Robert B. Parker’s protagonist, Spenser, was a cop ahead of his time. Articulate, well-spoken, and well-read, Spenser had a college degree. He often quoted famous literary figures including his namesake, Edmund Spenser (“with an S like the poet”), author of the epic poem, The Faerie Queene. Today, more and more police agencies require at least some post-secondary education to qualify for a job on the force. The reason is simple: cable TV and Hollywood stereotypes aside today’s cops need solid, reliable writing skills. Yes, you read that right. Cops know how to write more than tickets. Here are seven strategies you can use to become a better writer:…
The way in which the Garden of Adonis replenishes life on Earth also demonstrates The Faerie Queen’s prioritization of earthly virtue. Although the Garden is largely a haven for Venus and her lover Adonis, it nonetheless exists in tandem with Earth, as many of its functions restore and purify earthly life. When describing the Garden’s unique life cycle, the narrator claims that the Garden “is the first seminarie / Of all things, that are borne to live and die” (III.vi.30.4-5). Here, the narrator introduces the Garden’s strange life cycle, which conceives and creates all mortal creatures. That said, he soon clarifies that, although mortal creatures begin their lives in the Garden, they are nonetheless sent “forth to live in mortal…
4. Una and Duessa function as foils. Explain how and then compare their depiction to at least two (2) other female characters that we’ve read about this semester (e.g., Judith, Grendel’s mom, queens, Guinevere, etc.)…
"Never affirm, always allude: allusions are made to test the spirit and probe the heart" (Umberto Eco). The Faerie Queene consistently alludes to the book of Revelation adding both richness and depth to the story. Revelation played a huge role in the development of this epic being that it was the main book that was referenced from the Bible. The allusions help set up the story, and also add references that most people of that time period can understand. The Bible was the most popular book in the late 16th Century, so to allude to anything else might go unnoticed. Spenser uses the Book of Revelation and the Bible in abundance to add…
Taming of the Shrew is a romantic comedy written by William Shakespeare in the 1500’s. It takes place in the city of Padua, presumably during the Italian Renaissance. The major conflict of the play is ‘taming’ a hot-headed woman named Katherine and to overcome the rule her father holds on his two daughters where the eldest marries first. The script brings up a lot of attention in the feminist theory. But, Shakespeare’s play reflects on the archetypes of characters, situations, and symbols. These connections are made in the play to make the audience familiar with the text and provide a deeper understanding.…
At only three pages in length, the ancient Irish tale, “The Adventures of Connla the Fair,” presents its readers with a seemingly straightforward account. Here, a king’s son defies his father’s wishes by abandoning his homeland alongside a beautiful woman. However, as the story’s introduction in Ancient Irish Tales warns, focusing merely on the surface story leaves readers in “danger of mistaking the economy and terseness of this story for barrenness of imagination” (Cross and Slover, 488). Upon closer examination, a more compelling and multidimensional metaphorical aspect of the story emerges, as the role of its mysterious female figure comes into question. Considering her substantial contribution to the story’s magical nature and the metaphysical…
During the late 1500s, Britain experienced two monarchs unique to the island and continental Europe. The English and Scottish kingdom anointed two female monarchs. Their gender was not the only controversial component to this region, yet it played a key role. Queen Elizabeth Tudor was the bastard child of King Henry VIII by a mother accused of treason and adultery. Bearing the burden of her mother’s reputation, Elizabeth sought a pure life as a virgin, taking no husband with the potential of taking her power. Mary Stuart is the daughter of James V of Scotland and Marie de Guise of France. She was raised French and was betrothed to the French dauphin. Mary was also a devote Catholic. The future queen’s French alliance and Catholic religion set the stage for what the relationship between Scotland and its more powerful neighbor England would look like. The two queens were cousins once removed and the only female rulers in Europe. These elements should have brought the two closer together, but the differences in values created mistrust between the monarchs. Women are their own worst enemies when trying to gain more power for themselves. Queen Mary of Scots had a strong personality who believed that she had earned the right to rule with little interest in actually ruling. Elizabeth saw Mary as a constant threat to her thrown, and Mary was not afraid to reminder her of it. Society saw women as inferior to men and for one to reign as queen was complete taboo. The death of Mary Queen of Scots was contributed by herself, her cousin the Elizabeth Queen of England and society’s laws, religion and norms.…
