The Style Network used a bold weight of Didot in its on-air identity (in addition to the News Gothic font). Alexey Brodovitch implemented the usage of Didot in Cahiers d'Art and Harper's Bazaar. Vogue has been using Didot as the typeface for their cover title since 1955. nteresting facts? Several revivals of the Didot faces have been made, first for hot metal typesetting and then for phototype and digital versions. Digital use of Didot poses challenges. While can it look very elegant due to the regular, rational design and fine strokes, a known effect on readers is 'dazzle', where the thick verticals draw the reader's attention and cause them to struggle to concentrate on the other, much thinner strokes that define which letter is which. For this reason, using a font adapted to the intended text size - optical sizing - has been described as particularly essential with Didone designs. The font family? Bodoni Bodoni is the name given to the serif typefaces first designed by Giambattista Bodoni in the late eighteenth century and frequently revived since. Bodoni's typefaces are classified as Didone or modern. Franklin Gothic Franklin Gothic and its related faces are a large family of realist sans-serif typefaces developed by the type foundry American Type Founders and credited to its head designer Morris Fuller
The Style Network used a bold weight of Didot in its on-air identity (in addition to the News Gothic font). Alexey Brodovitch implemented the usage of Didot in Cahiers d'Art and Harper's Bazaar. Vogue has been using Didot as the typeface for their cover title since 1955. nteresting facts? Several revivals of the Didot faces have been made, first for hot metal typesetting and then for phototype and digital versions. Digital use of Didot poses challenges. While can it look very elegant due to the regular, rational design and fine strokes, a known effect on readers is 'dazzle', where the thick verticals draw the reader's attention and cause them to struggle to concentrate on the other, much thinner strokes that define which letter is which. For this reason, using a font adapted to the intended text size - optical sizing - has been described as particularly essential with Didone designs. The font family? Bodoni Bodoni is the name given to the serif typefaces first designed by Giambattista Bodoni in the late eighteenth century and frequently revived since. Bodoni's typefaces are classified as Didone or modern. Franklin Gothic Franklin Gothic and its related faces are a large family of realist sans-serif typefaces developed by the type foundry American Type Founders and credited to its head designer Morris Fuller