In the 1947 play A Streetcar Named Desire written by Tennessee Williams, there is an on going battle of rivalry between Stanley and Blanche, resulting to Blanche retreating into a world of illusions in order to protect herself. The two come from completely different societal worlds and have contrasting personalities, Stanley being powerful, controlling and strong and Blanche, being fragile, weak and vulnerable. Despite their hatred for each other and their differences they have many similar traits, including their use of sexuality and desperation to control others.…
Streetcar named desire was a play set in the 20th century, 1951 written by Teneesse Williams. This extrct from scene 10 is significant section of the play as it depicts the most important part of the play with the implied rape on Blanche by Stanley. Williams uses dramatic techniques and symbols which illustrate Stanley's violent and aggressive behavoiurs, displaying him in negative light and as a villian and through the use of violence and animal imagery. Also allowing us to see Stanley as an angonist to the actions he persued on Blanche. Teneesse Williams also uses the settings and motifs such as insanity to protray Blanche as a victim.…
-Whereas Blanche comes from an old Southern family and was raised to see herself as socially elite, Stanley comes from an immigrant family and is a proud member of the working class. They meet one another in the socially turbulent postwar period in New Orleans, one of America's most diverse cities. Blanche and Stanley are polar opposites in several respects. Blanche repeatedly refers to Stanley and his world as brutish, primitive, apelike, rough, and uncivilized. Stanley finds this sort of superiority offensive and says so, but there is something primal and brutish about Stanley. By contrast, Blanche represents civilization on the decline. She speaks vaguely of art, music, and poetry as proof of progress, but reveals little true knowledge.…
A Streetcar Named Desire written by Tennessee Williams is a play about a southern lady named Blanche from Mississippi visiting her sister Stella, who is married to Stanley and currently living in Elysian Fields, New Orleans. Blanche arrives in Elysian Fields, and throughout her entire stay with Stella and Stanley, there is tension and conflict occurring in Stella’s house. Even though Blanche and Stella were brought up in the South under wealthy conditions, the conflict is mainly caused by Blanche’s dislike of Stanley because, as a blue-collar worker, Stanley's status is lower than the DuBois’. In another aspect, Stanley’s conflict is caused by him being suspicious of Blanche since her arrival. Blanche explains to Stella that…
Streetcar Named Desire’s Tennessee Williams explains how Blanche and Stella are both living a lie and existing in a fantasy, where in time they must come face to face with their own realities. People that live lives they wish to have eventually with have to come to terms and realize to enjoy the life they have and stop comparing their lives to…
"A Streetcar Named Desire" by Tennessee Williams tells the tale of Blanche Dubois and her steady decline into insanity through a series of events. Throughout the story the harsh, realistic world of Stanley clashes with Blanche's filmy, illusionary world. These differences can be seen in how Stanley is portrayed, how is portrayed and how Stella is a bridge between the two worlds. Stanley represents the realistic world.…
The two characters, Blanche DuBois from A Streetcar Named Desire and Tom Wingfield of The Glass Menagerie, both share an intense struggle between fantasy and reality in their lives causing dependency upon alcohol. Blanch DuBois approaches as a high class Southern Belle who depends upon others to care for her, but in reality she thrives on her self-proclaimed royalty. Meanwhile, Tom Wingfield is a pessimistic character who deprives his life working at a shoe factory for his mother and sister while living in the shadows of his father. Both these characters also develop a dependency upon alcohol to overcome conflicts they are faced with.…
Tennessee Williams’s Blanche is the epitome of the bygone era of a southern belle; she embodies the classical social inequalities. As her social and cultural stances deeply diminish she develops a fear of fleeting beauty and old age. Williams conveys this idea of vanity, fear of death and old age throughout the play. In scene 5 the use of the Young man is in essence part of Williams’s exposition, he uses the Young Man to foreshadow Blanche’s fatal flaw and expose the importance of age in A Streetcar Named Desire. Elia Kazan’s adaptation of Williams’s play reflects this quintessential theme as he adopts Williams’s dialogue in Scene 5 accurately. Kazan’s film adaptation of Scene 5 is more or less true to Williams’s play as he encompasses the main themes evoked that of beauty, vanity and old age through the precise dialogue and the sequence of events. Nevertheless the similarities found in the adaptation of A Streetcar Named Desire remain superficial, Kazan’s interpretation of Williams’s stage directions in regard to the Young man are poles apart. Although the original and its film adaptation aim to foreshadow Blanche’s denouement and portray the fear of vanishing beauty…
