Everyone in the play develops qualms in fate if they did not have them already. These doubts, however, are eventually dismantled. By the time that the play ends, no character can deny the authenticity of destiny based on what they see and experience. Although the chorus’s faith is shaken at first, “[Oedipus], [his] life, [and] [his] destiny,” all become ample proof to them for the existence of fate. Oedipus, like the chorus, starts out believing that Tiresias is gifted and calls him the “master of all the mysteries of life,” but then denounces him a “pious fraud.” Later on, Oedipus finds out that he had in fact fulfilled every part of his prophecy unknowingly. Jocasta, who claimed that “chances rules our lives,” was also proven wrong and killed herself in the trauma of learning the truth. Each character may have had different views on fate and the power of gods, but they all become believers when they witness for themselves the prophecies becoming
Everyone in the play develops qualms in fate if they did not have them already. These doubts, however, are eventually dismantled. By the time that the play ends, no character can deny the authenticity of destiny based on what they see and experience. Although the chorus’s faith is shaken at first, “[Oedipus], [his] life, [and] [his] destiny,” all become ample proof to them for the existence of fate. Oedipus, like the chorus, starts out believing that Tiresias is gifted and calls him the “master of all the mysteries of life,” but then denounces him a “pious fraud.” Later on, Oedipus finds out that he had in fact fulfilled every part of his prophecy unknowingly. Jocasta, who claimed that “chances rules our lives,” was also proven wrong and killed herself in the trauma of learning the truth. Each character may have had different views on fate and the power of gods, but they all become believers when they witness for themselves the prophecies becoming