Film Genre
Film genre
From Wikipedia, the free encyclopedia
See also: List of genres#Film genres and television genre
In film theory, genre ( /ˈʒɒnrə/ or /ˈdʒɒnrə/) refers to the method based on similarities in the narrative elements from which films are constructed. Most theories of film genre are borrowed from literary genre criticism. As with genre in a literary context, there is a great deal of debate over how to define or categorize genres.[citation needed]. Besides the basic distinction in genre between fiction and documentary (from which hybrid forms emerged founding a new genre, docufiction), film genres can be categorized in several ways.
Fictional films are usually categorized according to their setting, theme topic, mood, or format[citation needed] . The setting is the milieu or environment where the story and action takes place. The theme or topic refers to the issues or concepts that the film revolves around. The mood is the emotional tone of the film. Format refers to the way the film was shot (e.g., anamorphic widescreen) or the manner of presentation (e.g.: 35 mm, 16 mm or 8 mm). An additional way of categorizing film genres is by the target audience. Some film theorists argue that neither format nor target audience are film genres.[citation needed]
Film genres often branch out into subgenres, as in the case of the courtroom and trial-focused subgenre of drama known as the legal drama. They can be combined to form hybrid genres, such as the melding of horror and comedy in the Evil Dead films.
Contents
1 Definition
2 Categorization
3 References
4 Further reading
Definition
Martin Loop argues that Hollywood films are not pure genres, because most Hollywood movies blend the love-oriented plot of the romance genre with other genres.[1] Staiger classifies Andrew Tutor 's ideas that the genre of film can be defined in four ways. The "idealist method" judges films by predetermined standards. The "empirical method" identifies the genre of a film
From Wikipedia, the free encyclopedia
See also: List of genres#Film genres and television genre
In film theory, genre ( /ˈʒɒnrə/ or /ˈdʒɒnrə/) refers to the method based on similarities in the narrative elements from which films are constructed. Most theories of film genre are borrowed from literary genre criticism. As with genre in a literary context, there is a great deal of debate over how to define or categorize genres.[citation needed]. Besides the basic distinction in genre between fiction and documentary (from which hybrid forms emerged founding a new genre, docufiction), film genres can be categorized in several ways.
Fictional films are usually categorized according to their setting, theme topic, mood, or format[citation needed] . The setting is the milieu or environment where the story and action takes place. The theme or topic refers to the issues or concepts that the film revolves around. The mood is the emotional tone of the film. Format refers to the way the film was shot (e.g., anamorphic widescreen) or the manner of presentation (e.g.: 35 mm, 16 mm or 8 mm). An additional way of categorizing film genres is by the target audience. Some film theorists argue that neither format nor target audience are film genres.[citation needed]
Film genres often branch out into subgenres, as in the case of the courtroom and trial-focused subgenre of drama known as the legal drama. They can be combined to form hybrid genres, such as the melding of horror and comedy in the Evil Dead films.
Contents
1 Definition
2 Categorization
3 References
4 Further reading
Definition
Martin Loop argues that Hollywood films are not pure genres, because most Hollywood movies blend the love-oriented plot of the romance genre with other genres.[1] Staiger classifies Andrew Tutor 's ideas that the genre of film can be defined in four ways. The "idealist method" judges films by predetermined standards. The "empirical method" identifies the genre of a film
References: Altman, Rick. Film/Genre . BFI Publishing (1999). ISBN 0-85170-717-3; ISBN 978-0-85170-717-4 Grant, Barry