Fantasy Motifs In James And The Giant Peach

"Even though all modern fantasy stories contain some sort of magical elements, some stories have a higher fantasy quotient than others" (Jacobs & Tunnel, 89). There are six basic fantasy motifs, as discussed by Jacobs & Tunnel, including magic, other worlds, good versus evil, heroism, special character types, and fantastic objects. If a story contains all six, it is classified either as a classic fairy tale, or a modern high fantasy. Roald Dahl's James and the Giant Peach is an example of a modern high fantasy, as it contains all six fantasy motifs discussed by Jacobs & Tunnel.

The most basic element in fantasy literature is magic. According to Jacobs & Tunnel "…each of the other five motifs is tinged by magic to some degree" (90). In the
New York City turns out to be the other world for James and his friends. Even though the city is described as we know it to be, James and his friends were accepted in grand style. At first the people were frightened by the insects; but after James introduced them, they didn't seem to mind at all. In fact, the Mayor insisted on having a parade for them. "Then the Mayor shouted, we must now have a ticker-tape parade for our wonderful visitors" (122). James and his friends led the procession down Fourth Avenue, riding in an enormous limousine. They were followed by the Mayor and other important people of the City. In this world, the oversized insects were accepted as human beings. Every one of them became rich and successful. Most astonishing though, was the Ladybug, who in the end married the Head of the Fire Department, a human. "The Ladybug…married the Head of the Fire Department and lived happily ever after" (Dahl 124). James, though a child, was accepted as an adult. He resided in the peach stone, which was set in Central Park, without any adult