Stanley looks past the fake front that people put on and focuses on what is real and ignores the “Hollywood glamour” and lies that surround them (39). Stanley does not want any deviation from what is known to be true and wants “no ifs, ands, or buts” (43). Deep down Stanley needs to unearth any falsehoods when anyone feeds him a “pack of lies” no matter how dark they are (118). Regardless of the awful truths of Blanche’s life, Stanley states the truth in the simplest sense, and he finally reveals Blanche is not “such a refined and particular girl” as he gives out her dark truths. He pushes away Blanche’s pleasant dream and posters the harsh truth of Blanche’s problems in plain sight so no one, not Mitch, Stella, or even Blanche can not miss it. Ultimately, Stanley feels no empathy for anyone, and digs up the lies and falsehoods that surround…
Thesis: In the play A Streetcar Named Desire Tennessee Williams ultimately portrays the struggles of a woman in the 1920s. Through the demonstration of the main character, Blanche, we depict the struggles between alcoholism, the conflicts in social classes and the indifferences in sexuality.…
A Streetcar Named Desire, a play by Tennessee Williams, takes place in New Orleans in the mid-1940s. It follows the lives of Stanley Kowalski, Stella Kowalski, and Blanche DuBois and the story about a woman coming to visit her sister, which ends up going just as bad as any family reunion has ever gone. From the moment Blanche got to Elysium Fields, her and Stanley, Stella’s husband, appear as polar opposites and are constantly at war with each other. They never can agree on anything, are always arguing and shouting at one another, and want the loyalty of Stella all for themselves. Their constant power struggle can only end with one character the victor and the other leaving defeated. One of the main themes about conflict is that Stanley and Blanche are in a battle to win Stella and neither of them will give her up. However, Stanley and Blanche represent something bigger than two conflicting characters. Blanche represents the old south, with dying traditions whilst Stanley represents the new south where chivalry no longer exists and it 's every man for themselves and just like in real life, the old south is overcome by the new south.…
The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe evolves her promiscuity. She is lonely and frightened, and she attempts to fight this condition with sex. Desire fills the emptiness when there is no love and desire blocks the inexorable movement of death, which has already wasted and decayed Blanche's ancestral home Belle Reve.…
Stanley’s aggression and Blanche’s inability to express her emotions, “she clutches her throat and then runs into the bathroom. Coughing, gagging sounds are heard” (Williams 136). She was unable to hold in her emotions in her environment which affected her outcome in the story. Blanche came to the Kowalski’s household in order to fulfill her desire of a new start in her life. However, Stanley’s aggressive characteristics does not allow any threat of dominance over him.…
In the play, A Streetcar Named Desire, by Tennessee Williams, Blanche and Stanley are well-known, as opposite characters with symbols of conflicting deals, but these two characters also have many similarities with each other. For example, Stanley and Blanche both have a well-built desire for love. Stanley, has no need to seek for love because he yearns, his marriage life with his wife Stella. Blanche, on the other hand, is seeking for respect and love for a new husband, since she lost her last husband. Also, Stanley and Stella are a couple that appears to be loving and compassionate with each other, until Blanche comes for a visit to New Orleans to live with the couple. With conflicting issues dealing with Blanche and Stanley, it causes an unhealthy, abusive problems with Stella and Stanley’s marriage.…
There are many prevalent themes throughout the play, Streetcar Named Desire, by Tennessee Williams. One major theme of the play is femininity vs. masculinity. The main characters, Blanche DuBois, and Stella and Stanley Kowalski reflect the stereotypical gender roles. Stella and Stanley’s dysfunctional relationship faces even more complications when Stella’s sister, Blanche moves in temporarily. Throughout the course of this play, the Kowalski relationship is proven to be very unhealthy, due to Stella’s dependence on Stanley and Stanley’s brutality and masculinity.…