then the misinformed motives will surely be in vain; and our efforts futile.…
William Shakespeare’s multidimensional comedy Twelfth Night dismantles and obliterates socially constructed limitations regarding biological and assumed gender and identity, thus emphasising that nothing is certain, rather, a matter of perspective. The reader to an emphatic extent becomes an integral part of the way language forms and shapes the reality of the play. Therefore, language instructs initial perceptions and the foundational reality of the reader but not final perceptions and ultimate reality. Language constructs a character’s initial identity and reality, however, the reader’s reconstruction of a reality reflective of their own perspective is imperative to determine the final perception. The consistent blurring of the gendered identities of characters in Twelfth Night require the reader to meticulously interrogate their own ideas regarding the construction of biological and assumed gender and identity. Audiences are invited to further delve into the intricacies of the text to create their own meaning. Identity is the product of distinctive characteristics that are both biological and assumed, thus, it is the interplay between contextual notions of assumed gender and how this parallels with biological sex. Twelfth Night challenges the notion that gender is merely being in the state of male or female through androgynous characters such as Viola. If one completely disregards what they previously thought about biological and assumed gender upon beginning the text, it can enrich the depth of their interaction with the play. The ambiguous language in Twelfth Night is subjective and not limited to a singular meaning or context.…
Deception is a common theme in the play Twelfth Night, however, William Shakespeare deems that deception is not acceptable. One of the ways that he shows this is through the events of the play where deception and disguise cause unnecessary suffering and complication. This is exemplified during the events where Viola's deception and disguise creates a complicated love triangle. For example, after Viola finds out that Olivia had fallen in love with her disguise (Cesario), she admits that “Poor lady, she were better love a dream. /…