Film Techniques In Klute By Alan Pakula

“In Klute (Alan Pakula, 1971), Pakula employs a combination of film techniques –specifically mobile framing and the use of different shot angles – in order to constrcut a feeling of voyeurism for the audience. Very high shot angles and tracking shots that are unusually long and often from a concealed or dark point of view place the audience in the stalker’s shoes in these scenes in throughout the film. These techniques make the audience feel anxious and uncomfortable