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The 1960 Alfred Hitchcock horror movie Psycho is a perfect example of a movie that largely depended on the procedure and technique of editing and sound mixing. The movie can be understood as perfect example where the editing and sound mixing were used to perfection. There are different types of shots that are used in the movie. The shot is distinct by editing but editing can also work to join the shots together. There are numerous ways of implementation of the transition, some more obvious than others. In the logical tradition, editing aids to establish space and lead the observer to the most noticeable aspects of a scene.
The shower incorporates Cheat cut. In the shower editing system, a cut which signifies to show nonstop time and space from shot to shot but which really mismatches the location of figures or objects in the scene. Cheat cuts were also often used in the movie clip to mask the relatively short build of leading men in kin to their elegant female co-stars
Parallel editing is also used in the movie. This is an editing that substitutes shots of two or more lines of act occurring in unlike places, usually concurrently. The two activities are therefore linked, connecting the characters from the both lines of action. The editor uses parallel editing transversely with space and time to propose that antiquity repeats itself, generation after generation. There were also close up shots that meant to frighten the audience. An example of this shot is the "in the shower shot" which was destined to also scare the audience. Notwithstanding the blood perceived in the shower shot was chocolate syrup, not actual blood.
The shots after all changes from that specific close up shot to what might be regarded as an eye-line identical shot, in which we as the spectators see the thoroughfare in front of the character. The spectators begin to notice

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