No one believed them from then on. The CIA under Helms went right back to their old number of 500,000 to 600,000. They said, “We’re not going to tell the truth,” which they did. But it was too late. There were people in the military that Sam always admired. One of them was Colonel Gains Hawkins. “Look Sam, everybody knows that you’re right. But we’re basically being ordered to lie,” Hawkins told. Sam left the agency and began writing a book. By the time, he had divorced, remarried, and moved to Vermont. He was working on a memoir but could not bring it to closure. According to Hiam, he suffered from high blood pressure, arthritis, and gout, and he was eating and drinking too much. Then he died, age 55, perhaps of a broken heart. Hiam provides a rich picture of the Viet Cong numbers debate, the people involved in Sam’s battle, and the controversies that took up the rest of Sam’s life. He tells how Sam badgered his superiors, how they clearly had no idea how to deal with the persistent attacks of this lone, and irrepressible idealist. In “Who the Hell are we Fighting? The Story of Sam Adams and the Vietnam intelligence War,” C. Michael Hiam has taken a work started by Adams before his death and finished it superbly. The book is a glimpse of Adams and his blind commitment to truth. The author points out the Tet was a big military failure, one that could have been exploited by the U.S. military had they not been so deficient in intelligence about small units and the guerrillas. This is Hiam’s first book and he has been done a good researcher and writer. “Take up this book and let Michael Hiam lead you toward a final understanding of how military and civilian intelligence during the Vietnam War. This biographical account of Adams’s CIA career, and his subsequent roll as a defendant in Westmorland libel trial, lets the facts speak for themselves in a chronological progression that will, by turns, disgust you. It takes us a giant step closer to history’s final word on that sorry season.”- John Rolfe Gardiner, author of “Double Stitch”.
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