Laertes was a stable-minded student who was Polonius's son and Ophelia's brother. He was a strong-willed young man whom studied over seas, was protective of Ophelia, loved his family, and kept his loyalty to King Hamlet and then to King Claudius. Hamlet and Laertes had never been friends, for Hamlet was of a higher social class. In one aspect, Laertes respected their differences and in another, it made him leary of and curious about Hamlet and his ways. Also, hamlet had feelings for Ophelia for which Laertes despised and warranted off. Although Hamlet…
Ophelia was a modern day good girl gone bad. She obeyed her father, Polonius, and brother, Laertes’ wishes to stay away from Prince Hamlet while trying to fight for her love for Hamlet and being herself. Throughout the entire play Ophelia is used as pawn in a game of revenge between Hamlet, Polonius, and King Claudius. Polonius and Laertes forbid Ophelia from seeing Hamlet because they believe that he is only using her for sex, yet Polonius uses her to seek information from Hamlet as though she were his personal spy. Although Hamlet loves Ophelia and genuinely cares for her, he sees the danger he and the royal court pose on her. Hamlet wants to get her away from the corruption while putting on an act for King Claudius to prove that he is really mad, and in that attempt, acts as though Ophelia means nothing to him. He treats her in the same manner he treats his mother and all women for that matter. Hamlet sees all women as ignorant and deceitful. Despite Ophelia’s ability to see through Hamlet’s charade, there is still a sense of pain in the words he speaks to her. “Get thee to a nunnery, go. Farewell...To a nunnery, go, and quickly too. Farewell.” (Act 3.1) This had to have been the largest insult to Ophelia ever spoken, but was not meant in that…
The dismissive behaviour of Polonius and Laertes dehumanizes Ophelia and keeps her separated from the decision making “adults”. In one instance, Polonius instructs her to “think [herself] a baby”. In her interactions with these characters, Ophelia’s opinion is not asked for or valued she is largely cast aside or used as a tool. In Ophelia’s first appearance she is constantly reminded by Polonius and Laertes of the “danger of desire”, Laertes advises her that he “best safety lies in fear”. (Act I, Scene III). It is made clear early on that Ophelia is being taught to fear relationships, leading to long term isolation. These repressed emotions may relate to her fixation on desire during her madness. Polonius also dismisses Ophelia’s opinions on Hamlet’s behaviour saying, ”Affection? Pooh! you speak like a green girl”. Throughout all of Ophelia’s interactions with her father she maintains formal titles and language, referring to Polonius as “my lord”. By submitting to the perception of her inferiority Ophelia alienates herself from others. Even before her becoming insane, Ophelia is marginalized and removed from others, a the true outsider within…
Father’s prepare their children for the outside world. They nurture them with the children's mother by their side. Father’s are protective, caring, dependable, etc. In Hamlet Act I, We encounter three fathers, who are Polonius, Claudius, and The Ghost. Each of these men are different from their garments to their personalities. Like all fathers they have a special bond to their children. Shakespeare uses different literary techniques to characterize these men and how the give advice to their children.…
Ophelia, a fictional character in Hamlet, is the daughter of Polonius and young lover to the main character. Her father, the right hand of the king, originally requests she keep her distance from Hamlet. Quite soon, the company of Hamlet believes he has gone mad. Polonius, of course, asks his obedient daughter to spy on her lover. Mary Salter stated, “She certainly has a great deal of respect for her father and unquestioningly obeys his instructions…” Ophelia and Hamlet spend an extravagant amount of time together. In the time of Shakespeare, this was nearly unacceptable. One could understandably be under the impression they…
Ophelia, the main female character in 'Hamlet' is representative of this alliance. Madly in love with Hamlet, the prince of Denmark and future king, is hugely influenced by her relatives: Her father Polonius, with whom she adopts a very submissive and respectful attitude and her brother Laertes with whom she's got a relationship based on respect and certainly more relaxed than most brother-sister relationships at the time. He cares for her, advises her and supports her; he's more concerned about the happiness of his sister than his social status. "Perhaps he loves you know,/An now no soil nor cautel doth besmirch/The virtue of his will". Shakespeare in this moment is showing a brother truly concerned about her sister's future but also worried about his own reputation. Shakespeare…
