There were some interesting Orientalist images in the documentary caught my attention. To begin with, the racial self-hate and it originated from images of Asian Americans men as being powerless impotent and desexualized (The Slated Screen, 28.20). It starts with the thoughts of white men, and white people bring in control and in charge. Second, a film called Replacement Killers. The original script the villains is not Asian but the studio said since the hero is an Asian, they had to make the villain Asian (The Slated Screen, 29:00). If an Asian play as a good guy and a Caucasian play as a bad guy, it will make the Caucasian feel less empower. Also, they assume minority group will not watch an Asian play as the main hero and will turn off their tv. Last, when kids watch Asian on screen they either Nerdy or doing Kung Fu, it limits the aspirations of goals of the younger generation. Who they think they can become when they grow up because there are no role models in a diversity of ways shown on tv (The Slated Screen, 26:55). After watching all the images in the documentary, I have a better understanding of the term “Orientalism.”…
The Arab communication is unspoken and interwoven in the context of the conversations. Basically, it can be hard from someone from another culture to interpret the Arab culture since meanings and opinions are not outspoken and rather interweaved in the context.…
7. In what ways, according to Shaheen, does the “reel” representation of Arabs affect our understanding of the Arab world in “real” life?…
‘The Sisters’ and ‘An Encounter’ are about the same length. ‘Araby’ is roughly a hundred lines shorter than these. There is a progression in the three stories. The boy in ‘The Sisters’ is a passive witness, limited in his capacity to act by the weight of the adults about him. The boy of ‘An Encounter’ rebels against this oppression but his reward is the menace of a bizarre and abnormal adult. The boy in ‘Araby’ strives both to act and to realize an actual affective relationship but suffers frustration, a thwarting that results both from the burden of adult control and his own recognition of the falseness of his aims.…
I watched the film called “Reel Bad Arabs: How Hollywood Vilifies A People”. This film is based on how Hollywood portrays Arabs as “sub-humans” in movies which creates myths and stereotypes of Arabic men, woman, teenagers, and children. Most of this myths and stereotypes were inherited from Europeans people and some myths and stereotypes came about immediately after WWI due to the Palestinian and Israeli conflict, The Arabic Oil Embargo, and The Iranian Revolution. Some myths about Arabic people are that they ride on a magic carpet, they charm snakes out of a basket, and the Arabic women are belly-dancers. Some of the movies that involved stereotyping were “The Happy Hooker Goes to Washington(1977),“ “Rides Of Lost Art(1988),“ and “True Lies(1994)“ these movies portrayed Arabic’s as stockvillians and comic reliefs and the only purpose is a “cheap…
Orientalism, simply put, is the perception the West has of the East. The concept was mapped out by Edward Said in his book Orientalism, where he explores the concept, its origin, and how it functions. Said states that Orientalism is "the corporate institution for dealing with the Orient - dealing with it by making statements about it, authorizing views of it, describing it, by teaching it, settling it, [and] ruling over it" (3). However, Said points out that even if Orientalism from the beginning was not "a creation with no corresponding reality" the concept he studies in the book is that of "the internal consistency of Orientalism and its ideas about the Orient ... despite or beyond any correspondence" with the "real" Orient (5). What Said is saying is that the characteristics drawn up about the Orient within Orientalism ar not necessarily compatible with reality. The Western eagerness to characterize the Oriental came from the desire to put a face to the unknown, becoming "a political vision of reality whose structure promoted the difference between" East and West, them and us, "the familiar and the strange" (43). Orientalism became a dictionary displaying the characteristics of the Oriental subject, characteristics that were fixed and unchangeable (42, 70).…
Joseph Campbell’s theory of monomyth can be applied to almost every story and movie that we encounter today. Elements of myth have found their way into countless “non-mythological” stories. For example, superheroes are, oftentimes, very god-like. The Star Wars trilogy mirrors the age-old ‘good versus evil’ conflict. Luke Skywalker follows the “departure-initiation-return” pattern, just as the unnamed narrator in James Joyce’s Araby.…
Akerewusi, Esther Ms. Asselin ENG4U 25 February 2018 The Reality Behind Modern Slavery: An Interview With Baraka Suleiman Questions: 1. How did you get to be in that position, being a slave? 2. What was your experience like while you were at Libya?…