The Holy Grail: the legend of the Holy Grail was said to be the cup of the Last Supper, the last cup Jesus drank from, and at the crucifixion had received blood flowing from Jesus Christs side wound. It was brought to Britain by Joseph of Arimathea, where it lay hidden for centuries. Eliot uses in in line 51 when he alludes to the Fisher King by saying “the man with three staves” appeared in one of the tarot cards. The Fisher King’s disease is said to have caused the wasteland and it may only be cured by the quester for the Holy Grail who successfully answers ritual questions. These questions would complete the quest and bring fertility to the land. Eliot uses this allusion so that there is some hope to remedy the cause of the wasteland and…
Throughout Shakespeare’s ‘Macbeth’ it can be argued that Lady Macbeth, who ruthlessly questions Macbeth’s masculinity catalysing his unnatural acts of violence and brutality, is presented as a fiend like queen. Nonetheless, her calling on spirits in order to remove her gender identity as well as masking her moral consciousness in order for her to transgress against the divine right of kings suggests that she does not entirely embody Malcolm’s biased label of a ‘fiend-like queen’.…
William Shakespeare ‘permeates almost all aspects of our society,’ and speaks ‘to us through his plays’ by commenting ‘on his life and culture as well as our own’ (Sir George Williams University, 2000). This is no different in his acclaimed play Macbeth, which tells the story of nobleman Macbeth and his wife, Lady Macbeth who plot and murder the king of Scotland in order to obtain the throne, exposing “human nature, ambition, evil, gender, human relationships, kingship,” (Sir George Williams University, 2000) and supernatural forces. The play explores the ideologies and cultural assumptions of witchcraft, gender roles, the great chain of being, divine…
Intro: Id texts and subject. Thesis: D.H. Lawerence and James Joyce use archaic lore in their stories “The Horse Dealers Daughter”, and “The Dead”.…
Cited: Allen, David G. and Robert A. White. “Subjects on the World 's Stage: Essays on British Literature of the Middle Ages and the Renaissance.” Shakespeare Quarterly. Vol. 48, No. 1, (Spring, 1997), pp. 110-113. Folger Shakespeare Library. 12 June, 2013.…
Within My Last Duchess, The Bloody Chamber and Dracula, there is evidence to suggest that women within the gothic genre as portrayed as victims of male authority, as well as evidence to disprove this argument, instead suggesting that it is the women within the Gothic genre which makes themselves victims. ‘Angela Carter is particularly interested in the portrayal of women as victims of male aggression as a limiting factor in the feminist perspective of the time’[i] Carter, with her modern twist on traditional fairytales places a particular focus on women characters and the hardships they endure perhaps due to their own natural behaviour, whereas Stoker with his tale of vampires is more traditional with the female becoming victims, through his male authority. My last Duchess enhances this by showing how women in the gothic genre are victims of male authority, through her suspicious death and the duke’s obsession with her beauty.…
In Book Three of The Faerie Queene, the character of Glauce plays an important role in aiding Britomart, the main character, to set off on her journey. Britomart, who represents Spenser 's idea of ideal Christian chastity, confronts some challenging and poignant issues before she heads off on her adventure; namely, she sees a vision of her future husband in an enchanted looking glass, and does not quite know how to handle the feelings of all-encompassing love that arise in her. The terror, doubt and confusion she experiences are similar to what is felt by any young girl embarking on the emotional rollercoaster of adolescence, but with the added factor of the spectral figure she sees in the mirror. In Cantos Two and Three of Book Three, the sections that deal with Britomart 's background, the only member of her natural family that is mentioned is her father. Therefore, in the absence of a natural mother, it is Glauce, Britomart 's nurse, who steps in to fill the role. Glauce, whose name associates her with the mother of the goddess Diana and with the owl, companion of Minerva ' (Spenser notes 807), works to help Britomart through her time of intense change, behaving towards the young girl as a mother would to her own duaghter. Although a seemingly secondary character in the scheme of Book Three of The Faerie Queen, as she only appears in the two cantos mentioned above, Glauce 's role as a mother figure to Britomart - a role she fulfills to the utmost degree - is a vital component behind setting the story in motion.…
Cited: Shakespeare, William, and Russell A. Fraser. The Tragedy of King Lear. New York: New American Library, 1986. Print.…