Due to Ophelia’s fickle behavior regarding Hamlet, he is unsure of her affection and does not deem her trustworthy. Ophelia is not yet a married woman, meaning she is not admitted to disobey her father, and not able to control her own choices. When her father demands “I would not, in plain terms, from this time forth have you so sander and moment leisure as to give words or talk with the Lord Hamlet.” (I, III, 136-140) Ophelia must heed her father’s commands. When Ophelia is requested to converse with Hamlet by Polonius and Claudius, she must endure. She attempts to return letters that Hamlet wrote for her, this seeming to have a powerful effect on him. Although he has suspicions that their conversation is being eavesdropped on, Hamlet does not restrain himself with his reaction towards Ophelia. Hamlet seems to contradict himself when proclaiming her “Get thee to a nunnery, go.” (III, I, 138). Nunnery, also meaning brothel, shows Hamlet’s indecisive feelings for Ophelia, by using a word that paints her as holy and sinful. As he continues to insult Ophelia, it becomes clear that Hamlet presumes all women to be deceitful, describing that “God has given you one face and you make yourselves another.” (III, I, 145). Although it is not certain whether or not Hamlet truly loves Ophelia, it can be deducted that due to his mother’s actions he cannot be definite in his…
“Keep within the rear of your affection / Out of the shot and danger of desire” (1.3.34-35), and with this metaphor Laertes is trying to further scare his sister by comparing love to a battle, desire to an arrow-shooting enemy. No matter how virtuous a woman thinks she is, she will not escape “calumnious strokes” (1.3.38), he tells her; and there is the theme of his being concerned with the family honor again. He is worried that if Ophelia spends too much time with Hamlet, even if it is all innocent, people will talk and consider her ruined. Laertes is very much concerned with what…
Hamlet was a man that looked up to his father throughout his life, during and after his father's death. The younger Hamlet tried to follow in his father's footsteps, but as much as they were alike, they were very much different. The man named Hamlet had a son named Hamlet and after everything was over, that is one of the few things that they had in common. Although they may exhibit some similar traits, all fathers and sons are individuals. They are, or will become, their own man. This development is based on life experience, which is never the same for any two people. In the case of King and Prince Hamlet, this is true.…
In William Shakespeare’s play, Hamlet, there are many allusions to greek mythology that lend to a deeper understanding of the characters in the play. Hamlet’s thoughts about his father, mother, and himself are made clear through his references to allusions. Hamlet compares his father to Hyperion while comparing his uncle to a Satyr, Hamlet compares his mother to Niobe, and states the contrast between him and Hercules.…
Hamlet, himself, exhibits faults in his personality, often acting volatile and reckless in situations beyond his control. In Act 1, Scene 3, Ophelia describes Hamlet as an admirer who had ‘made many tenders of his affection’ to her but later on, in Act 3, Scene 1, when they confront each other about their feelings, Hamlet angrily shouts ‘Get thee to a nunnery’, insulting her and not realising the possible consequences of his actions. Ophelia isn’t without flaws, herself, as shown by her tendency to be influenced by the men around her. Whilst it was common for the women during Shakespeare’s time to be obedient to their men, Ophelia’s submissiveness eventually drives her to insanity and leads to her suicide. Furthermore, Ophelia’s father, Polonius, is also a fatally flawed character, with his peripeteia being his nosiness and propensity to pry, which then leads to his death. Shakespeare uses the weaknesses of each character to emphasise that human beings are flawed to warn his audience that if these flaws are not recognised, they may, and often will, bring…
