Dorian Gray’s characterization illustrates the theme throughout the story. At the beginning he is a charming, innocent young man who does not care so much about his looks. He then meets Lord Henry Wotton who severely influences his views and outlook on life. Lord Henry explains to Dorian that his looks are everything. Once he loses them, he will be and have nothing. Lord Henry tells him to live life to its fullest now and do things that pleasure him because once he has lost his looks, he will no longer have the opportunity. As Dorian examines the finished portrait of himself he realizes that Lord Henry is right about his looks and becomes resentful of the painting, angry that it will continue to look youthful while he slowly deteriorates. He pledges to sell his soul in order to stay beautiful while the painting takes on his altering features. Dorian then begins to…
The painting itself is an overarching, ever-present symbol in The Picture of Dorian Gray, not just in the text but to nearly all of its characters. Though physically it is nothing more than a two-dimensional object, it becomes the main antagonist of their lives and has such far-reaching and powerful influences that it seems almost to be more alive than Dorian himself. It represents beauty, mortality, time, and art, all the major themes of the book, and its degradation literally presents to us the dangers inherent in these…
He uncovers the portrait and shows it to Basil who clearly recognizes it as his own work despite the horrifying and cruel changes. Dorian watches Basil with a slightly triumphant look on his face. Basil asks Dorian how this horrible thing happened and Dorian tells him he pledged his soul to stay young and beautiful forever because of what Lord Henry told him about beauty when they first met. Basil curses the portrait and wants Dorian to kneel down and pray for his forgiveness. Dorian tells him that it is too late to ask for forgiveness and starts feeling hatred towards Basil.…
Throughout Oscar Wilde’s The Picture of Dorian Gray, the sinful actions of Dorian cause Dorian himself as well as the portrait of Dorian to diminish. The portrait Basil paints of Dorian depicts an innocent, beautiful young boy who has yet to be corrupted by the influence of the world. However, as Dorian grows older he becomes debased by the thoughts of others and his own experiences. As the novel progresses, the reader loses sight of the innocent, pure Dorian and sees the cruel, corrupted Dorian. After Sibyl killed herself Dorian illustrates his corruption by claiming, “when she played so badly, and my heart almost broke. She explained it all to me. It was terribly pathetic. But I was not moved a bit. I thought her shallow” (96). Dorian no…
The Picture of Dorian Gray covers the psychological position on dual nature in humans. In the novel, Dorian is a stunningly picturesque man, with a deeper evil nature. There is a portrait of him, which, whenever he performs his wicked deeds, distorts and becomes more and more revolting. Though he, himself, remains striking on the outside; his conscience deteriorates and he becomes less principled internally. “Society, civilized society at least, is never very ready to believe anything to the detriment of those who are both rich and fascinating. It feels instinctively that manners are of more importance than morals,…
Henry-What matters most to Dorian, Lord Henry, and the polite company they keep is not whether a man is good at heart but rather whether he is handsome.In this novel, Lord Henry Wotton creates a conflict with the naïve and innocent Dorian Gray by influencing and mentally corrupting him. Under this influence, Dorian becomes a hedonist, constantly pursuing pleasure and everlasting beauty. This one-way conflict, where Lord Henry almost completely controls Dorian's emotions, is the cause for Dorian's downfall and death.…
“There are moments, psychologists tell us, when the passion for sin or for what the world calls sin, so dominates a nature, that every fibre of the body, as every cell of the brain, seems to be instinct with fearful impulses. Men and women at such moments lose the freedom of their will. They move to their terrible end as automatons move. Choice is taken from them, and conscience is either killed, or, if it lives at all, lives but to give rebellion its fascination and disobediences its charm. For all sins, as theologians weary not of reminding us, are sins of disobediences. When that high spirit, that morning-star evil, fell from heaven, it was a rebel he fell” (Wilde 150).…
The Picture of Dorian Gray is an American novel centered on Dorian Gray, a handsome wealthy young…
The Picture of Dorian Gray is a novel written by Oscar Wilde in 1890. The book was written during the Victorian era, a period of time that brought Britain several changes concerning technology, science, culture, religion and others. The Picture of Dorian Gray talks about a character called Dorian Gray, who is a young and handsome man that owned a portrait of himself. An artist and friend called Basil Hallward painted it. The artwork was different from a normal painting. It showed Dorian’s physical changes through years while his physical aspects in real life were always the same without any change. Every time Dorian saw the painting, he saw his true self rather than the one he showed to society. Basil introduced Dorian to Lord Henry Wotton,…