Many people have seen the increase of immigrants coming to the United States. “Census 2000 measured a U.S. population of 281.4 million, including 1.2 million who reported and Arab ancestry” (de la Cruz and Brittingham, 2000). Arab Americans are those people who speak or are descendents of Arabic-speaking populations. As doctors and caregivers continue to provide care to those that speak English, communication between them is easy. But when this simple task is changed when there is a patient from a different culture, it produces challenges that both parties have to overcome. Doctors and caregivers have to increase their cultural awareness and sensitivity so that there is a good relationship between the caregiver and the patient. This paper examines how Arabs are different than other foreign groups because of their ethnic, cultural and religious beliefs and what the caregiver can do to produce a successful cross-cultural caregiver-patient relationship.…
The car plunged from sun drenched desert into tall, dark palms. Into a different world. Inside, the road softened to a track that wound and bumped its way forward over sandy, unimproved soil, shielded from the sun’s glare by walls of greenery. That is, the track came about as close as any vehicleway can to being in harmony with earth and vegetation. But before long it ended; just petered out. A few yards ahead, nestling so naturally among the palms that at first my eye hardly registered it, stood a thatched-roof cabin. Or perhaps the right word is “shanty.” For the place had a definite South Sea Island air. The big stars-and-stripes hanging from a flagpole seemed almost colonial.…
In his "States" Edward Said writes about the "alienated" Palestinians. This story is an example of Pratt’s definition of a transcultural text. There are so many pieces that can be put together in States to Pratt’s ideas to form the transcultural text. The text from States can be used to help us better understand what a transcultural text is because it has new pieces of information, and it mostly relates to today’s world. I think that if we understand the story “States” as a transcultural text, we will be able to apply that to other stories which makes it easier to understand. Palestinians’ situation can mostly be understood through Pratt’s definition of contact zone. Said goes beyond what Pratt defines as a community. Pratt defines community as strongly utopian, but that is not what Said sees. The Palestinians do not have a “strongly utopian” community. And also, Pratt defines the marginal group and dominant group which I applied to “States.” Palestinians are in the marginal group because they are getting represented by Said who is in the dominant group. Mary Pratt would consider “States” a transcultural…
In Araby, Joyce includes a fair amount of symbolism. He says that“The wild garden behind the house contained a central apple-tree and a few straggling bushes, under one of which I found the late tenant's rusty bicycle-pump”(243). For example, a former tenant of the narrator’s house, the Catholic priest, could be said to represent the entire Catholic church. By extension, the books left in his room, which include non-religious and non-Catholic reading, represent a feeling of ambiguity toward religion in general and Catholicism in particular. According to Joyce,”She asked me was I going to Araby. I forget whether I answered yes or no.”(244). The most repetitive symbol is the bazaar Araby, that represents the East, a part of the world that is…
Araby, by James Joyce, is a story about an unnamed narrator who becomes infatuated with his friend, Mangan’s, sister, but does not have the courage, nor the will power to pursue his affections. After observing her in the gloomy streets of Dublin for some time, an opportunity finally presents itself as Mangan’s sister initiates conversation with the narrator, altering the narrator’s otherwise repetitive and simple life. “I had never spoken to her, except for a few casual words, and yet her name was like a summons to all my foolish blood” (Joyce). Mangan’s sister asks the narrator if he is going to Araby, a Dublin bazaar which she cannot attend due to a prior school commitment. Shocked and confused, the narrator offers to bring her something from the bazar, a conversation which launches him into a period of intense anticipation and eagerness to go. “I did not know whether I would ever speak to her or not or, if I spoke to her, how I could tell her of my confused adoration” (Joyce). He is unable to concentrate in school, finding the work tedious; his thoughts are consumed by Mangan’s sister. The morning of the departure for the bazaar, the narrator reminds his uncle to return home early with the train fare, yet his uncle keeps the narrator waiting in constant anticipation and eagerness. It is not until much later that the uncle returns home with the train fare, insouciant about forgetting the narrator’s plans. After a lonely train ride, he arrives at the bazaar to find the shops closing for the night. "I lingered before her stall, though I knew my stay was useless” (Joyce). The narrator begins to contemplate why he is there and becomes upset as he makes discoveries about himself. “Gazing up into the darkness I saw myself as a creature driven and derided by vanity; and my eyes burned with anguish and anger” (Joyce). In Araby, Joyce is able to show contrast between the familiarity and routine of everyday and the allure of the excitement of new love by his use of…
Muhammad’s wife and mentor; Muhammad worked for her before their marriage; quite older than Muhammad…
Ab'ul Hasan was a Sufi musician, poet and scholar. He was an iconic figure in the cultural history of the Indian subcontinent. He was a mystic and a spiritual disciple of Nizamuddin Auliya of Delhi. Amīr Khusrow has been reputed to have invented musical instruments Sitar and Tabla. He wrote poetry primarily in Persian, but also in Hindavi.…