NOTE: Picture below is after 48 hours of all three samples sitting in a warm place.…
In the case of Alicia Huberman (Ingrid Bergman), her father’s prison sentence leaves her skeptical of others, yet longing for a new companion in her life. She has a reliance on alcohol to wash her troubles away. R. Devlin’s (Cary Grant) a stranger from the party, a very mystery man. The Party takes place at Miami, FL. The camera pans right across Cary Grant’s back and comes to rest behind his right shoulder. The camera is placed behind and to the right of Cary Grant who is sitting and facing away from the camera. In the immediate foreground masking out a small portion of the bottom left corner of the frame is the silhouette of Cary Grant’s right shoulder and part of his head. This establishes that it is a tacitly objective shot from the point of view of Cary Grant. As we move to the right though the frame in the foreground Ingrid Bergman is sitting facing towards Cary Grant and the camera at eye level. It is a medium shot from her navel up and she sits nearly in the center of the frame in front of Cary Grant. Their relation relative to each other is conclusive of a possible a romance and long lasting connection. In the background dividing the frame in half behind Ingrid Bergman is a couple dancing. Finally, in the foreground on the right side of the frame sits a man who is profiled and masks out about a third of the bottom half of the frame. The significance of the guests framed is they act as a sort of mask leading our eyes to Ingrid Bergman’s glances and expressions toward Cary Grant in the foreground of the frame. , the shot establishes Cary Grant’s role as a man of mystery and foreshadows an element of romance between Ingrid Bergman and Cary Grant.…
Luhrmann, through the use of textual, audio and visual film techniques, has effectively depicted Satine’s role as head courtesan of the Moulin Rouge and her duty to uphold Zidler’s interests. We are firstly introduced into Satine’s world in the ‘Diamond Dogs’ scene, where Bourgeoisie gentlemen are seen to be carousing with the dancers and courtesans of the infamous Moulin Rouge. The scene sets a mis-en-scene with the polyglot of diverse and somewhat grotesque looking performers, combined with seductive costumes and vibrant colors which effectively create a fantasy world for the upper class men. Luhrmann’s use of close-ups of the dancers naked limbs, combined with the Bourgeoise men singing “Here we are now, entertain us. We feel stupid and contagious” meritoriously illustrates the exploitative nature of Harold Zidler and his performers to have successfully gotten the “upper class gentlemen” to sing these words that lower their reputation as the elite. The repetitious shots of Christian’s face showing shock also reflects the breathtaking nature of the salubrious Moulin Rouge.…
This essay will focus on the current representation of women and men in the classical Holly Wood western film High Noon, focusing on the gender roles of each character and the stereotypical roles that are given.…
We all watch films, and documentaries. Generally, we learn some things from them, but can we be sure what we learned is true, and objective? If the films compare and analyze the context (religion, language, etc.) well, we call these kinds of films as ‘ethnographic’ films. A simple question can be appeared in our minds: which films are the ethnographic films? We will try to find an answer to this question with discussing the intentions, the wholeness and the ethics of ethnographic film-making.…
This film is a motion picture displaying the life of Marie Antoinette as a young queen. It trails Marie’s life as she matures from a teenage bride to a young woman expressing her nature and her life of fabulousness and outrageousness. She was only 14 years old when she was pledged to marry Louis XVI for an alliance that had nothing to do with love. She then was sent to France, ripping completely from her old life. As time had passed, Marie had found life at Versailles stifling. She was constantly hated for being a foreigner and not having produced a heir to the throne. As Marie gradually begins to adjust to her new life, she began treating her self to lavish pastries and gambling with the other women. Louis continued to invest in foreign conflicts such as the American Revolution sending France further into dept. eventually Marie and Louis have their first child, she gave birth to a daughter, Maria Therese. As France’s financial crisis worsens more riots break out and food shortages become more extensive. Marie Antoinette’s was very hated because of her luxurious lifestyle. She then gave birth to a boy, Louis-Joseph and then her second daughter Sophie, who died shortly after. The film ends with the shot of the queen’s bedroom destroyed by looters.…
At the age of 17, the future designer, Coco Chanel, was sent to live in an orphanage, where nuns taught her the basic techniques of sewing and helped her land a local job as a seamstress. However, this life was meant for more exciting things than a seamstress, and so the ambitious young girl took off for the town of Moulins to become a cabaret singer. While the experience in Moulins did not open up any singing opportunities, it did set this life story in a new direction. Chanel met Etienne Balsan, a rich, young French man, who soon made her a mistress. Bored with her life as a mistress, it wasn’t long before she would approach Balsan with…
This short drama film follows two protagonists and their struggles with bullying, social media and trust. The “popular” girl Abby Hull is beautiful, seemingly confident and can be very mean when she wants to be. Although she has no trouble being a bully in the really world, Abby prefers to do it behind the protection of her computer. Abby picks on numerous girls over social media because of dark issues that reside inside her due to her everyday struggle with her home life. Abby has no control at her house so she feels the need to make others lower than her so she can feel more powerful. When Abby begins to feel more than ever helpless with her home issues she picks a new victim, Erin Geller. Erin is almost the opposite of Abby as she is very self-conscious and is a daily victim of bullying. Because Erin is very critical of herself and is “different “she proves to be the perfect target for Abby to pick on. Abby begins her quest to make Erin’s confidence drop by commenting, messaging and posting awful things on Erin’s profile. After numerous cyber-attacks by Abby, Erin finally decides that enough is enough and takes action.…
