Fashion in the 1950s
B-FH103
Cultural and Contextual Studies, Fashion
2. Social changes had great influences in Fashion in the 1950s. Analyse two aspects of such social changes as discussed in the lectures, which is reflected in Fashion Design. Cite no more than two designers as case studies.
Tan Xue Hui Amanda
Name
FMI-1B/ 14161
Class /ID No.
Lucinda Law
Lecturer
2012
LASALLE College of the Arts
Faculty of Design
Singapore
Accepted by the Faculty of Design,
LASALLE College of the Arts.
Lucinda Law Lecturer
I certify that the work being submitted for examination is my own account of my own research, which has been conducted ethically. The data and results presented are the genuine data and results actually obtained by me during the conduct of the research. Where I have drawn on the work, ideas and results of others this has been appropriately acknowledged in the thesis. The greater portion of the work described in the thesis has been undertaken subsequent to my registration for the degree for which I am submitting this document.
©2012 Tan Xue Hui Amanda
In submitting this work to LASALLE College of the Arts, I understand that I am giving permission for it to be made available for use in accordance with the regulations and policies of the college. I also understand that the title and abstract will be published, and that a copy of the work may be made available and supplied to any bona fide library or research worker. This work is also subject to the college policy on intellectual property.
__________________________
Tan Xue Hui Amanda
‘A golden age seemed to have come again. War had passed out of sight and there were no other wars on the horizon…’ (2007, The Golden Age of Couture: Paris and London 1947 - 1957) This was a quote by Christian Dior, the man who invented The New Look and fore-fronted fashion for the 1950s. The 1950s marked a new era for
Cultural and Contextual Studies, Fashion
2. Social changes had great influences in Fashion in the 1950s. Analyse two aspects of such social changes as discussed in the lectures, which is reflected in Fashion Design. Cite no more than two designers as case studies.
Tan Xue Hui Amanda
Name
FMI-1B/ 14161
Class /ID No.
Lucinda Law
Lecturer
2012
LASALLE College of the Arts
Faculty of Design
Singapore
Accepted by the Faculty of Design,
LASALLE College of the Arts.
Lucinda Law Lecturer
I certify that the work being submitted for examination is my own account of my own research, which has been conducted ethically. The data and results presented are the genuine data and results actually obtained by me during the conduct of the research. Where I have drawn on the work, ideas and results of others this has been appropriately acknowledged in the thesis. The greater portion of the work described in the thesis has been undertaken subsequent to my registration for the degree for which I am submitting this document.
©2012 Tan Xue Hui Amanda
In submitting this work to LASALLE College of the Arts, I understand that I am giving permission for it to be made available for use in accordance with the regulations and policies of the college. I also understand that the title and abstract will be published, and that a copy of the work may be made available and supplied to any bona fide library or research worker. This work is also subject to the college policy on intellectual property.
__________________________
Tan Xue Hui Amanda
‘A golden age seemed to have come again. War had passed out of sight and there were no other wars on the horizon…’ (2007, The Golden Age of Couture: Paris and London 1947 - 1957) This was a quote by Christian Dior, the man who invented The New Look and fore-fronted fashion for the 1950s. The 1950s marked a new era for
References: Bradley, Becky . "1950-1959." American Cultural History. Kingwood Library, 1998. Web. 28 Oct. 2012. Daphne Spain, 1996. Balancing Act: Motherhood, Marriage, and Employment Among American Women. Edition. Russell Sage Foundation. 2007. The Golden Age of Couture: Paris and London 1947 - 1957. 1St Edition Edition. Victoria & Albert Museum. William H. Young, 2004. The 1950s (American Popular Culture Through History). Edition. Greenwood. Francoise Mohrt, 1998. The Givenchy Style. Edition. Vendome Pr. Myra Walker, 2006. Balenciaga and His Legacy: Haute Couture from the Texas Fashion Collection. Edition. Yale University Press.