In The Picture of Dorian Gray, Oscar Wilde constructs a tale in which Dorian Gray’s desire to stay young forever becomes a Faustian pact. His journey begins when Basil insists on painting him even though Dorian resists this. It is possible he protests too much, but it is also possible he feels a bit embarrassed as well as flattered with the attention. One might consider this the gate into the garden (of Eden) where Sir Henry plays the part of the devil tempting Dorian to take youth and beauty serious when he says:…
Throughout the novel, the characters, specifically, Basil, utilize moral ambiguity in order to deceive themselves and others. By doing so, the characters allow themselves to live guilt-free and unaware of their actions, and subsequently, the consequences. Throughout the novel, Basil repeatedly claims that he cares deeply for Dorian, and that Dorian is the best friend that he has ever had; therefore, his actions are well-intentioned. While it is true that Basil cares deeply for Dorian, he does not care for him in the way that he claims; thus, his motives are selfish. However, Basil disguises his selfishness in the flourishes of artistic brilliance, true friendship, and the love of Dorian’s ‘personality’.…
Oscar Wilde, author of The Picture of Dorian Gray, was an Irish author who lived from October 16, 1854 until his death, at the age of 46, on November 30, 1900. He attended the Trinity College in Dublin, Ireland and the Magdalene College in Oxford, England. Mr. Wilde was an active member of the aestheticism literary movement, during his day, although he lived during the Victorian Era. In The Picture of Dorian Gray, there are many passages or episodes that hold key meanings in the book as a whole, and without them; a large amount of the underlying tones and themes would be lost. In chapter two, there is a very significant key passage that has to do with the roles of Lord Henry and Dorian Gray and how they are going to affect each other. The key passage pushes Lord Henry under the role of the victimizer and Dorian Gray as the victim.…
Artist Basil Hallward sees Dorian and decides he wants to paint a portrait of this stunning example of a man, and Dorian consents. While sitting for the portrait at Basil’s studio, Dorian meets Basil’s dear friend, the socialite/philosopher Lord Henry Wotton. Lord Henry is an aesthete who whiles away his time by attending parties, going to the Club, supping and other such frivolities. He is a man of charisma, intelligence, sharp wit and “wrong, fascinating, poisonous, delightful theories” (Wilde 56). Lord Henry is immediately taken with Dorian and quickly becomes infatuated. Over the course of time, Lord Henry begins to play a very sinister game with Dorian’s life—he seduces Dorian into leading the life of an aesthete, like himself. A life of debauchery and evil where the pursuit of happiness is paramount and comes at the expense of everything and everyone else—morality be damned. Lord Henry has no particular motive for doing this except to amuse himself and to play the game of creation. Dorian slowly begins to change; Dorian, the beauty on the outside becomes Dorian, the monster on the inside. He transforms into a selfish, hedonist. His disregard for others directly causes the suicide of his fiancée. He participates in immoral acts. He seeks personal gratification with abandon. His creator, Lord Henry, does nothing to intervene and stop Dorian’s progression from young, naïve man to loathsome monster. In…
Dorian Gray becomes a monster because of the negative philosophical teachings of Lord Henry and because “Lord Henry had tempted him with the false belief that he could be the master of his own sins; in reality, the reverse turns out to be true” (Buma 5). Lord Henry is initially the most monstrous being; however, through Lord Henry, Dorian Gray becomes even more of a monster than Lord Henry. For instance, in a relationship both parties should have and show equal amounts of love and affection towards the other party. However, Dorian looks at Sybil as an item, for he uses her while she is perfect in his opinion, but when she loses her ability to act because of her overwhelming love expressed towards Dorian, Dorian ends the relationship because he selfishly was only looking after himself. As a result of his cruel behavior, Sybil commits suicide. Sybil’s suicide is not a suicide at all, for Dorian, with his cruel words, forced Sybil into such a depressed state to which she had to kill herself. Dorian was clearly acting in his own self-interest and not even taking into account the feelings of his fiancé. After she has died, Dorian selfishly tries to feel sorry for what he did, and not because he actually feels sorry, but because he wants his painting to look youthful once more. Likewise, his portrait always takes first priority in his thoughts which…
Dorian’s change in personality reinforces Oscar Wilde’s idea. This is because Dorian is living a double life, and in regards to the novel elements of his good and bad side is shown. This is shown with hints in the novel and shows the cautionary tale of the novel. As his friends, such as Lord Henry attempted to “spoil” his “beautiful nature” one of his closest friend Basil was cautious this was going to turn young Dorian from good to evil. Wilde does this to show how Dorian’s lifestyle can be corrupted morally and immorally, as things such as the painting make him accomplish the things he always wanted accepting pleasures moral or immorally. In spite of this, Lord Henry threatens Dorian’s fear of the…