Every so often a movie is released with such tense anticipation and glamorous visual art that the public is drawn to this dramatic rendition of life in the theatre. For even just two hours or so, you are put into a different lifestyle. Action, drama or comedy it may be. We are thrust into a different way of thinking. We are forced to learn the characters thoughts and feelings. The hard work and artistic skill that goes into these magnificent films is not an easy thing to mimic. Out of the thousands of movies released worldwide each year only a handful are truly worthy of the label film art. Most of the great movies are either produced by a multi million dollar company that hired a director with quite a bit of experience under his belt, or are made with little money and slowly find their way into the film business due to…
1. What is a camera? A camera is a light-tight box containing a light sensitive material or device and a way of letting in a desired amount of light at specific times to create a picture on the light sensitive material.…
Glossary – Selected Terms for Film Analysis General film terms backlighting filming a person or event against a background of light, especially the sun, which produces an idealized or romantic effect words that are shown on a cinema screen to caption establish the scene of a story composition the arrangement of people or things in a film scene credits the list of people who were involved in the making of a film director the person responsible for the artistic production of a film, e.g. the lighting, camera work, action, and the actors' interpretation of their roles feature film film which tells a story (as compared, for example, to a documentary film) motion picture the North American term for 'film' / movie producer the person responsible for the overall organization, especially the financing and marketing, of a film scene a shot or series of shots that usually deal(s) with a single action the script of a film, including the dialogue and…
The film Moulin Rouge! is a classic love story which Luhrmann had modeled after the opera ‘La Traviata’, and it is known for bringing back ‘live-action musicals’ (Green, 1). Christian follows the Bohemian Revolution to Paris in 1899 and falls in love with the lead dancer of the Moulin Rouge, Satine, who is slowly dying of tuberculosis. They must hide their love or risk losing the deeds to the Moulin Rouge, and though their love lasts to the end of the film Satine eventually succumbs to her illness and dies in Christians arms (Moulin Rouge!, Baz Luhrmann).…
When thinking randomly about ads on television or at the theatres, as long as it is presented in some form of film, a few successful ones voluntarily emerge in our minds. Whether they have conquered their places in our memory by means of violence, comedy or any other possible way is a subjective matter. The unquestionable truth is that all of these vending tools have auspiciously achieved their goals. But one has particularly impressed its viewers and still does, predisposing legions of marketing professionals which have been externalizing their allegiance to it through the subsequent films of the gender. The world of publicity had never experienced such a revolution until this absolutely astonishing commercial debuted in the late 80's. And this is Brazil's newspaper Folha de S. Paulo's Hitler advertisement.…
John G. Avildsen uses many different techniques in the film _The Power of One._ For example the structure, the different camera angles, sound and symbolism are key techniques used throughout the film.…
It's over. That person is gone. Why do we have to part while the love is still there? Why do we have to suffer? Why do we have to cry when somebody bids goodbye? Why do beginnings have an end? Why do we have to meet only to lose in the end? There are questions left unanswered, words left unsaid, letters left unread, poems left undone, songs left unsung, love left unexpressed, promises left unfulfilled. In a relationship, one of the hardest things to do is saying goodbye and letting go. It is as hard as breaking a crystal because you'll never know when you will be able to pick up the pieces again. More often than not, they who go feel not the pain of parting: it is they who stay behind that suffer, because they are left with memories of a love that was meant to be, a love that was. At the beginning and at the end of a relationship, we are embarrassed to find ourselves alone. Unfair as it may seem, but that's the way love goes. That's the drama, the bittersweet and the risk of falling in love. After all, nothing is constant but change. Everything will eventually come to its end without us knowing when, without us knowing how, without us even knowing why. In letting go, sorrows come not as a single spy but in battalion. It seems that everywhere you go, everything you do, every song you hear, every turn of your head, every move of your body, every beat of your heart, every blink of your eye and every breath you take always reminds you of him. It's like a stab of a knife, a torture in the night. Funny how the whole world becomes depopulated when only one person is missing. Just imagine, there are billion people on earth and yet it seems you feel lonely and empty without the other. I don't know if it's worth calling an art, but letting go entails special skills sparkled with a considerable space and time. Time heals all wounds but it takes a little push on our part. Acceptance plays a part. Not all love stories end…