Although Hamlet continued to pursue her as a lover, he eventually discovered that her loyalties did not lie with him, as she became a spy for Claudius and Polonius. It is unclear as to whether or not Hamlet is aware that Ophelia is being used by the men, but he is reassured of her loyalty to them when he asks, “Where’s your father?” and Ophelia replies, “At home, my lord” (3.1, 130-131). Ophelia’s social position as a woman in society is virtually nonexistent as the presences of manipulative men merely use her obedience as a means of improving their social positions, with little regard for hers. In accordance with the time period, Ophelia would have followed codes of conduct “influenced by religious literature, the attitude taken by most writers of deportment manuals reflect the theologians’ traditional dislike and distrust of women” (Kincaid 103). While there is no indication that Ophelia has broken any codes, Hamlet takes out his frustration with his mother on her, and chastises her for shortcomings as a woman when he says, “Let me think on’t. Frailty thy name is woman!” (1.2, 146). Regardless of Ophelia’s proper social behavior, Hamlet reveals that she cannot escape her fate as a woman. Hamlet tells her, “If thou dost marry, I’ll give thee this plague for thy dowry: be thou as chaste as ice, as pure as snow, thou shalt not escape calumny. Get thee to a nunnery” (3.1, 135-37). Even if Ophelia follows every social norm and remains chaste, she will always be restricted by society because of the men that define…
When Polonius dies, in Kenneth Branaugh film, the audience can see Ophelia screaming inside of the castle fence which shows Ophelia was having an emotional break down. The reason why might Ophelia became mad is because she blames herself. In this version of Hamlet, Ophelia and Hamlet used to have a close relationship, meaning Ophelia might think that Hamlet was taking revenge on her because Ophelia chose Polonius over Hamlet. The reason why this version of Ophelia choose to sing sexual lyrics is because Ophelia had a sexual relationship with Hamlet.Ophelia might have thought that out of respect for her Hamlet will not hurt Polonius,but it turns out Hamlet killed Polonius meaning Hamlet does not care about how Ophelia feels even if they had such a close relationship before ;Men can say anything to get the women they want , but when it comes to life and death men's will not consider the well being of the women. Ophelia seems to be depressed and controlled by men, and now that the two men who were controlling her are gone , she chooses to suicide, which is the one last spying she could decide for herself. Franco Zeffirellis version of Ophelia seems to have a much simpler explanation of why Ophelia became mad . Because this version of Ophelia is young and confused, therefore it will make sense that Ophelia is obedient to Polonius like a puppet ; once the…
He has been holding onto the secret about his uncle for a long period of time and is struggling with knowing how to avenge his father’s death. The difficulties in Hamlet’s life continue to add up and cause him to become more on edge. Polonius, the King’s helper and Ophelia’s father, tries to convince the King and Queen that Hamlet is acting crazy simply because he is in love with Ophelia. A plan is then created where Ophelia stands and waits for Hamlet while Polonius, Claudius and Gertrude hide and observe Hamlet’s actions. Once Hamlet approaches Ophelia, he realizes that he has been set up and is furious. Although Hamlet is clearly irate because he is being spied on, it is implied that part of Hamlet’s frustration is due to the betrayal and dishonesty from Ophelia, the one he loves. Hamlet has little trust in anyone at this point, and now he cannot trust the one who holds his heart. Hamlet reproaches Ophelia, “Get thee to a nunnery, go. Farewell. Or, if thou wilt needs marry, marry a fool; for wise men know well enough what monsters you make of them. To a nunnery, go; and quickly too. Farewell” (III, 1, 54). This quote is proof that Hamlet is very upset with Ophelia and no longer wants to be associated with her because he does not trust her. It is likely that Hamlet feels alone because he is facing many problems on his own and cannot trust the people who are important to…
Throughout William Shakespeare's Hamlet, Hamlet portrays what Sigmund Freud calls the Oedipal Complex. When the relationship between Hamlet and his mother is analyzed, Freud's Oedipal complex theory comes to mind. The Oedipal complex is a theory created by Freud that states that the child takes both of its parents, and more particularly one of them, as the object of its erotic wishes. Because of this desire to be with the parent of the opposite sex, a rivalry is formed with the parent of the same sex. In the play, Hamlet shows great hostility toward his uncle Claudius, his male opponent. Hamlet sees his mother's remarriage as a disgusting act of betrayal and sees murdering Claudius as a way of freeing his mother of an incestuous marriage as well as avenging his father. Hamlet and his mother's relationship are also shown as more sexual than the traditional mother son relationship because of Hamlet's language and private interaction with his mother.…